<h2 id="c10"><span class="small">CHAPTER X</span> <br/>Penny Wise and Zizi</h2>
<p>And so it was at this stage of affairs that Pennington
Wise got into the game. He willingly
agreed to take up the case, for the
mystery of it appealed to him strongly, and by a
stroke of good luck he was not otherwise engaged.</p>
<p>He had promised to call at Miss Raynor’s, and as
she had asked me to be present also, I went up
there, reaching the house before Wise did.</p>
<p>“What’s he like?” Olive inquired of me.</p>
<p>“Good-looking sort of chap, without being handsome,”
I told her. “You’ll like his personality,
I’m sure, whether he helps us out of our troubles
or not.”</p>
<p>“I don’t care a fig for his personality,” she returned,
“but I do want him to solve our two mysteries.
I suppose you’ll think I’m dreadful,—but
I’d rather Mr. Wise would find Amory Manning for
me, than to discover Uncle Amos’ murderer.”</p>
<p>“I don’t blame you at all for that. Of course,
we want to find the criminal, but even more, I too,
want to find Mr. Manning for you.”</p>
<p>“And, anyway, I suppose the police think now
that Mr. Rodman did it.”</p>
<div class="pb" id="Page_154">[154]</div>
<p>“They don’t go so far as to say that, but they’re
hunting up evidence, and they’ve got hold of some
pretty damaging information. It seems Rodman
was mixed up in some wrongdoing, and it begins to
look as if Mr. Gately was in some way connected
with it,—at least, to a degree.”</p>
<p>“If he was, then he didn’t know it was wrong.”
Olive spoke with deep conviction, and I didn’t try
to disabuse her mind.</p>
<p>And then Pennington Wise was announced.</p>
<p>As he entered the room his manner showed no
trace of self-consciousness, and as I had anticipated,
Olive was greatly pleased with her first glimpse of
him. But to her surprise, and mine also, he was
accompanied, or rather followed, by a young
woman, a mere slip of a girl, who paused and stood
quietly by.</p>
<p>As Olive smiled at her inquiringly, Wise said:</p>
<p>“That’s Zizi. She’s part of my working paraphernalia,
and will just sit and listen while we
talk.”</p>
<p>The girl was fascinating to look at. Slight of
build, she had a lithe suppleness that made her
every motion a gesture of grace, and her pretty
smile was appreciative and responsive. She had
black hair and very black eyes, which sparkled and
danced as she took in her surroundings. But she
said no word, acknowledging her brief introduction
only by a slight bow, and accepting the chair that
Olive offered, she sat quietly, her small gloved
hands resting in her lap.</p>
<div class="pb" id="Page_155">[155]</div>
<p>She wore a black suit with a fine set of black
fox furs. Unfastening the fur collar, she disclosed
a black blouse of soft, thin material which fell away
from her slender white throat in becoming fashion.</p>
<p>Her manner was correct in every particular, and
she sat in an unembarrassed silence as Wise proceeded
to talk.</p>
<p>“I know all that has been in the papers,” he said,
somewhat abruptly, “now, I’d like you to tell me
the rest. I can’t help feeling there must be more
in the way of evidence or clews than has been
made public. First of all, do <i>you</i> think Mr. Rodman
the guilty man?”</p>
<p>He addressed himself mainly to Olive, though including
me in his inquiring glance.</p>
<p>“I’m sure I don’t know,” Olive returned; “I
won’t believe, however, that Amos Gately was involved
in any sort of wrong. His honor and
integrity were of the highest type,—I knew him
intimately enough to certify to that.”</p>
<p>“What sort of wrongdoing is this Rodman
accused of?” asked Wise.</p>
<p>“Nobody seems willing to tell that,” I answered,
as Olive shook her head. “I’ve inquired of the
police, and they decline to reveal just what they do
suspect him of. But I think it’s something pretty
serious, and they’re tracking it down as fast as
they can.”</p>
<div class="pb" id="Page_156">[156]</div>
<p>“You see,” Olive put in, “if Mr. Rodman is such
a bad man, he may have hoodwinked Mr. Gately
and made him believe something was all right when
it was all wrong.”</p>
<p>“Of course he might,” said Wise, sympathetically.
“Did people come here to the house to see
Mr. Gately on business?”</p>
<p>“No; never. Uncle had few visitors, but they
were always just his friends, not business
callers.”</p>
<p>“Then most of our search must be in his offices.
