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<h2> II </h2>
<p>Emil reached home a little past noon, and when he went into the kitchen
Alexandra was already seated at the head of the long table, having dinner
with her men, as she always did unless there were visitors. He slipped
into his empty place at his sister's right. The three pretty young Swedish
girls who did Alexandra's housework were cutting pies, refilling
coffeecups, placing platters of bread and meat and potatoes upon the red
tablecloth, and continually getting in each other's way between the table
and the stove. To be sure they always wasted a good deal of time getting
in each other's way and giggling at each other's mistakes. But, as
Alexandra had pointedly told her sisters-in-law, it was to hear them
giggle that she kept three young things in her kitchen; the work she could
do herself, if it were necessary. These girls, with their long letters
from home, their finery, and their love-affairs, afforded her a great deal
of entertainment, and they were company for her when Emil was away at
school.</p>
<p>Of the youngest girl, Signa, who has a pretty figure, mottled pink cheeks,
and yellow hair, Alexandra is very fond, though she keeps a sharp eye upon
her. Signa is apt to be skittish at mealtime, when the men are about, and
to spill the coffee or upset the cream. It is supposed that Nelse Jensen,
one of the six men at the dinner-table, is courting Signa, though he has
been so careful not to commit himself that no one in the house, least of
all Signa, can tell just how far the matter has progressed. Nelse watches
her glumly as she waits upon the table, and in the evening he sits on a
bench behind the stove with his DRAGHARMONIKA, playing mournful airs and
watching her as she goes about her work. When Alexandra asked Signa
whether she thought Nelse was in earnest, the poor child hid her hands
under her apron and murmured, "I don't know, ma'm. But he scolds me about
everything, like as if he wanted to have me!"</p>
<p>At Alexandra's left sat a very old man, barefoot and wearing a long blue
blouse, open at the neck. His shaggy head is scarcely whiter than it was
sixteen years ago, but his little blue eyes have become pale and watery,
and his ruddy face is withered, like an apple that has clung all winter to
the tree. When Ivar lost his land through mismanagement a dozen years ago,
Alexandra took him in, and he has been a member of her household ever
since. He is too old to work in the fields, but he hitches and unhitches
the work-teams and looks after the health of the stock. Sometimes of a
winter evening Alexandra calls him into the sitting-room to read the Bible
aloud to her, for he still reads very well. He dislikes human habitations,
so Alexandra has fitted him up a room in the barn, where he is very
comfortable, being near the horses and, as he says, further from
temptations. No one has ever found out what his temptations are. In cold
weather he sits by the kitchen fire and makes hammocks or mends harness
until it is time to go to bed. Then he says his prayers at great length
behind the stove, puts on his buffalo-skin coat and goes out to his room
in the barn.</p>
<p>Alexandra herself has changed very little. Her figure is fuller, and she
has more color. She seems sunnier and more vigorous than she did as a
young girl. But she still has the same calmness and deliberation of
manner, the same clear eyes, and she still wears her hair in two braids
wound round her head. It is so curly that fiery ends escape from the
braids and make her head look like one of the big double sunflowers that
fringe her vegetable garden. Her face is always tanned in summer, for her
sunbonnet is oftener on her arm than on her head. But where her collar
falls away from her neck, or where her sleeves are pushed back from her
wrist, the skin is of such smoothness and whiteness as none but Swedish
women ever possess; skin with the freshness of the snow itself.</p>
<p>Alexandra did not talk much at the table, but she encouraged her men to
talk, and she always listened attentively, even when they seemed to be
talking foolishly.</p>
<p>To-day Barney Flinn, the big red-headed Irishman who had been with
Alexandra for five years and who was actually her foreman, though he had
no such title, was grumbling about the new silo she had put up that
spring. It happened to be the first silo on the Divide, and Alexandra's
neighbors and her men were skeptical about it. "To be sure, if the thing
don't work, we'll have plenty of feed without it, indeed," Barney
conceded.</p>
<p>Nelse Jensen, Signa's gloomy suitor, had his word. "Lou, he says he
wouldn't have no silo on his place if you'd give it to him. He says the
feed outen it gives the stock the bloat. He heard of somebody lost four
head of horses, feedin' 'em that stuff."</p>
<p>Alexandra looked down the table from one to another. "Well, the only way
we can find out is to try. Lou and I have different notions about feeding
stock, and that's a good thing. It's bad if all the members of a family
think alike. They never get anywhere. Lou can learn by my mistakes and I
can learn by his. Isn't that fair, Barney?"</p>
<p>The Irishman laughed. He had no love for Lou, who was always uppish with
him and who said that Alexandra paid her hands too much. "I've no thought
but to give the thing an honest try, mum. 'T would be only right, after
puttin' so much expense into it. Maybe Emil will come out an' have a look
at it wid me." He pushed back his chair, took his hat from the nail, and
marched out with Emil, who, with his university ideas, was supposed to
have instigated the silo. The other hands followed them, all except old
Ivar. He had been depressed throughout the meal and had paid no heed to
the talk of the men, even when they mentioned cornstalk bloat, upon which
he was sure to have opinions.</p>
<p>"Did you want to speak to me, Ivar?" Alexandra asked as she rose from the
table. "Come into the sitting-room."</p>
<p>The old man followed Alexandra, but when she motioned him to a chair he
shook his head. She took up her workbasket and waited for him to speak. He
stood looking at the carpet, his bushy head bowed, his hands clasped in
front of him. Ivar's bandy legs seemed to have grown shorter with years,
and they were completely misfitted to his broad, thick body and heavy
shoulders.</p>
<p>"Well, Ivar, what is it?" Alexandra asked after she had waited longer than
usual.</p>
<p>Ivar had never learned to speak English and his Norwegian was quaint and
grave, like the speech of the more old-fashioned people. He always
addressed Alexandra in terms of the deepest respect, hoping to set a good
example to the kitchen girls, whom he thought too familiar in their
manners.</p>
<p>"Mistress," he began faintly, without raising his eyes, "the folk have
been looking coldly at me of late. You know there has been talk."</p>
<p>"Talk about what, Ivar?"</p>
<p>"About sending me away; to the asylum."</p>
<p>Alexandra put down her sewing-basket. "Nobody has come to me with such
talk," she said decidedly. "Why need you listen? You know I would never
consent to such a thing."</p>
<p>Ivar lifted his shaggy head and looked at her out of his little eyes.
