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Audrey Craven

<h2>CHAPTER IV</h2> There was a certain truth in Hardy's description of Ted Haviland. Ted had all a baby's fascination, a baby's irresponsibility, and a baby's rigid tenacity of purpose. There perhaps the likeness ended. At any rate, Ted had contrived to plan a career for himself at the age of seven, had said nothing about it for ten years, and then quietly carried it through in spite of circumstances and the influential members of his family. These powers had been against him from the first. His mother had died in giving him birth; and as his father chose to hold him directly responsible for the tragedy, his early years were passed somewhat under a cloud. Katherine was his only comfort and stay. The girl had five years the start of him, which gave her an enormous advantage in dealing with the uncertain details of life. Her method was simplicity itself. It was summed up in the golden rule: Take your own way first, and then let other people take theirs. It was in this spirit that, mounted on a table, she painted the great battle-piece that covered the north wall of the nursery; and with equal heroism she met the unrighteous Nemesis that waits upon mortal success, and[Pg 41] skipped off to bed at three o'clock in the afternoon as if to a tea-party. Ted worshipped his sister, because of her courage and resource, because of her fuzzy black hair cut short like a boy's, for the strength of her long limbs, and for a hundred other reasons. And Katherine loved Ted with a passion all the more intense because he was the only creature she knew that would let itself be loved comfortably; for "Papa" was an abstraction, and "Nurse" erred on the opposite extreme, being a terribly concrete reality, with a great many acute angles about her, which was a drawback to demonstrations of affection. One day Katherine mixed some colours for Ted and taught him how to manage a pencil and paint-brush. That was just before she went to school, and then Ted said to himself, "I too will paint battle-pieces"; and he painted them in season and out of season, and was obliged to hide them away in drawers and cupboards and places, for there was no one to care for them now that Kathy was gone. As for that headstrong young person, her method was so far successful that when she was eighteen it began to be rumoured in the family that Katherine would do great things, but that Ted was an idle young beggar. The boy had shown no talent for anything in particular, and nobody had thought of his future: not Katherine—she was too busy with her own—and certainly not his father, who at the best of times lived piously in the past with the memory of[Pg 42] his dead wife, and was day by day loosening his hold upon the present. For Ted "Papa" became more and more an abstraction, until a higher Power withdrew him altogether from earthly affairs. Mr. Haviland had lived in a melancholy gentility on a pension which died with him, and at his death the children were left with nothing but the pittance they inherited from their mother. When the family met in solemn conclave to decide the fate of Katherine and Ted, it learned that Katherine, true to her old principles, had taken the decision into her own hands. She meant to live for art and by art, and Uncle James was much mistaken if he thought that an expensive training was to be flung away upon a "niggling amateur." At any rate, she had taken a studio in Pimlico and furnished it, and as she had come of age yesterday, there was really no more to be said. Ted, of course, would live with her, and choose his own profession. But Ted's profession was not so easily chosen. The boy had brought a perfectly open mind to the subject, and discussed the reasons for and against the Church, the Bar, the Bank, and a trade, with admirable clearness and impartiality; but when invited to make a selection from among the four, he betrayed no enthusiasm. Finally he was asked if he had any objection to the medical profession, and replied that he had none, having, indeed, never thought about it. On the whole, he considered that the idea was not a bad[Pg 43] one, and he would try it. He tried it for a year and a half, but not altogether with success. He had been advised to take up surgery, for a great man had noticed his long sensitive fingers, and told him that he had the hands of a born surgeon. He managed to get through the hours in the dissecting-room, standing on his head from time to time as a precaution against faintness; but his heroism gave way before the horrors of the theatre. Soon, with indignation naturally mingled with pleasure at this fulfilment of its own predictions, the family heard that Ted had flung up the medical profession. That the boy had the hands of a born surgeon was considered to be an aggravation of his offence; it constituted it flying in the face of Providence. When Ted drew attention to the fact that he had passed first in Comparative Anatomy, his uncle James told him that stupidity was excusable, and that his abilities only proved him a lazy good-for-nothing fellow. He then offered him a berth in his office, with board and lodging in his own house; and as Ted was in low water, there was nothing for it but to accept. Mr. James Pigott remained master of the situation, without a suspicion of its pathetic irony. Ted, whose intellect was incapable of adding two and two together, had to sit on a high stool and work endless sums in arithmetic. Ted, whose soul was married sub rosa to ideal beauty, had to live in a house where every object had the same unwinking self-complacent ugliness, and where the cook was[Pg 44] the only artist whose genius was appreciated. Ted was a little bit of a Stoic, and he could have borne the long impressive dinners and the unstudied malice of the furniture, if only his uncle would have let him alone. But Mr. Pigott was nothing if not conscientious; and now that he had him under his thumb, he made superhuman efforts to understand his nephew's character and to win his confidence. The poor gentleman might just as well have tried to understand the character of an asymptote, or to win the confidence of a Will-o'-the-wisp; and nothing but misery can come of it when a middle-aged city merchant, born without even a rudimentary sense of humour, suddenly determines to cultivate that gift for the benefit of a boy who can detect humour in the wording of an invoice. Well, he never knew how it happened—his mind might have been running on an illustrated edition of the cash accounts of Messrs. Pigott & Co.