<h2><SPAN name="XXXV_THE_FIRST_PLAYS" id="XXXV_THE_FIRST_PLAYS"></SPAN>XXXV. THE FIRST PLAYS.</h2>
<p>In the days of Solon, men were often to be seen wandering around the
streets during the festival of Di-o-ny´sus, god of wine. They were clad
in goatskins, were smeared with the dregs of wine, and danced and sang
rude songs in honor of their god.</p>
<div class="figcenter"> <ANTIMG src="images/illus-0314-1.jpg" width-obs="799" height-obs="587" alt="Theater of Dionysus." title="Theater of Dionysus." /> <span class="caption">Theater of Dionysus.</span></div>
<p><!-- Page 93 --><span class="pagenum"><SPAN name="Page_93" id="Page_93">[Pg 93]</SPAN></span></p>
<p>These songs were called tragedies, which in Greek means "goat songs,"
because the goat was sacred to the god whom they thus worshiped. The
people were greatly amused by the rude songs and dances of these
worshipers of Dionysus, and crowds gathered about them to listen to
their singing and to watch their antics.</p>
<p>Thes´pis, a Greek of great intelligence, noticed how popular these
amusements were, and to please the public taste he set up the first rude
theater. In the beginning it was only a few boards raised on trestles to
form a sort of stage in the open air; but Thespis soon built a booth, so
that the actors, when not on the stage, could be hidden from public
view.</p>
<div class="figright"> <ANTIMG src="images/illus-0316-1.jpg" width-obs="267" height-obs="546" alt="Sophocles." title="Sophocles." /> <span class="caption">Sophocles.</span></div>
<p>The first plays, as already stated, were very simple, and consisted of
popular songs rudely acted. Little by little, however, the plays became
more and more elaborate, and the actors tried to represent some of the
tales which the story-tellers had told.</p>
<p>Some people did not approve of this kind of amusement; and among them
was Solon, who said that Thespis was teaching the Athenians to love a
lie, because they liked the plays, which, of course, were not true.</p>
<p>In spite of Solon's displeasure, the actors went on playing, and soon
the best poets began to write works for the stage. The actors became
more and more skillful, and had many spectators, although no women were
allowed on the stage, their parts being taken by men.</p>
<p>Finally, to make room for the ever-increasing number of theater goers, a
huge amphitheater was built. It was so large, we are told, that there
were seats for thirty thousand spectators. These seats were in
semicircular<!-- Page 94 --><span class="pagenum"><SPAN name="Page_94" id="Page_94">[Pg 94]</SPAN></span> rows or tiers, of which there were one hundred, rising one
above another. The lowest row of all, near the orchestra, was composed
of sixty huge marble chairs. The amphitheater was open to the sky, the
stage alone being covered with a roof; and all the plays were given by
daylight. The ruins of this building, which is known as the Theater of
Dionysus, were dug out in 1862, and are now often visited by people who
go to Athens.</p>
<p>The Greek actors soon dressed in costume, and all wore masks expressing
the various emotions they wished to represent. The principal parts of
the play were recited; but from time to time singers came on the stage,
and chanted parts of the play in chorus.</p>
<p><!-- Page 95 --><span class="pagenum"><SPAN name="Page_95" id="Page_95">[Pg 95]</SPAN></span></p>
<p>Some of these plays were so sad that the whole audience was melted to
tears; others were so funny that the people shouted with laughter. When
you learn Greek, you will be able to read the grand tragedies which were
written by Æs´chy-lus, Soph´o-cles, and Eu-rip´i-des, and the comedies
or funny plays of Ar-is-toph´a-nes.</p>
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