"They say that you cannot prevent it if the folk complain of me, if your
brothers complain to the authorities. They say that your brothers are
afraid—God forbid!—that I may do you some injury when my
spells are on me. Mistress, how can any one think that?—that I could
bite the hand that fed me!" The tears trickled down on the old man's
beard.</p>
<p>Alexandra frowned. "Ivar, I wonder at you, that you should come bothering
me with such nonsense. I am still running my own house, and other people
have nothing to do with either you or me. So long as I am suited with you,
there is nothing to be said."</p>
<p>Ivar pulled a red handkerchief out of the breast of his blouse and wiped
his eyes and beard. "But I should not wish you to keep me if, as they say,
it is against your interests, and if it is hard for you to get hands
because I am here."</p>
<p>Alexandra made an impatient gesture, but the old man put out his hand and
went on earnestly:—</p>
<p>"Listen, mistress, it is right that you should take these things into
account. You know that my spells come from God, and that I would not harm
any living creature. You believe that every one should worship God in the
way revealed to him. But that is not the way of this country. The way here
is for all to do alike. I am despised because I do not wear shoes, because
I do not cut my hair, and because I have visions. At home, in the old
country, there were many like me, who had been touched by God, or who had
seen things in the graveyard at night and were different afterward. We
thought nothing of it, and let them alone. But here, if a man is different
in his feet or in his head, they put him in the asylum. Look at Peter
Kralik; when he was a boy, drinking out of a creek, he swallowed a snake,
and always after that he could eat only such food as the creature liked,
for when he ate anything else, it became enraged and gnawed him. When he
felt it whipping about in him, he drank alcohol to stupefy it and get some
ease for himself. He could work as good as any man, and his head was
clear, but they locked him up for being different in his stomach. That is
the way; they have built the asylum for people who are different, and they
will not even let us live in the holes with the badgers. Only your great
prosperity has protected me so far. If you had had ill-fortune, they would
have taken me to Hastings long ago."</p>
<p>As Ivar talked, his gloom lifted. Alexandra had found that she could often
break his fasts and long penances by talking to him and letting him pour
out the thoughts that troubled him. Sympathy always cleared his mind, and
ridicule was poison to him.</p>
<p>"There is a great deal in what you say, Ivar. Like as not they will be
wanting to take me to Hastings because I have built a silo; and then I may
take you with me. But at present I need you here. Only don't come to me
again telling me what people say. Let people go on talking as they like,
and we will go on living as we think best. You have been with me now for
twelve years, and I have gone to you for advice oftener than I have ever
gone to any one. That ought to satisfy you."</p>
<p>Ivar bowed humbly. "Yes, mistress, I shall not trouble you with their talk
again. And as for my feet, I have observed your wishes all these years,
though you have never questioned me; washing them every night, even in
winter."</p>
<p>Alexandra laughed. "Oh, never mind about your feet, Ivar. We can remember
when half our neighbors went barefoot in summer. I expect old Mrs. Lee
would love to slip her shoes off now sometimes, if she dared. I'm glad I'm
not Lou's mother-in-law."</p>
<p>Ivar looked about mysteriously and lowered his voice almost to a whisper.
"You know what they have over at Lou's house? A great white tub, like the
stone water-troughs in the old country, to wash themselves in. When you
sent me over with the strawberries, they were all in town but the old
woman Lee and the baby. She took me in and showed me the thing, and she
told me it was impossible to wash yourself clean in it, because, in so
much water, you could not make a strong suds. So when they fill it up and
send her in there, she pretends, and makes a splashing noise. Then, when
they are all asleep, she washes herself in a little wooden tub she keeps
under her bed."</p>
<p>Alexandra shook with laughter. "Poor old Mrs. Lee! They won't let her wear
nightcaps, either. Never mind; when she comes to visit me, she can do all
the old things in the old way, and have as much beer as she wants. We'll
start an asylum for old-time people, Ivar."</p>
<p>Ivar folded his big handkerchief carefully and thrust it back into his
blouse. "This is always the way, mistress. I come to you sorrowing, and
you send me away with a light heart. And will you be so good as to tell
the Irishman that he is not to work the brown gelding until the sore on
its shoulder is healed?"</p>
<p>"That I will. Now go and put Emil's mare to the cart. I am going to drive
up to the north quarter to meet the man from town who is to buy my alfalfa
hay."</p>
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