You noticed nothing there, Mr. Brice, that seemed
indicative?”</p>
<p>Then I told him about the hatpin and the carriage
check; and I also related how Norah had found and
kept the “powder-paper” that she picked out of
the waste basket.</p>
<p>Zizi’s eyes flashed at this, and she said, “Has she
traced it?”</p>
<p>It was the first time the girl had spoken, and I
was charmed with her voice. Low and soft, it had
also a bell-like quality, and seemed to leave a ringing
echo in the air after she ceased speaking.</p>
<p>“Yes; to the shop where it was bought,” I replied.
“As Norah guessed, it came from a very
high-class perfumer’s on Fifth Avenue. But of
course he could not tell us to whom he had sold
that particular paper.”</p>
<p>“I’d like to see it,” said Zizi, simply, and again
relapsed into silence.</p>
<div class="pb" id="Page_157">[157]</div>
<p>“Norah must be a bright girl,” observed Wise,
“and she has made a good start by finding the
shop. Perhaps we can carry the trail further. It
wasn’t yours, Miss Raynor?”</p>
<p>“No; I use a paler tint. This one, I have seen
it, is quite a deep pink.”</p>
<p>“Indicating a brunette possibly. Now, it’s not
likely it belonged to that old Mrs. Driggs, so we
must assume another woman in the office that day.
And we must discover who she is.”</p>
<p>“There is the hatpin, you know,” said Olive.
“I have it here, if you care to see it. But the
police decided it meant nothing.”</p>
<p>“Nothing means nothing,” said Zizi, with a
funny little smile. “Please let us see the hatpin.”</p>
<p>Olive took it from a desk drawer and handed it to
the girl, who immediately passed it over to Penny
Wise.</p>
<p>He looked at it with interest, for a silent minute.</p>
<p>“There couldn’t be a better <i>portrait parlé</i>!” he
exclaimed. “This pin belongs to a lady with dark,
straight hair,—coarse, and lots of it. She has good
teeth, and she is proud of them. Her tastes incline
to the flashy, and she is fond of strong perfumes.
She is of somewhat untidy habits and
given to sentiment. She is intellectual and efficient
and, if not wealthy, she has at least a competence.”</p>
<p>“For gracious goodness sake!” gasped Olive;
“and I’ve studied that hatpin for hours and never
could deduce a thing!”</p>
<div class="pb" id="Page_158">[158]</div>
<p>“What I have read from it may be of no use to
us,” said Wise, indifferently; “I think it will be a
sufficient indication of which way to look to find
the lady in question, but that doesn’t necessarily
mean the finding of her will do any good.”</p>
<p>“But she may know something to tell us that will
do good,” Olive suggested; “at any rate, let’s find
her. How will you go about it?”</p>
<p>“Why, I think it will be a good plan to ask the
stenographer, Jenny Boyd, if she ever saw anyone
there who fits our description.”</p>
<p>“She’s the lady of the powder-paper, maybe,”
murmured Zizi, and Penny Wise said, “Of course,”
in a preoccupied way, and went on:</p>
<p>“That Jenny person must be further grilled. She
hasn’t told all she knows. She was in Mr. Gately’s
employ but a short time and yet she picked up a lot
of information. But she hasn’t divulged it all, not
by a long shot!”</p>
<p>“How do you know all this?” asked Olive, wonderingly.</p>
<p>“I’ve read the papers. I have an unbreakable
habit of reading between the lines, and I think Miss
Jenny has been persuaded by somebody to suppress
certain interesting bits of evidence that would fit
right into our picture puzzle.”</p>
<p>“May I come in?” said a gentle voice, and Mrs.
Vail appeared in the doorway.</p>
<p>As we rose to greet her, Olive presented Mr.
Wise, and then Mrs. Vail permitted herself the luxury
of a stare of genuine curiosity.</p>
<div class="pb" id="Page_159">[159]</div>
<p>His whimsical smile charmed her, and she was
most cordial of speech and manner. Indeed, so absorbed
was she in this new acquaintance that she
didn’t even see Zizi, who sat, as always, back and in
the shadow.</p>
<p>“Don’t let me interrupt,” said Mrs. Vail, fluttering
into a chair. “Just go on as if I were not here.
