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<h2> CHAPTER XXVII. — CONCERNING A QUARREL. </h2>
<p>It was late in September that this particular quarrel occurred. Almost all
the roseate tints seemed gone by this time, for the Lewishams had been
married six months. Their financial affairs had changed from the
catastrophic to the sordid; Lewisham had found work. An army crammer named
Captain Vigours wanted someone energetic for his mathematical duffers and
to teach geometrical drawing and what he was pleased to call “Sandhurst
Science.” He paid no less than two shillings an hour for his
uncertain demands on Lewisham’s time. Moreover, there was a class in
lower mathematics beginning at Walham Green where Lewisham was to show his
quality. Fifty shillings a week or more seemed credible—more might
be hoped for. It was now merely a case of tiding over the interval until
Vigours paid. And meanwhile the freshness of Ethel’s blouses
departed, and Lewisham refrained from the repair of his boot which had
cracked across the toe.</p>
<p>The beginning of the quarrel was trivial enough. But by the end they got
to generalities. Lewisham had begun the day in a bad temper and under the
cloud of an overnight passage of arms—and a little incident that had
nothing to do with their ostensible difference lent it a warmth of emotion
quite beyond its merits. As he emerged through the folding doors he saw a
letter lying among the sketchily laid breakfast things, and Ethel’s
attitude suggested the recoil of a quick movement; the letter suddenly
dropped. Her eyes met his and she flushed. He sat down and took the letter—a
trifle awkwardly perhaps. It was from Miss Heydinger. He hesitated with it
halfway to his pocket, then decided to open it. It displayed an ample
amount of reading, and he read. On the whole he thought it rather a dull
sort of letter, but he did not allow this to appear. When it was read he
put it carefully in his pocket.</p>
<p>That formally had nothing to do with the quarrel. The breakfast was
already over when the quarrel began. Lewisham’s morning was vacant,
and be proposed to occupy it in the revision of certain notes bearing upon
“Sandhurst Science.” Unhappily the search for his note-book
brought him into collision with the accumulation of Ethel’s
novelettes.</p>
<p>“These things are everywhere,” he said after a gust of
vehement handling, “I <i>wish</i> you’d tidy them up
sometimes.”</p>
<p>“They were tidy enough till you began to throw them about,”
Ethel pointed out.</p>
<p>“Confounded muck! it’s only fit to be burnt,” Lewisham
remarked to the universe, and pitched one viciously into the corner.</p>
<p>“Well, you tried to write one, anyhow,” said Ethel, recalling
a certain “Mammoth” packet of note-paper that had come on an
evil end before Lewisham found his industrial level. This reminiscence
always irritated him exceedingly.</p>
<p>“Eh?” he said sharply.</p>
<p>“You tried to write one,” repeated Ethel—a little
unwillingly.</p>
<p>“You don’t mean me to forget that.”</p>
<p>“It’s you reminded me.”</p>
<p>He stared hostility for a space.</p>
<p>“Well, the things make a beastly litter anyhow; there isn’t a
tidy corner anywhere in the room. There never is.”</p>
<p>“That’s just the sort of thing you always say.”</p>
<p>“Well—<i>is</i> there?”</p>
<p>“Yes, there is.”</p>
<p>“<i>Where</i>?”</p>
<p>Ethel professed not to hear. But a devil had possession of Lewisham for a
time. “It isn’t as though you had anything else to do,”
he remarked, wounding dishonourably.</p>
<p>Ethel turned. “If I <i>put</i> those things away,” she said
with tremendous emphasis on the “<i>put</i>,” “you’d
only say I’d hidden them. What <i>is</i> the good of trying to
please you?”</p>
<p>The spirit of perversity suggested to Lewisham, “None apparently.”</p>
<p>Ethel’s cheeks glowed and her eyes were bright with unshed tears.
Abruptly she abandoned the defensive and blurted out the thing that had
been latent so long between them. Her voice took a note of passion.
“Nothing I can do ever does please you, since that Miss Heydinger
began to write to you.”</p>
<p>There was a pause, a gap. Something like astonishment took them both.
Hitherto it had been a convention that she knew nothing of the existence
of Miss Heydinger. He saw a light. “How did you know?” he
began, and perceived that line was impossible. He took the way of the
natural man; he ejaculated an “Ugh!” of vast disgust, he
raised his voice. “You <i>are</i> unreasonable!” he cried in
angry remonstrance. “Fancy saying that! As though you ever tried to
please me! Just as though it wasn’t all the other way about!”
