<h2> CHAPTER XLIX </h2>
<p>
Madame Merle had not made her appearance at Palazzo Roccanera on the
evening of that Thursday of which I have narrated some of the incidents,
and Isabel, though she observed her absence, was not surprised by it.
Things had passed between them which added no stimulus to sociability, and
to appreciate which we must glance a little backward. It has been
mentioned that Madame Merle returned from Naples shortly after Lord
Warburton had left Rome, and that on her first meeting with Isabel (whom,
to do her justice, she came immediately to see) her first utterance had
been an enquiry as to the whereabouts of this nobleman, for whom she
appeared to hold her dear friend accountable.
</p>
<p>
“Please don’t talk of him,” said Isabel for answer; “we’ve heard so much
of him of late.”
</p>
<p>
Madame Merle bent her head on one side a little, protestingly, and smiled
at the left corner of her mouth. “You’ve heard, yes. But you must remember
that I’ve not, in Naples. I hoped to find him here and to be able to
congratulate Pansy.”
</p>
<p>
“You may congratulate Pansy still; but not on marrying Lord Warburton.”
</p>
<p>
“How you say that! Don’t you know I had set my heart on it?” Madame Merle
asked with a great deal of spirit, but still with the intonation of
good-humour.
</p>
<p>
Isabel was discomposed, but she was determined to be good-humoured too.
“You shouldn’t have gone to Naples then. You should have stayed here to
watch the affair.”
</p>
<p>
“I had too much confidence in you. But do you think it’s too late?”
</p>
<p>
“You had better ask Pansy,” said Isabel.
</p>
<p>
“I shall ask her what you’ve said to her.”
</p>
<p>
These words seemed to justify the impulse of self-defence aroused on
Isabel’s part by her perceiving that her visitor’s attitude was a critical
one. Madame Merle, as we know, had been very discreet hitherto; she had
never criticised; she had been markedly afraid of intermeddling. But
apparently she had only reserved herself for this occasion, since she now
had a dangerous quickness in her eye and an air of irritation which even
her admirable ease was not able to transmute. She had suffered a
disappointment which excited Isabel’s surprise—our heroine having no
knowledge of her zealous interest in Pansy’s marriage; and she betrayed it
in a manner which quickened Mrs. Osmond’s alarm. More clearly than ever
before Isabel heard a cold, mocking voice proceed from she knew not where,
in the dim void that surrounded her, and declare that this bright, strong,
definite, worldly woman, this incarnation of the practical, the personal,
the immediate, was a powerful agent in her destiny. She was nearer to her
than Isabel had yet discovered, and her nearness was not the charming
accident she had so long supposed. The sense of accident indeed had died
within her that day when she happened to be struck with the manner in
which the wonderful lady and her own husband sat together in private. No
definite suspicion had as yet taken its place; but it was enough to make
her view this friend with a different eye, to have been led to reflect
that there was more intention in her past behaviour than she had allowed
for at the time. Ah yes, there had been intention, there had been
intention, Isabel said to herself; and she seemed to wake from a long
pernicious dream. What was it that brought home to her that Madame Merle’s
intention had not been good? Nothing but the mistrust which had lately
taken body and which married itself now to the fruitful wonder produced by
her visitor’s challenge on behalf of poor Pansy. There was something in
this challenge which had at the very outset excited an answering defiance;
a nameless vitality which she could see to have been absent from her
friend’s professions of delicacy and caution. Madame Merle had been
unwilling to interfere, certainly, but only so long as there was nothing
to interfere with. It will perhaps seem to the reader that Isabel went
fast in casting doubt, on mere suspicion, on a sincerity proved by several
years of good offices. She moved quickly indeed, and with reason, for a
strange truth was filtering into her soul. Madame Merle’s interest was
identical with Osmond’s: that was enough. “I think Pansy will tell you
nothing that will make you more angry,” she said in answer to her
companion’s last remark.
</p>
<p>
“I’m not in the least angry. I’ve only a great desire to retrieve the
situation. Do you consider that Warburton has left us for ever?”
</p>
<p>
“I can’t tell you; I don’t understand you. It’s all over; please let it
rest. Osmond has talked to me a great deal about it, and I’ve nothing more
to say or to hear. I’ve no doubt,” Isabel added, “that he’ll be very happy
to discuss the subject with you.”