I’m <i>so</i> interested, just let me listen! I won’t say
a word. Oh, Olive dear, did you show Mr. Wise the
letter?”</p>
<p>“No; it’s unimportant,” replied the girl.</p>
<p>“But I don’t think it is, my dear,” Mrs. Vail
persisted. “You know it might be a—what
do they call it?—a clew. Why, I knew a lady
once——”</p>
<p>“A letter is always important,” said Zizi from
her corner, and Mrs. Vail jumped and gave a
startled exclamation.</p>
<p>“Who’s that?” she cried, peering through her
<i>lorgnon</i> in the direction of the voice.</p>
<p>“Show yourself, Zizi,” directed Wise. “This is
my assistant, Mrs. Vail. She is in our council but
not of it. I can’t explain her exactly, but you’ll
come to understand her.”</p>
<p>Zizi leaned forward and gave Mrs. Vail a pleasant
if indifferent smile, then sank back to her usual
obscurity.</p>
<p>The girl was, Wise had said, a negligible personality,
and yet whenever she spoke she said something!</p>
<div class="pb" id="Page_160">[160]</div>
<p>Mrs. Vail looked bewildered, but apparently she
was prepared to accept anything, however strange,
in connection with detective work.</p>
<p>“Well,” she observed, “as that pretty little thing
says, a letter is always important, and I think you
ought to show it, Olive. I had a letter once that
changed the whole current of my life!”</p>
<p>“What is this letter, Miss Raynor?” asked Wise,
in a matter-of-fact way.</p>
<p>“One I received in this morning’s mail,” Olive
replied; “I paid no attention to it, because it was
anonymous. Uncle Amos told me once never to
notice an anonymous letter,—always to burn and
forget it.”</p>
<p>“Good enough advice, in general,” said Wise;
“but in such serious matters as we have before us
any letter is of interest.”</p>
<p>“Is the letter written by a woman, and signed
‘A Friend’?” asked Zizi in her soft voice.</p>
<p>“Did you write it?” cried Olive, turning to the
wraith-like girl who sat so quietly behind her.</p>
<p>“Oh, no, no, no! <i>I</i> didn’t write it,” and the
demure little face showed a fleeting smile.</p>
<p>“Then how did you know? For it <i>is</i> signed ‘A
Friend,’ but I don’t know whether it was a woman
who wrote it or not.”</p>
<div class="pb" id="Page_161">[161]</div>
<p>“It was,” and Zizi nodded her sleek little black
head. She had removed her hat and placed it on
a nearby chair, and as she nestled into her furs
which formed a dark background, her small white
face looked more eerie than ever. “Ninety per
cent. of all anonymous letters are written by women,
and ninety per cent. of these are signed ‘A Friend.’
Though usually that is a misstatement.”</p>
<p>“May I see the letter?” asked Wise.</p>
<p>“Sure; I’ll get it.”</p>
<p>It was Zizi who spoke! And rising, she went
swiftly across the room, to a desk, and from a
pigeonhole took an opened letter, which she carried
to Wise, and then dropped back into her seat again.</p>
<p>Mrs. Vail gave a surprised gasp, and Olive looked
her amazement.</p>
<p>“How did you know where to find that?” she
exclaimed, her great brown eyes wide with wonder.</p>
<p>“Dead easy,” said Zizi, nonchalantly; “you’ve
scarcely taken your eyes off that spot, Miss Raynor,
since the letter was mentioned!”</p>
<p>“But even though I looked at the desk, how
could you pick out the very letter, at once?”</p>
<p>“Oh, I looked at the desk, too. And I saw your
morning’s mail, pretty well sorted out. There’s a
pile of bills, a pile of what are unmistakably social
notes, and, up above in a pigeonhole, all by itself,
was this letter. You glanced at it a dozen times or
more, so I couldn’t help knowing.”</p>
<p>Olive laughed. One couldn’t help liking the
strange girl whose expression was so earnest, even
while her black eyes were dancing.</p>
<p>Meanwhile, Penny Wise examined the missive.</p>
<p>“I’ll read it aloud?” and he glanced at Olive,
who acquiesced by a nod.</p>
<div class="pb" id="Page_162">[162]</div>
<p class="tb">“<span class="sc">Miss Raynor</span>:</p>
<p>“Quit looking for slayer of A.G. or you’ll be
railroaded in yourself. This is straight goods. Call
off all Tecs, or beware consequences. Will not
warn twice!</p>
<p><span class="jr">“<span class="sc">A Friend.</span>”</span></p>
<p class="tb">“A woman,” Pennington Wise said in a musing
voice, after he read it.</p>
<p>“A business woman,” added Zizi from her
corner.</p>
<p>“A stenographer maybe,” Wise went on, and
Olive cried:</p>
<p>“Do you mean Jenny?”</p>
<p>“Oh, no; this is written by a woman with more
brains than Jenny ever dreamed of. A very clever
woman in fact.”</p>
<p>“Who?” breathed Olive, her eager face flushing
in her interest and anxious to know more.</p>
<p>“I don’t know that, Miss Raynor, but——”</p>
<p>“Oh, Mr. Wise,” broke in Mrs. Vail; “you are
so wonderful! Won’t you explain how you do it,
as you go along?”</p>
<p>She spoke as if he were a conjurer.</p>
<div class="pb" id="Page_163">[163]</div>
<p>“Anything to oblige,” Wise assented. “Well,
here’s how it looks to me. The writer of this letter
is a business woman, not only because she uses this
large, single sheet of bond paper, but because she
knows how to use it. She is a stenographer,—by
that I do not necessarily mean that is her business,—she
may have a knowledge of stenography,
and be in some much more important line of work.