He stopped—struck by a momentary perception of injustice. He plunged
at the point he had shirked, “How did you know it <i>was</i> Miss
Heydinger—?”</p>
<p>Ethel’s voice took upon itself the quality of tears. “I wasn’t
<i>meant</i> to know, was I?” she said.</p>
<p>“But how?”</p>
<p>“I suppose you think it doesn’t concern me? I suppose you
think I’m made of stone?”</p>
<p>“You mean—you think—?”</p>
<p>“Yes—I <i>do</i>.”</p>
<p>For a brief interval Lewisham stared at the issue she had laid bare. He
sought some crashing proposition, some line of convincing reasoning, with
which to overwhelm and hide this new aspect of things. It would not come.
He found himself fenced in on every side. A surging, irrational rage
seized upon him.</p>
<p>“Jealousy!” he cried. “Jealousy! Just as though—Can’t
I have letters about things you don’t understand—that you <i>won’t</i>
understand? If I asked you to read them you wouldn’t—It’s
just because—”</p>
<p>“You never give me a <i>chance</i> to understand.”</p>
<p>“Don’t I?”</p>
<p>“No!”</p>
<p>“Why!—At first I was always trying. Socialism, religion—all
those things. But you don’t care—you won’t care. You won’t
have that I’ve thought over these things at all, that I care for
these things! It wasn’t any <i>good</i> to argue. You just care for
me in a way—and all the rest of me—doesn’t matter! And
because I’ve got a friend ...”</p>
<p>“Friend!”</p>
<p>“Yes—<i>friend!</i>”</p>
<p>“Why!—you hide her letters!”</p>
<p>“Because I tell you you wouldn’t understand what they are
about. But, pah! I won’t argue. I <i>won’t!</i> You’re
jealous, and there’s the end of the matter!”</p>
<p>“Well, who <i>wouldn’t</i> be jealous?”</p>
<p>He stared at her as if he found the question hard to see. The theme was
difficult—invincibly difficult. He surveyed the room for a
diversion. The note-book he had disinterred from her novelettes lay upon
the table and reminded him of his grievance of rained hours. His rage
exploded. He struck out abruptly towards fundamental things. He
gesticulated forcibly. “This can’t go on!” he cried,
“this can’t go on! How can I work? How can I do anything?”</p>
<p>He made three steps and stood in a clear space.</p>
<p>“I won’t <i>stand</i>, it—I won’t go on at this!
Quarrels—bickerings—discomfort. Look there! I meant to work
this morning. I meant to look up notes! Instead of which you start a
quarrel—”</p>
<p>The gross injustice raised Ethel’s voice to an outcry. “<i>I</i>
didn’t start the quarrel—”</p>
<p>The only response to this was to shout, and Lewisham shouted. “You
start a quarrel!” he repeated. “You make a shindy! You spring
a dispute—jealousy!—on me! How can I do anything? How can one
stop in a house like this? I shall go out. Look here!—I shall go
out. I shall go to Kensington and work there!”</p>
<p>He perceived himself wordless, and Ethel was about to speak. He glared
about him, seeking a prompt climax. Instant action was necessary. He
perceived Huxley’s <i>Vertebrata</i> upon the side-table. He
clutched it, swayed it through a momentous arc, hurled it violently into
the empty fireplace.</p>
<p>For a second he seemed to be seeking some other missile. He perceived his
hat on the chest of drawers, seized it, and strode tragically from the
room.</p>
<p>He hesitated with the door half closed, then opened it wide and slammed it
vehemently. Thereby the world was warned of the justice of his rage, and
so he passed with credit into the street.</p>
<p>He went striding heedless of his direction through the streets dotted with
intent people hurrying to work, and presently habit turned his feet
towards the Brompton Road. The eastward trend of the morning traffic
caught him. For a time, save for a rebellious ingredient of wonder at the
back of his mind, he kept his anger white and pure. Why had he married
her? was the text to which he clung. Why in the name of destiny had he
married her? But anyhow he had said the decisive thing. He would not stand
it! It must end. Things were intolerable and they must end. He meditated
devastating things that he might presently say to her in pursuance of this
resolution. He contemplated acts of cruelty. In such ways he would
demonstrate clearly that he would not stand it. He was very careful to
avoid inquiring what it was he would not stand.</p>
<p>How in the name of destiny had he come to marry her? The quality of his
surroundings mingled in some way with the quality of his thoughts. The
huge distended buildings of corrugated iron in which the Art Museum (of
all places!) culminates, the truncated Oratory all askew to the street,
seemed to have a similar quarrel with fate. How in the name of destiny?
After such high prolusions!</p>
<p>He found that his thoughts had carried him past the lodge of the museum.