</p>
<p>
“I know what he thinks; he came to see me last evening.”
</p>
<p>
“As soon as you had arrived? Then you know all about it and you needn’t
apply to me for information.”
</p>
<p>
“It isn’t information I want. At bottom it’s sympathy. I had set my heart
on that marriage; the idea did what so few things do—it satisfied
the imagination.”
</p>
<p>
“Your imagination, yes. But not that of the persons concerned.”
</p>
<p>
“You mean by that of course that I’m not concerned. Of course not
directly. But when one’s such an old friend one can’t help having
something at stake. You forget how long I’ve known Pansy. You mean, of
course,” Madame Merle added, “that <i>you</i> are one of the persons
concerned.”
</p>
<p>
“No; that’s the last thing I mean. I’m very weary of it all.”
</p>
<p>
Madame Merle hesitated a little. “Ah yes, your work’s done.”
</p>
<p>
“Take care what you say,” said Isabel very gravely.
</p>
<p>
“Oh, I take care; never perhaps more than when it appears least. Your
husband judges you severely.”
</p>
<p>
Isabel made for a moment no answer to this; she felt choked with
bitterness. It was not the insolence of Madame Merle’s informing her that
Osmond had been taking her into his confidence as against his wife that
struck her most; for she was not quick to believe that this was meant for
insolence. Madame Merle was very rarely insolent, and only when it was
exactly right. It was not right now, or at least it was not right yet.
What touched Isabel like a drop of corrosive acid upon an open wound was
the knowledge that Osmond dishonoured her in his words as well as in his
thoughts. “Should you like to know how I judge <i>him</i>?” she asked at
last.
</p>
<p>
“No, because you’d never tell me. And it would be painful for me to know.”
</p>
<p>
There was a pause, and for the first time since she had known her Isabel
thought Madame Merle disagreeable. She wished she would leave her.
“Remember how attractive Pansy is, and don’t despair,” she said abruptly,
with a desire that this should close their interview.
</p>
<p>
But Madame Merle’s expansive presence underwent no contraction. She only
gathered her mantle about her and, with the movement, scattered upon the
air a faint, agreeable fragrance. “I don’t despair; I feel encouraged. And
I didn’t come to scold you; I came if possible to learn the truth. I know
you’ll tell it if I ask you. It’s an immense blessing with you that one
can count upon that. No, you won’t believe what a comfort I take in it.”
</p>
<p>
“What truth do you speak of?” Isabel asked, wondering.
</p>
<p>
“Just this: whether Lord Warburton changed his mind quite of his own
movement or because you recommended it. To please himself I mean, or to
please you. Think of the confidence I must still have in you, in spite of
having lost a little of it,” Madame Merle continued with a smile, “to ask
such a question as that!” She sat looking at her friend, to judge the
effect of her words, and then went on: “Now don’t be heroic, don’t be
unreasonable, don’t take offence. It seems to me I do you an honour in
speaking so. I don’t know another woman to whom I would do it. I haven’t
the least idea that any other woman would tell me the truth. And don’t you
see how well it is that your husband should know it? It’s true that he
doesn’t appear to have had any tact whatever in trying to extract it; he
has indulged in gratuitous suppositions. But that doesn’t alter the fact
that it would make a difference in his view of his daughter’s prospects to
know distinctly what really occurred. If Lord Warburton simply got tired
of the poor child, that’s one thing, and it’s a pity. If he gave her up to
please you it’s another. That’s a pity too, but in a different way. Then,
in the latter case, you’d perhaps resign yourself to not being pleased—to
simply seeing your step-daughter married. Let him off—let us have
him!”
</p>
<p>
Madame Merle had proceeded very deliberately, watching her companion and
apparently thinking she could proceed safely. As she went on Isabel grew
pale; she clasped her hands more tightly in her lap. It was not that her
visitor had at last thought it the right time to be insolent; for this was
not what was most apparent. It was a worse horror than that. “Who are you—what
are you?” Isabel murmured. “What have you to do with my husband?” It was
strange that for the moment she drew as near to him as if she had loved
him.
</p>
<p>
“Ah then, you take it heroically! I’m very sorry. Don’t think, however,
that I shall do so.”
</p>
<p>
“What have you to do with me?” Isabel went on.