But she is an accomplished typist and a rapid one.
This, I know, of course, from the neat and uniform
typing. She is clever, because she has used this
non-committal paper, which is in no way especial
or individual. She is a business woman, again, because
she uses such expressions as ‘quit,’ railroaded,’
‘Tecs,’ ‘straight goods,’——”</p>
<p>“Which she might do by way of being misleading——”
murmured Zizi.</p>
<p>“Too many of ’em, and too casually used, Ziz.
A society girl trying to pose as a business woman
never would have rolled those words in so easily.
I should have said a newspaper woman but for a
certain peculiarity of style which indicates,—what,
Zizi?”</p>
<p>“You’ve got it; a telegraph operator.”</p>
<p>“Exactly. Do you know any telegrapher, Miss
Raynor?”</p>
<p>“No, indeed!” and Olive looked astounded at the
suggestion that she should number such among her
acquaintances. “Are you sure?”</p>
<p>“Looks mighty like it. The short sentences and
the elimination of personal pronouns seem to me to
denote a telegraph girl’s diction. And she is very
clever! She has sent the carbon copy of the letter
and not the outside typing.”</p>
<p>“Why?” I asked.</p>
<div class="pb" id="Page_164">[164]</div>
<p>“To make it less traceable. You know, typewriting
is very nearly as individual as pen-writing.
The differentiations of the machine as well as of the
user’s technique, are almost invariably so pronounced
as to make the writing recognizable. Now
these peculiarities, while often clear on the first
paper, are blurred more or less on the carbon copy.
So ‘A Friend,’ thinking to be very canny, has sent
the carbon. This is a new trick, though I’ve seen
it done several times of late. But it isn’t so misleading
as it is thought to be. For all the individual
peculiarities of the typewriter,—I mean, the machine,
are almost as visible on this as on the other.
I’ve noticed them in this case, easily. And moreover,
this would-be clever writer has overreached
herself! For a carbon copy smudges so easily that
it is almost impossible to touch it, even to fold the
sheet, without leaving a telltale thumb or finger
print! And this correspondent has most obligingly
done so!”</p>
<p>“Really!” breathed Zizi, with a note of satisfaction
in her low voice.</p>
<p>“And the peculiarities,—what are they?” asked
Olive.</p>
<p>“The one that jumps out and hits me first is the
elevated <i>s</i>. Look,—and you have to look closely,
Miss Raynor,—in every instance the letter <i>s</i> is a
tiny speck higher than the other letters.”</p>
<p>“Why, so it is,” and Olive examined the letter
with deep interest; “but how can you find a machine
with an elevated <i>s</i>?”</p>
<div class="pb" id="Page_165">[165]</div>
<p>“It isn’t a sign-board, it’s a proof. When we
think we have the right machine, the <i>s</i> will prove
it,—not lead us to it.”</p>
<p>“Let me see,” begged Mrs. Vail, reaching for the
paper. “A friend of mine is a stenographer; maybe
she——”</p>
<p>“Excuse me,” and Penny Wise folded the letter
most carefully. “We can’t get any more finger
prints on this paper, or we shall render it useless.