He turned back irritably and went through the turnstile. He entered the
museum and passed beneath the gallery of Old Iron on his way to the
Education Library. The vacant array of tables, the bays of attendant books
had a quality of refuge....</p>
<p>So much for Lewisham in the morning. Long before midday all the vigour of
his wrath was gone, all his passionate conviction of Ethel’s
unworthiness. Over a pile of neglected geological works he presented a
face of gloom. His memory presented a picture of himself as noisy,
overbearing, and unfair. What on earth had it all been about?</p>
<p>By two o’clock he was on his way to Vigours’, and his mood was
acute remorse. Of the transition there can be no telling in words, for
thoughts are more subtle than words and emotions infinitely vaguer. But
one thing at least is definite, that a memory returned.</p>
<p>It drifted in to him, through the glass roof of the Library far above. He
did not perceive it as a memory at first, but as an irritating obstacle to
attention. He struck the open pages of the book before him with his flat
hand. “Damn that infernal hurdy-gurdy!” he whispered.</p>
<p>Presently he made a fretful movement and put his hands over his ears.</p>
<p>Then he thrust his books from him, got up, and wandered about the Library.
The organ came to an abrupt end in the middle of a bar, and vanished in
the circumambient silence of space.</p>
<p>Lewisham standing in a bay closed a book with a snap and returned to his
seat.</p>
<p>Presently he found himself humming a languid tune, and thinking again of
the quarrel that he had imagined banished from his mind. What in the name
of destiny had it all been about? He had a curious sense that something
had got loose, was sliding about in his mind. And as if by way of answer
emerged a vision of Whortley—a singularly vivid vision. It was
moonlight and a hillside, the little town lay lit and warm below, and the
scene was set to music, a lugubriously sentimental air. For some reason
this music had the quality of a barrel organ—though he knew that
properly it came from a band—and it associated with itself a
mystical formula of words, drawing words:—</p>
<p>“Sweet dreamland fa—ces, passing to and fro,<br/>
Bring back to mem’ry days of long ago—oh!”<br/></p>
<p>This air not only reproduced the picture with graphic vividness, but it
trailed after it an enormous cloud of irrational emotion, emotion that had
but a moment before seemed gone for ever from his being.</p>
<p>He recalled it all! He had come down that hillside and Ethel had been with
him....</p>
<p>Had he really felt like that about her?</p>
<p>“Pah!” he said suddenly, and reverted to his books.</p>
<p>But the tune and the memory had won their footing, they were with him
through his meagre lunch of milk and scones—he had resolved at the
outset he would not go back to her for the midday meal—and on his
way to Vigours’ they insisted on attention. It may be that lunching
on scone and milk does in itself make for milder ways of thinking. A sense
of extraordinary contradiction, of infinite perplexity, came to him.</p>
<p>“But then,” he asked, “how the devil did we get to <i>this</i>?”</p>
<p>Which is indeed one of the fundamental questions of matrimony.</p>
<p>The morning tumults had given place to an almost scientific calm. Very
soon he was grappling manfully with the question. There was no disputing
it, they had quarrelled. Not once but several times lately they had
quarrelled. It was real quarrelling;—they had stood up against one
another, striking, watching to strike, seeking to wound. He tried to
recall just how things had gone—what he had said and what she had
replied. He could not do it. He had forgotten phrases and connexions. It
stood in his memory not as a sequence of events but as a collection of
disconnected static sayings; each saying blunt, permanent, inconsecutive
like a graven inscription. And of the scene there came only one picture—Ethel
with a burning face and her eyes shining with tears.</p>
<p>The traffic of a cross street engaged him for a space. He emerged on the
further side full of the vivid contrast of their changed relations. He
made a last effort to indict her, to show that for the transition she was
entirely to blame. She had quarrelled with him, she had quarrelled
deliberately because she was jealous. She was jealous of Miss Heydinger
because she was stupid. But now these accusations faded like smoke as he
put them forth. But the picture of two little figures back there in the
moonlit past did not fade. It was in the narrows of Kensington High Street
that he abandoned her arraignment. It was beyond the Town Hall that he
made the new step. Was it, after all, just possible that in some degree he
himself rather was the chief person to blame?</p>
<p>It was instantly as if he had been aware of that all the time.</p>
<p>Once he had made that step, he moved swiftly. Not a hundred paces before
the struggle was over, and he had plunged headlong into the blue abyss of
remorse. And all these things that had been so dramatic and forcible, all
the vivid brutal things he had said, stood no longer graven inscriptions
but in letters of accusing flame. He tried to imagine he had not said
them, that his memory played him a trick; tried to suppose he had said
something similar perhaps, but much less forcible. He attempted with
almost equal futility to minimise his own wounds. His endeavour served
only to measure the magnitude of his fall.</p>
<p>He had recovered everything now, he saw it all. He recalled Ethel, sunlit
in the avenue, Ethel, white in the moonlight before they parted outside
the Frobisher house, Ethel as she would come out of Lagune’s house
greeting him for their nightly walk, Ethel new wedded, as she came to him
through the folding doors radiant in the splendour his emotions threw
about her. And at last, Ethel angry, dishevelled and tear-stained in that
ill-lit, untidy little room. All to the cadence of a hurdy-gurdy tune!