</p>
<p>
Madame Merle slowly got up, stroking her muff, but not removing her eyes
from Isabel’s face. “Everything!” she answered.
</p>
<p>
Isabel sat there looking up at her, without rising; her face was almost a
prayer to be enlightened. But the light of this woman’s eyes seemed only a
darkness. “Oh misery!” she murmured at last; and she fell back, covering
her face with her hands. It had come over her like a high-surging wave
that Mrs. Touchett was right. Madame Merle had married her. Before she
uncovered her face again that lady had left the room.
</p>
<p>
Isabel took a drive alone that afternoon; she wished to be far away, under
the sky, where she could descend from her carriage and tread upon the
daisies. She had long before this taken old Rome into her confidence, for
in a world of ruins the ruin of her happiness seemed a less unnatural
catastrophe. She rested her weariness upon things that had crumbled for
centuries and yet still were upright; she dropped her secret sadness into
the silence of lonely places, where its very modern quality detached
itself and grew objective, so that as she sat in a sun-warmed angle on a
winter’s day, or stood in a mouldy church to which no one came, she could
almost smile at it and think of its smallness. Small it was, in the large
Roman record, and her haunting sense of the continuity of the human lot
easily carried her from the less to the greater. She had become deeply,
tenderly acquainted with Rome; it interfused and moderated her passion.
But she had grown to think of it chiefly as the place where people had
suffered. This was what came to her in the starved churches, where the
marble columns, transferred from pagan ruins, seemed to offer her a
companionship in endurance and the musty incense to be a compound of
long-unanswered prayers. There was no gentler nor less consistent heretic
than Isabel; the firmest of worshippers, gazing at dark altar-pictures or
clustered candles, could not have felt more intimately the suggestiveness
of these objects nor have been more liable at such moments to a spiritual
visitation. Pansy, as we know, was almost always her companion, and of
late the Countess Gemini, balancing a pink parasol, had lent brilliancy to
their equipage; but she still occasionally found herself alone when it
suited her mood and where it suited the place. On such occasions she had
several resorts; the most accessible of which perhaps was a seat on the
low parapet which edges the wide grassy space before the high, cold front
of Saint John Lateran, whence you look across the Campagna at the
far-trailing outline of the Alban Mount and at that mighty plain, between,
which is still so full of all that has passed from it. After the departure
of her cousin and his companions she roamed more than usual; she carried
her sombre spirit from one familiar shrine to the other. Even when Pansy
and the Countess were with her she felt the touch of a vanished world. The
carriage, leaving the walls of Rome behind, rolled through narrow lanes
where the wild honeysuckle had begun to tangle itself in the hedges, or
waited for her in quiet places where the fields lay near, while she
strolled further and further over the flower-freckled turf, or sat on a
stone that had once had a use and gazed through the veil of her personal
sadness at the splendid sadness of the scene—at the dense, warm
light, the far gradations and soft confusions of colour, the motionless
shepherds in lonely attitudes, the hills where the cloud-shadows had the
lightness of a blush.
</p>
<p>
On the afternoon I began with speaking of, she had taken a resolution not
to think of Madame Merle; but the resolution proved vain, and this lady’s
image hovered constantly before her. She asked herself, with an almost
childlike horror of the supposition, whether to this intimate friend of
several years the great historical epithet of wicked were to be applied.
She knew the idea only by the Bible and other literary works; to the best
of her belief she had had no personal acquaintance with wickedness. She
had desired a large acquaintance with human life, and in spite of her
having flattered herself that she cultivated it with some success this
elementary privilege had been denied her. Perhaps it was not wicked—in
the historic sense—to be even deeply false; for that was what Madame
Merle had been—deeply, deeply, deeply. Isabel’s Aunt Lydia had made
this discovery long before, and had mentioned it to her niece; but Isabel
had flattered herself at this time that she had a much richer view of
things, especially of the spontaneity of her own career and the nobleness
of her own interpretations, than poor stiffly-reasoning Mrs. Touchett.
