<SPAN name="Four" id="Four"></SPAN><hr />
<span class="pagenum"><SPAN name="Page_33" id="Page_33">[33]</SPAN></span><br/>
<h3><i>Four</i></h3>
<br/>
<p>While the colonel and old Peter were thus discussing reminiscences in
which little Phil could have no share, the boy, with childish
curiosity, had wandered off, down one of the shaded paths. When, a
little later, the colonel looked around for him, he saw Phil seated on
a rustic bench, in conversation with a lady. As the boy seemed
entirely comfortable, and the lady not at all disturbed, the colonel
did not interrupt them for a while. But when the lady at length rose,
holding Phil by the hand, the colonel, fearing that the boy, who was a
child of strong impulses, prone to sudden friendships, might be
proving troublesome, left his seat on the flat-topped tomb of his
Revolutionary ancestor and hastened to meet them.</p>
<p>"I trust my boy hasn't annoyed you," he said, lifting his hat.</p>
<p>"Not at all, sir," returned the lady, in a clear, sweet voice, some
haunting tone of which found an answering vibration in the colonel's
<span class="pagenum"><SPAN name="Page_34" id="Page_34">[34]</SPAN></span>memory. "On the contrary, he has interested me very much, and in
nothing more than in telling me his name. If this and my memory do not
deceive me, <i>you</i> are Henry French!"</p>
<p>"Yes, and you are—you are Laura Treadwell! How glad I am to meet you!
I was coming to call this afternoon."</p>
<p>"I'm glad to see you again. We have always remembered you, and knew
that you had grown rich and great, and feared that you had forgotten
the old town—and your old friends."</p>
<p>"Not very rich, nor very great, Laura—Miss Treadwell."</p>
<p>"Let it be Laura," she said with a faint colour mounting in her cheek,
which had not yet lost its smoothness, as her eyes had not faded, nor
her step lost its spring.</p>
<p>"And neither have I forgotten the old home nor the old friends—since
I am here and knew you the moment I looked at you and heard your
voice."</p>
<p>"And what a dear little boy!" exclaimed Miss Treadwell, looking down
at Phil. "He is named Philip—after his grandfather, I reckon?"</p>
<p>"After his grandfather. We have been visiting his grave, and those of
all the Frenches; and I found them haunted—by an old retainer, who
had come hither, he said, to be with his friends."</p>
<p>"Old Peter! I see him, now and then, keeping the lot in order. There
are few like him left, and there were never any too many. But how have
you been these many years, and where is your wife? Did you bring her
with you?"</p>
<p>"I buried her," returned the colonel, "a little over a year ago. She
left me little Phil."</p>
<p>"He must be like her," replied the lady, "and yet he resembles you."</p>
<p>"He has her eyes and hair," said his father. "He is a good little boy
and a lad of taste. See how he took to you at first sight! I can
always trust Phil's instincts. He is a born gentleman."</p>
<p>"He came of a race of gentlemen," she said. "I'm glad it is not to
die <span class="pagenum"><SPAN name="Page_35" id="Page_35">[35]</SPAN></span>out. There are none too many left—in Clarendon. You are going to
like me, aren't you, Phil?" asked the lady.</p>
<p>"I like you already," replied Phil gallantly. "You are a very nice
lady. What shall I call you?"</p>
<p>"Call her Miss Laura, Phil—it is the Southern fashion—a happy union
of familiarity and respect. Already they come back to me, Laura—one
breathes them with the air—the gentle Southern customs. With all the
faults of the old system, Laura—it carried the seeds of decay within
itself and was doomed to perish—a few of us, at least, had a good
time. An aristocracy is quite endurable, for the aristocrat, and
slavery tolerable, for the masters—and the Peters. When we were
young, before the rude hand of war had shattered our illusions, we
were very happy, Laura."</p>
<p>"Yes, we were very happy."</p>
<p>They were walking now, very slowly, toward the gate by which the
colonel had entered, with little Phil between them, confiding a hand
to each.</p>
<p>"And how is your mother?" asked the colonel. "She is living yet, I
trust?"</p>
<p>"Yes, but ailing, as she has been for fifteen years—ever since my
father died. It was his grave I came to visit."</p>
<p>"You had ever a loving heart, Laura," said the colonel, "given to duty
and self-sacrifice. Are you still living in the old place?"</p>
<p>"The old place, only it is older, and shows it—like the rest of us."</p>
<p>She bit her lip at the words, which she meant in reference to herself,
but which she perceived, as soon as she had uttered them, might apply
to him with equal force. Despising herself for the weakness which he
might have interpreted as a bid for a compliment, she was glad that he
seemed unconscious of the remark.</p>
<p>The colonel and Phil had entered the cemetery by a side gate and their