From that to this! How had it been possible to get from such an opalescent
dawning to such a dismal day? What was it had gone? He and she were the
same two persons who walked so brightly in his awakened memory; he and she
who had lived so bitterly through the last few weeks of misery!</p>
<p>His mood sank for a space to the quality of groaning. He implicated her
now at most as his partner in their failure—“What a mess we
have made of things!” was his new motif. “What a mess!”</p>
<p>He knew love now for what it was, knew it for something more ancient and
more imperative than reason. He knew now that he loved her, and his recent
rage, his hostility, his condemnation of her seemed to him the reign of
some exterior influence in his mind. He thought incredulously of the long
decline in tenderness that had followed the first days of their delight in
each other, the diminution of endearment, the first yielding to
irritability, the evenings he had spent doggedly working, resisting all
his sense of her presence. “One cannot always be love-making,”
he had said, and so they were slipping apart. Then in countless little
things he had not been patient, he had not been fair. He had wounded her
by harshness, by unsympathetic criticism, above all by his absurd secrecy
about Miss Heydinger’s letters. Why on earth had he kept those
letters from her? as though there was something to hide! What was there to
hide? What possible antagonism could there be? Yet it was by such little
things that their love was now like some once valued possession that had
been in brutal hands, it was scratched and chipped and tarnished, it was
on its way to being altogether destroyed. Her manner had changed towards
him, a gulf was opening that he might never be able to close again.</p>
<p>“No, it <i>shall</i> not be!” he said, “it shall not be!”</p>
<p>But how to get back to the old footing? how to efface the things he had
said, the things that had been done?</p>
<p>Could they get back?</p>
<p>For a moment he faced a new possibility. Suppose they could not get back!
Suppose the mischief was done! Suppose that when he slammed the door
behind him it locked, and was locked against him for ever!</p>
<p>“But we <i>must</i>!” said Lewisham, “we must!”</p>
<p>He perceived clearly that this was no business of reasoned apologies. He
must begin again, he must get back to emotion, he must thrust back the
overwhelming pressure of everyday stresses and necessities that was
crushing all the warmth and colour from their lives. But how? How?</p>
<p>He must make love to her again. But how to begin—how to mark the
change? There had been making-up before, sullen concessions and treaties.
But this was different. He tried to imagine something he might say, some
appeal that he might make. Everything he thought of was cold and hard, or
pitiful and undignified, or theatrical and foolish. Suppose the door <i>was</i>
closed! If already it was too late! In every direction he was confronted
by the bristling memories of harsh things. He had a glimpse of how he must
have changed in her eyes, and things became intolerable for him. For now
he was assured he loved her still with all his heart.</p>
<p>And suddenly came a florist’s window, and in the centre of it a
glorious heap of roses.</p>
<p>They caught his eye before they caught his mind. He saw white roses,
virginal white, roses of cream and pink and crimson, the tints of flesh
and pearl, rich, a mass of scented colour, visible odours, and in the
midst of them a note of sullen red. It was as it were the very colour of
his emotion. He stopped abruptly. He turned back to the window and stared
frankly. It was gorgeous, he saw, but why so particularly did it appeal to
him?</p>
<p>Then he perceived as though it was altogether self-evident what he had to
do. This was what he wanted. This was the note he had to strike. Among
other things because it would repudiate the accursed worship of pinching
self-restraint that was one of the incessant stresses between them. They
would come to her with a pure unexpectedness, they would flame upon her.</p>
<p>Then, after the roses, he would return.</p>
<p>Suddenly the grey trouble passed from his mind; he saw the world full of
colour again. He saw the scene he desired bright and clear, saw Ethel no
longer bitter and weeping, but glad as once she had always seemed glad.
His heart-beats quickened. It was giving had been needed, and he would
give.</p>
<p>Some weak voice of indiscreet discretion squeaked and vanished. He had, he
knew, a sovereign in his pocket. He went in.</p>
<p>He found himself in front of a formidable young lady in black, and
unprepared with any formula. He had never bought flowers before. He looked
about him for an inspiration. He pointed at the roses. “I want those
roses,” he said....</p>
<p>He emerged again with only a few small silver coins remaining out of the
sovereign he had changed. The roses were to go to Ethel, properly packed;
they were to be delivered according to his express direction at six o’clock.</p>
<p>“Six o’clock,” Lewisham had reiterated very earnestly.</p>
<p>“We quite understand,” the young lady in black had said, and
had pretended to be unable to conceal a smile. “We’re <i>quite</i>
accustomed to sending out flowers.”</p>
<p><br/><br/></p>
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