Madame Merle had done what she wanted; she had brought about the union of
her two friends; a reflection which could not fail to make it a matter of
wonder that she should so much have desired such an event. There were
people who had the match-making passion, like the votaries of art for art;
but Madame Merle, great artist as she was, was scarcely one of these. She
thought too ill of marriage, too ill even of life; she had desired that
particular marriage but had not desired others. She had therefore had a
conception of gain, and Isabel asked herself where she had found her
profit. It took her naturally a long time to discover, and even then her
discovery was imperfect. It came back to her that Madame Merle, though she
had seemed to like her from their first meeting at Gardencourt, had been
doubly affectionate after Mr. Touchett’s death and after learning that her
young friend had been subject to the good old man’s charity. She had found
her profit not in the gross device of borrowing money, but in the more
refined idea of introducing one of her intimates to the young woman’s
fresh and ingenuous fortune. She had naturally chosen her closest
intimate, and it was already vivid enough to Isabel that Gilbert occupied
this position. She found herself confronted in this manner with the
conviction that the man in the world whom she had supposed to be the least
sordid had married her, like a vulgar adventurer, for her money. Strange
to say, it had never before occurred to her; if she had thought a good
deal of harm of Osmond she had not done him this particular injury. This
was the worst she could think of, and she had been saying to herself that
the worst was still to come. A man might marry a woman for her money
perfectly well; the thing was often done. But at least he should let her
know. She wondered whether, since he had wanted her money, her money would
now satisfy him. Would he take her money and let her go. Ah, if Mr.
Touchett’s great charity would but help her to-day it would be blessed
indeed! It was not slow to occur to her that if Madame Merle had wished to
do Gilbert a service his recognition to her of the boon must have lost its
warmth. What must be his feelings to-day in regard to his too zealous
benefactress, and what expression must they have found on the part of such
a master of irony? It is a singular, but a characteristic, fact that
before Isabel returned from her silent drive she had broken its silence by
the soft exclamation: “Poor, poor Madame Merle!”
</p>
<p>
Her compassion would perhaps have been justified if on this same afternoon
she had been concealed behind one of the valuable curtains of
time-softened damask which dressed the interesting little salon of the
lady to whom it referred; the carefully-arranged apartment to which we
once paid a visit in company with the discreet Mr. Rosier. In that
apartment, towards six o’clock, Gilbert Osmond was seated, and his hostess
stood before him as Isabel had seen her stand on an occasion commemorated
in this history with an emphasis appropriate not so much to its apparent
as to its real importance.
</p>
<p>
“I don’t believe you’re unhappy; I believe you like it,” said Madame
Merle.
</p>
<p>
“Did I say I was unhappy?” Osmond asked with a face grave enough to
suggest that he might have been.
</p>
<p>
“No, but you don’t say the contrary, as you ought in common gratitude.”
</p>
<p>
“Don’t talk about gratitude,” he returned dryly. “And don’t aggravate me,”
he added in a moment.
</p>
<p>
Madame Merle slowly seated herself, with her arms folded and her white
hands arranged as a support to one of them and an ornament, as it were, to
the other. She looked exquisitely calm but impressively sad. “On your
side, don’t try to frighten me. I wonder if you guess some of my
thoughts.”
</p>
<p>
“I trouble about them no more than I can help. I’ve quite enough of my
own.”
</p>
<p>
“That’s because they’re so delightful.”
</p>
<p>
Osmond rested his head against the back of his chair and looked at his
companion with a cynical directness which seemed also partly an expression
of fatigue. “You do aggravate me,” he remarked in a moment. “I’m very
tired.”
</p>
<p>
“<i>Eh moi donc!</i>” cried Madame Merle.
</p>
<p>
“With you it’s because you fatigue yourself. With me it’s not my own
fault.”
</p>
<p>
“When I fatigue myself it’s for you. I’ve given you an interest. That’s a
great gift.”
</p>
<p>
“Do you call it an interest?” Osmond enquired with detachment.
</p>
<p>
“Certainly, since it helps you to pass your time.”
</p>
<p>
“The time has never seemed longer to me than this winter.”
</p>
<p>
“You’ve never looked better; you’ve never been so agreeable, so
brilliant.”
</p>
<p>
“Damn my brilliancy!” he thoughtfully murmured. “How little, after all,
you know me!”
</p>
<p>
“If I don’t know you I know nothing,” smiled Madame Merle. “You’ve the
feeling of complete success.”
</p>
<p>
“No, I shall not have that till I’ve made you stop judging me.”