Now, Miss Raynor, I’m going. I’ll take the letter,
and I’ve little doubt it will be a great help to me in
my work. I will report to you from time to time,
but it may be a few days before I learn anything
of importance. Zizi?”</p>
<p>“Yes; I’ll stay here,” and the girl sat quietly in
her chair.</p>
<p>“That means she’ll take up her abode with you
for the present, Miss Raynor,” and Wise smiled at
Olive.</p>
<p>“Live here?”</p>
<p>“Yes, please. It is necessary, or she wouldn’t
do it.”</p>
<p>“Oh, let her stay!” cried Mrs. Vail; “she’s so
interesting—and queer!”</p>
<p>The object of her comment gave her an engaging
smile, but said nothing, and beckoning me to go
with him, Wise rose to take leave.</p>
<p>But I wanted to have a little further talk with
Olive on several matters and I told Wise I’d join
him a little later.</p>
<div class="pb" id="Page_166">[166]</div>
<p>“Be goody-girl, Zizi,” he adjured as he went off,
and she nodded her head, but with a saucy grimace
at the detective.</p>
<p>“My room?” she said, inquiringly, with a pretty,
shy glance at Olive. “I’m no trouble,—not a bit.
Any little old room, you know.”</p>
<p>“You shall have it in a few moments,” and
Olive went away to see the housemaids
about it.</p>
<p>Mrs. Vail snatched at a chance to talk uninterruptedly
to the strange girl.</p>
<p>“What is your work?” she inquired; “do you
help Mr. Wise? Isn’t he wonderful! How you
must admire him. I knew a detective once,—or,
at least, a man who was going to be a detective,
but—— Oh, <i>do</i> tell me what your part of the
work is!”</p>
<p>“I sit by,” returned Zizi, with a dear little grin
that took off all edge of curtness.</p>
<p>“Sit by! Is that some technical term? I don’t
quite understand.”</p>
<p>“I don’t always understand myself,” and the girl
shook her head slowly; “but I just remain silent
until Mr. Wise wants me to speak,—to tell him
something, you know. Then I tell him.”</p>
<p>“But how do <i>you</i> know it?” I put in, fascinated
by this strange child, for she looked little more than
a child.</p>
<div class="pb" id="Page_167">[167]</div>
<p>“Ooh!” Zizi shuddered, and drew her small self
together, her black eyes round and uncanny-looking;
“ooh! I donno how I know! I guess the bogie man
tells me!”</p>
<p>Mrs. Vail shuddered too, and gave a little shriek.</p>
<p>“You’re a witch,” she cried; “own up, now,
aren’t you a witch?”</p>
<p>“Yes, lady, lady! I <i>am</i> a witch,—a poor little
witch girl!” and Zizi laughed outright at her own
little joke.</p>
<p>If her smile had been charming, her laugh was
more so. It was not only of a silvery trill, but it
was infectious, and Mrs. Vail and I laughed in
sympathy.</p>
<p>“What are you all laughing at?” said Olive, reappearing.</p>
<p>“At me,” and Zizi spoke humbly now; “I made
’em laugh. Sorry!”</p>
<p>“Come along with me, you funny child,” and
Olive led her away, leaving me to be the victim of
Mrs. Vail’s incessant stream of chatter.</p>
<p>The good lady volubly discussed the detective and
his assistant and detailed many accounts of people
she had known. Her acquaintance was seemingly a
wide one!</p>
<p>At last Olive returned, smiling.</p>
<div class="pb" id="Page_168">[168]</div>
<p>“I never saw anything like her!” she exclaimed;
“I gave her a pretty little room, not far from mine.
I don’t know, I’m sure, why she’s staying here, but
I like to have her. Well, in about two minutes she
had the furniture all changed about. Not the heavy
pieces, of course, but she moved a small table and
all the chairs, and finally unscrewed an electric light
bulb from one place and put it on another, and then,
after looking all about, she said, ‘Just one thing
more!’ and if she didn’t spring up on to a table
with one jump and take down quite a large picture!
‘There,’ she said, and she set it out in the hall;
‘I can’t bear that thing! Now this is a lovely
room, and I thank you, Miss Raynor. The pink one
we passed is yours, isn’t it?’</p>
<p>“‘Yes; how did you know?’ I asked her. And
she said, ‘I saw a photograph of Mr. Manning on
your bureau.’ Little rascal! I can’t help liking
her!”</p>
<div class="pb" id="Page_169">[169]</div>
<div style="break-after:column;"></div><br />