—but at last Ted made an arithmetical blunder so unprecedented, so astounding, that a commercial career was closed to him for ever. "Stupidity is excusable," said Uncle James. "If you had been stupid, I would have forgiven you; but you have ability enough, sir, and it follows that you are careless—criminally careless—and I wash my hands of you." And, like Pilate, he suited the action to the word. So it happened that as Katherine was putting the last touches to her great picture "The Witch of[Pg 45] Atlas," and to her sketch of an elaborate future, Fate stepped in and altered all her arrangements. She called it Fate, for she never could bring herself to say it was Ted. For months she had been living in a dream, in which she was no longer a poor artist toiling in a London garret: she was on the highest peak of Atlas, in the land where, as you know, dreams last forever, where the light comes down unfiltered through the transcendental air, and where, owing to the unmelting ice and snow, the shadows are always colours. To live for art and by art—she had not yet realised the incompatibility of these two aims; for Katherine was as uncompromising in this as in everything else, and refused to work in a liberal and enlightened spirit. She believed that beauty is the only right or possible or conceivable aim of the artist, and she was ready to sacrifice a great deal for this belief. For this she slept and worked in one room, which she left bare of all but necessary furniture—under which head, in defiance of all laws of political economy, she included a small Pantheon of plaster deities: for this she stinted herself in everything except air and exercise, which were cheap; and for this she refused to join housekeeping with her cousin Nettie, thereby giving lasting offence to an influential branch of the family. At the end of three years she had begun to hope, and to feel the quickening of new powers; and as her nature expanded, her art took on a subtler quality, a subdued and delicate sensuousness, which, it[Pg 46] must be owned, had very little in common with the flesh and blood of ordinary humanity. She was painting steadily, in a pallid fervour of concentrated excitement, the ease of her pliant hands contrasting with her firm lips and knitted brows, when Ted burst into the studio, with a thin Gladstone bag in one hand and a fat portfolio in the other. His face told her of a crisis in his history; it was humorous, pathetic, deprecating, and determined, all at once,—not the face of a boy dropping in casually at tea-time. When asked if anything had gone wrong at the office, he replied, "Probably—by this time. They lost their brightest ornament this morning. You see they said—among other things—that it wasn't the least use my stopping, as I hadn't any head for figures,—which was odd, considering that it's just with figures I've been most successful." But Katherine was to judge for herself. He sat down leisurely and began untying his portfolio. Then he caught sight of "The Witch of Atlas." "That's going to be a stunning picture, Kathy," said he. He stood before the canvas for a moment, and then turned abruptly away. When he looked at Katherine again, his face was set and a little flushed. He seemed to be making a calculation—a thing he had always some difficulty in doing. "You've been at it practically all your life; but it took you—one—two—three—five years' real hard work, didn't it, before you could paint like that?"[Pg 47] "Yes, Ted, five years' hard labour, with costs." "It'll take me four. Thank heaven, I've learnt anatomy!" Katherine said nothing: she had opened the portfolio and spread out the drawings, and was hanging over them in amazement. How, when, and where the boy had done the things, she could not imagine. There were finished studies in anatomy, of heads and limbs in every conceivable attitude. There were shilling drawing-books crammed with illustrations of most possible subjects and some impossible ones; loose sketches done on the backs of envelopes, the fly-leaves of books, and (fearful revelation of artistic depravity!) the ruled pages of ledgers. And in every one of them there was power and wild exuberant vitality. It was genius, rampant and undisciplined, but unmistakable; and she told him so. Her first feeling sent the blood to her cheeks for pure joy; her second drove it back to her heart again. Katherine was one of those people who can see a thing instantly, in all its possible bearings; and at the present moment she saw clearly, not only that Ted was a genius, but that his genius had everything to learn, and that it would take the whole of his tiny income to teach it, while the necessities of his board and lodging in the meanwhile would more than double her own expenses. She saw herself doomed to the production of an unbroken succession of pot-boilers, and for the next few years at least[Pg 48] Ted's career was only possible at the sacrifice of her own. "Yes," she said at last, sitting down and tying the strings of the portfolio tenderly, "you'll have to work hard for four or five years or so; and then you'll have to wait. Art is long, you know, and high art's the longest of all." And when she told him that it would be a great help to her if they clubbed together, Ted actually believed her, so unaware was he of the complexities of life. Katherine understood why Ted had gone to Guy's Hospital; but when she asked him—idiot!—why he had wasted a year at his uncle Pigott's office, he said that he wanted to prove to his uncle Pigott's limited capacity that he was utterly incapable of managing anybody's business but his own. Katherine asked no more questions, for she was trying to think. Then when she had done thinking, she took the Witch and turned her with her face to the wall. And when she looked at Ted again it was with a choking sensation, and for the first time for three years she was aware that she had a heart beating under the blue overall. She had come down from Atlas faster than she had gone up. After all, the climate there is frightfully cold, and there are passes on that lonely mountain which overhang the bottomless pit, where some have perished very miserably. Katherine had escaped the abyss, and left behind her the dreams and the golden mists and the starry peaks of ice. It was dark in the studio, and a voice was heard inquiring whether[Pg 49] the young gentleman was going to stay for supper, "Because, if a bysin of hoatmeal porridge yn't enuff for one——" Mrs. Rogers was great in the argument a fortiori.[Pg 50] <hr style="width: 65%;" /> <div style="break-after:column;"></div>

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