</p>
<p>
“I did that long ago. I speak from old knowledge. But you express yourself
more too.”
</p>
<p>
Osmond just hung fire. “I wish you’d express yourself less!”
</p>
<p>
“You wish to condemn me to silence? Remember that I’ve never been a
chatterbox. At any rate there are three or four things I should like to
say to you first. Your wife doesn’t know what to do with herself,” she
went on with a change of tone.
</p>
<p>
“Pardon me; she knows perfectly. She has a line sharply drawn. She means
to carry out her ideas.”
</p>
<p>
“Her ideas to-day must be remarkable.”
</p>
<p>
“Certainly they are. She has more of them than ever.”
</p>
<p>
“She was unable to show me any this morning,” said Madame Merle. “She
seemed in a very simple, almost in a stupid, state of mind. She was
completely bewildered.”
</p>
<p>
“You had better say at once that she was pathetic.”
</p>
<p>
“Ah no, I don’t want to encourage you too much.”
</p>
<p>
He still had his head against the cushion behind him; the ankle of one
foot rested on the other knee. So he sat for a while. “I should like to
know what’s the matter with you,” he said at last.
</p>
<p>
“The matter—the matter—!” And here Madame Merle stopped. Then
she went on with a sudden outbreak of passion, a burst of summer thunder
in a clear sky: “The matter is that I would give my right hand to be able
to weep, and that I can’t!”
</p>
<p>
“What good would it do you to weep?”
</p>
<p>
“It would make me feel as I felt before I knew you.”
</p>
<p>
“If I’ve dried your tears, that’s something. But I’ve seen you shed them.”
</p>
<p>
“Oh, I believe you’ll make me cry still. I mean make me howl like a wolf.
I’ve a great hope, I’ve a great need, of that. I was vile this morning; I
was horrid,” she said.
</p>
<p>
“If Isabel was in the stupid state of mind you mention she probably didn’t
perceive it,” Osmond answered.
</p>
<p>
“It was precisely my deviltry that stupefied her. I couldn’t help it; I
was full of something bad. Perhaps it was something good; I don’t know.
You’ve not only dried up my tears; you’ve dried up my soul.”
</p>
<p>
“It’s not I then that am responsible for my wife’s condition,” Osmond
said. “It’s pleasant to think that I shall get the benefit of your
influence upon her. Don’t you know the soul is an immortal principle? How
can it suffer alteration?”
</p>
<p>
“I don’t believe at all that it’s an immortal principle. I believe it can
perfectly be destroyed. That’s what has happened to mine, which was a very
good one to start with; and it’s you I have to thank for it. You’re <i>very</i>
bad,” she added with gravity in her emphasis.
</p>
<p>
“Is this the way we’re to end?” Osmond asked with the same studied
coldness.
</p>
<p>
“I don’t know how we’re to end. I wish I did—How do bad people end?—especially
as to their <i>common</i> crimes. You have made me as bad as yourself.”
</p>
<p>
“I don’t understand you. You seem to me quite good enough,” said Osmond,
his conscious indifference giving an extreme effect to the words.
</p>
<p>
Madame Merle’s self-possession tended on the contrary to diminish, and she
was nearer losing it than on any occasion on which we have had the
pleasure of meeting her. The glow of her eye turners sombre; her smile
betrayed a painful effort. “Good enough for anything that I’ve done with
myself? I suppose that’s what you mean.”
</p>
<p>
“Good enough to be always charming!” Osmond exclaimed, smiling too.
</p>
<p>
“Oh God!” his companion murmured; and, sitting there in her ripe
freshness, she had recourse to the same gesture she had provoked on
Isabel’s part in the morning: she bent her face and covered it with her
hands.
</p>
<p>
“Are you going to weep after all?” Osmond asked; and on her remaining
motionless he went on: “Have I ever complained to you?”
</p>
<p>
She dropped her hands quickly. “No, you’ve taken your revenge otherwise—you
have taken it on <i>her</i>.”
</p>
<p>
Osmond threw back his head further; he looked a while at the ceiling and
might have been supposed to be appealing, in an informal way, to the
heavenly powers. “Oh, the imagination of women! It’s always vulgar, at
bottom. You talk of revenge like a third-rate novelist.”
</p>
<p>
“Of course you haven’t complained. You’ve enjoyed your triumph too much.”