exit led through the main entrance. Miss Laura pointed out, as <span class="pagenum"><SPAN name="Page_36" id="Page_36">[36]</SPAN></span>they
walked slowly along between the elms, the graves of many whom the
colonel had known in his younger days. Their names, woven in the
tapestry of his memory, needed in most cases but a touch to restore
them. For while his intellectual life had ranged far and wide, his
business career had run along a single channel, his circle of
intimates had not been very large nor very variable, nor was his
memory so overlaid that he could not push aside its later impressions
in favour of those graven there so deeply in his youth.</p>
<p>Nearing the gate, they passed a small open space in which stood a
simple marble shaft, erected to the memory of the Confederate Dead.</p>
<p>A wealth of fresh flowers lay at its base. The colonel took off his
hat as he stood before it for a moment with bowed head. But for the
mercy of God, he might have been one of those whose deaths as well as
deeds were thus commemorated.</p>
<p>Beyond this memorial, impressive in its pure simplicity, and between
it and the gate, in an obtrusively conspicuous spot stood a florid
monument of granite, marble and bronze, of glaring design and
strangely out of keeping with the simple dignity and quiet restfulness
of the surroundings; a monument so striking that the colonel paused
involuntarily and read the inscription in bronze letters on the marble
shaft above the granite base:</p>
<div class="poem"><div class="stanza">
<span class="i0">"'<i>Sacred to the Memory of</i><br/></span>
<span class="i0"><i>Joshua Fetters and Elizabeth Fetters, his Wife.</i><br/></span></div>
<div class="stanza">
<span class="i0">"'<i>Life's work well done,</i><br/></span>
<span class="i0"><i>Life's race well run,</i><br/></span>
<span class="i0"><i>Life's crown well won,</i><br/></span>
<span class="i0"><i>Then comes rest.</i>'"<br/></span></div>
</div>
<p>"A beautiful sentiment, if somewhat trite," said the colonel, "but an
atrocious monument."</p>
<p><span class="pagenum"><SPAN name="Page_37" id="Page_37">[37]</SPAN></span>"Do you think so?" exclaimed the lady. "Most people think the monument
fine, but smile at the sentiment."</p>
<p>"In matters of taste," returned the colonel, "the majority are always
wrong. But why smile at the sentiment? Is it, for some reason,
inappropriate to this particular case? Fetters—Fetters—the name
seems familiar. Who was Fetters, Laura?"</p>
<p>"He was the speculator," she said, "who bought and sold negroes, and
kept dogs to chase runaways; old Mr. Fetters—you must remember old
Josh Fetters? When I was a child, my coloured mammy used him for a
bogeyman for me, as for her own children."</p>
<p>"'Look out, honey,' she'd say, 'ef you ain' good, ole Mr. Fettuhs 'll
ketch you.'"</p>
<p>Yes, he remembered now. Fetters had been a character in Clarendon—not
an admirable character, scarcely a good character, almost a bad
character; a necessary adjunct of an evil system, and, like other
parasites, worse than the body on which he fed; doing the dirty work
of slavery, and very naturally despised by those whose instrument he
was, but finding consolation by taking it out of the Negroes in the
course of his business. The colonel would have expected Fetters to lie
in an unmarked grave in his own back lot, or in the potter's field.
Had he so far escaped the ruin of the institution on which he lived,
as to leave an estate sufficient to satisfy his heirs and also pay for
this expensive but vulgar monument?</p>
<p>"The memorial was erected, as you see from the rest of the
inscription, 'by his beloved and affectionate son.' That either loved
the other no one suspected, for Bill was harshly treated, and ran away
from home at fifteen. He came back after the war, with money, which he
lent out at high rates of interest; everything he touched turned to
gold; he has grown rich, and is a great man in the State. He was a
large contributor to the soldiers' monument."</p>
<p>"But did not choose the design; let us be thankful for that. It might
<span class="pagenum"><SPAN name="Page_38" id="Page_38">[38]</SPAN></span>have been like his father's. Bill Fetters rich and great," he mused,
"who would have dreamed it? I kicked him once, all the way down Main
Street from the schoolhouse to the bank—and dodged his angry mother
for a whole month afterward!"</p>
<p>"No one," suggested Miss Laura, "would venture to cross him now. Too
many owe him money."</p>
<p>"He went to school at the academy," the colonel went on, unwinding the
thread of his memory, "and the rest of the boys looked down on him and
made his life miserable. Well, Laura, in Fetters you see one thing
that resulted from the war—the poor white boy was given a chance to
grow; and if the product is not as yet altogether admirable, taste and
culture may come with another generation."</p>
<p>"It is to be hoped they may," said Miss Laura, "and character as well.