</p>
<p>
“I’m rather curious to know what you call my triumph.”
</p>
<p>
“You’ve made your wife afraid of you.”
</p>
<p>
Osmond changed his position; he leaned forward, resting his elbows on his
knees and looking a while at a beautiful old Persian rug, at his feet. He
had an air of refusing to accept any one’s valuation of anything, even of
time, and of preferring to abide by his own; a peculiarity which made him
at moments an irritating person to converse with. “Isabel’s not afraid of
me, and it’s not what I wish,” he said at last. “To what do you want to
provoke me when you say such things as that?”
</p>
<p>
“I’ve thought over all the harm you can do me,” Madame Merle answered.
“Your wife was afraid of me this morning, but in me it was really you she
feared.”
</p>
<p>
“You may have said things that were in very bad taste; I’m not responsible
for that. I didn’t see the use of your going to see her at all: you’re
capable of acting without her. I’ve not made you afraid of me that I can
see,” he went on; “how then should I have made her? You’re at least as
brave. I can’t think where you’ve picked up such rubbish; one might
suppose you knew me by this time.” He got up as he spoke and walked to the
chimney, where he stood a moment bending his eye, as if he had seen them
for the first time, on the delicate specimens of rare porcelain with which
it was covered. He took up a small cup and held it in his hand; then,
still holding it and leaning his arm on the mantel, he pursued: “You
always see too much in everything; you overdo it; you lose sight of the
real. I’m much simpler than you think.”
</p>
<p>
“I think you’re very simple.” And Madame Merle kept her eye on her cup.
“I’ve come to that with time. I judged you, as I say, of old; but it’s
only since your marriage that I’ve understood you. I’ve seen better what
you have been to your wife than I ever saw what you were for me. Please be
very careful of that precious object.”
</p>
<p>
“It already has a wee bit of a tiny crack,” said Osmond dryly as he put it
down. “If you didn’t understand me before I married it was cruelly rash of
you to put me into such a box. However, I took a fancy to my box myself; I
thought it would be a comfortable fit. I asked very little; I only asked
that she should like me.”
</p>
<p>
“That she should like you so much!”
</p>
<p>
“So much, of course; in such a case one asks the maximum. That she should
adore me, if you will. Oh yes, I wanted that.”
</p>
<p>
“I never adored you,” said Madame Merle.
</p>
<p>
“Ah, but you pretended to!”
</p>
<p>
“It’s true that you never accused me of being a comfortable fit,” Madame
Merle went on.
</p>
<p>
“My wife has declined—declined to do anything of the sort,” said
Osmond. “If you’re determined to make a tragedy of that, the tragedy’s
hardly for her.”
</p>
<p>
“The tragedy’s for me!” Madame Merle exclaimed, rising with a long low
sigh but having a glance at the same time for the contents of her
mantel-shelf.
</p>
<p>
“It appears that I’m to be severely taught the disadvantages of a false
position.”
</p>
<p>
“You express yourself like a sentence in a copybook. We must look for our
comfort where we can find it. If my wife doesn’t like me, at least my
child does. I shall look for compensations in Pansy. Fortunately I haven’t
a fault to find with her.”
</p>
<p>
“Ah,” she said softly, “if I had a child—!”
</p>
<p>
Osmond waited, and then, with a little formal air, “The children of others
may be a great interest!” he announced.
</p>
<p>
“You’re more like a copy-book than I. There’s something after all that
holds us together.”
</p>
<p>
“Is it the idea of the harm I may do you?” Osmond asked.
</p>
<p>
“No; it’s the idea of the good I may do for you. It’s that,” Madame Merle
pursued, “that made me so jealous of Isabel. I want it to be <i>my</i>
work,” she added, with her face, which had grown hard and bitter, relaxing
to its habit of smoothness.
</p>
<p>
Her friend took up his hat and his umbrella, and after giving the former
article two or three strokes with his coat-cuff, “On the whole, I think,”
he said, “you had better leave it to me.”
</p>
<p>
After he had left her she went, the first thing, and lifted from the
mantel-shelf the attenuated coffee-cup in which he had mentioned the
existence of a crack; but she looked at it rather abstractedly. “Have I
been so vile all for nothing?” she vaguely wailed.
</p>
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