Mr. Fetters has a son who has gone from college to college, and will
graduate from Harvard this summer. They say he is very wild and spends
ten thousand dollars a year. I do not see how it can be possible!"</p>
<p>The colonel smiled at her simplicity.</p>
<p>"I have been," he said, "at a college football game, where the gate
receipts were fifty thousand dollars, and half a million was said to
have changed hands in bets on the result. It is easy to waste money."</p>
<p>"It is a sin," she said, "that some should be made poor, that others
may have it to waste."</p>
<p>There was a touch of bitterness in her tone, the instinctive
resentment (the colonel thought) of the born aristocrat toward the
upstart who had pushed his way above those no longer strong enough to
resist. It did not occur to him that her feeling might rest upon any
personal ground. It was inevitable that, with the incubus of slavery
removed, society should readjust itself in due time upon a democratic
basis, and that poor white men, first, and black men next, should
reach a level representing the true measure of their talents and their
ambition. But it was perhaps equally inevitable that for a generation
or two <span class="pagenum"><SPAN name="Page_39" id="Page_39">[39]</SPAN></span>those who had suffered most from the readjustment, should
chafe under its seeming injustice.</p>
<p>The colonel was himself a gentleman, and the descendant of a long line
of gentlemen. But he had lived too many years among those who judged
the tree by its fruit, to think that blood alone entitled him to any
special privileges. The consciousness of honourable ancestry might
make one clean of life, gentle of manner, and just in one's dealings.
In so far as it did this it was something to be cherished, but
scarcely to be boasted of, for democracy is impatient of any
excellence not born of personal effort, of any pride save that of
achievement. He was glad that Fetters had got on in the world. It
justified a fine faith in humanity, that wealth and power should have
been attained by the poor white lad, over whom, with a boy's
unconscious brutality, he had tyrannised in his childhood. He could
have wished for Bill a better taste in monuments, and better luck in
sons, if rumour was correct about Fetters's boy. But, these, perhaps,
were points where blood <i>did</i> tell. There was something in blood,
after all, Nature might make a great man from any sort of material:
hence the virtue of democracy, for the world needs great men, and
suffers from their lack, and welcomes them from any source. But fine
types were a matter of breeding and were perhaps worth the trouble of
preserving, if their existence were compatible with the larger good.
He wondered if Bill ever recalled that progress down Main Street in
which he had played so conspicuous a part, or still bore any
resentment toward the other participants?</p>
<p>"Could your mother see me," he asked, as they reached the gate, "if I
went by the house?"</p>
<p>"She would be glad to see you. Mother lives in the past, and you would
come to her as part of it. She often speaks of you. It is only a short
distance. You have not forgotten the way?"</p>
<p>They turned to the right, in a direction opposite to that from which
the colonel had reached the cemetery. After a few minutes' walk, in
the course of which they crossed another bridge over the same winding
<span class="pagenum"><SPAN name="Page_40" id="Page_40">[40]</SPAN></span>creek, they mounted the slope beyond, opened a gate, climbed a short
flight of stone steps and found themselves in an enchanted garden,
where lilac bush and jessamine vine reared their heads high, tulip and
daffodil pushed their way upward, but were all dominated by the
intenser fragrance of the violets.</p>
<p>Old Peter had followed the party at a respectful distance, but, seeing
himself forgotten, he walked past the gate, after they had entered it,
and went, somewhat disconsolately, on his way. He had stopped, and was
looking back toward the house—Clarendon was a great place for looking
back, perhaps because there was little in the town to which to look
forward—when a white man, wearing a tinned badge upon his coat, came
up, took Peter by the arm and led him away, despite some feeble
protests on the old man's part.</p>
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