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<h2> CHAPTER XX </h2>
<p>The struggle for admission to college was ended, and I could now enter
Radcliffe whenever I pleased. Before I entered college, however, it was
thought best that I should study another year under Mr. Keith. It was not,
therefore, until the fall of 1900 that my dream of going to college was
realized.</p>
<p>I remember my first day at Radcliffe. It was a day full of interest for
me. I had looked forward to it for years. A potent force within me,
stronger than the persuasion of my friends, stronger even than the
pleadings of my heart, had impelled me to try my strength by the standards
of those who see and hear. I knew that there were obstacles in the way;
but I was eager to overcome them. I had taken to heart the words of the
wise Roman who said, "To be banished from Rome is but to live outside of
Rome." Debarred from the great highways of knowledge, I was compelled to
make the journey across country by unfrequented roads—that was all;
and I knew that in college there were many bypaths where I could touch
hands with girls who were thinking, loving and struggling like me.</p>
<p>I began my studies with eagerness. Before me I saw a new world opening in
beauty and light, and I felt within me the capacity to know all things. In
the wonderland of Mind I should be as free as another. Its people,
scenery, manners, joys, tragedies should be living, tangible interpreters
of the real world. The lecture-halls seemed filled with the spirit of the
great and the wise, and I thought the professors were the embodiment of
wisdom. If I have since learned differently, I am not going to tell
anybody.</p>
<p>But I soon discovered that college was not quite the romantic lyceum I had
imagined. Many of the dreams that had delighted my young inexperience
became beautifully less and "faded into the light of common day."
Gradually I began to find that there were disadvantages in going to
college.</p>
<p>The one I felt and still feel most is lack of time. I used to have time to
think, to reflect, my mind and I. We would sit together of an evening and
listen to the inner melodies of the spirit, which one hears only in
leisure moments when the words of some loved poet touch a deep, sweet
chord in the soul that until then had been silent. But in college there is
no time to commune with one's thoughts. One goes to college to learn, it
seems, not to think. When one enters the portals of learning, one leaves
the dearest pleasures—solitude, books and imagination—outside
with the whispering pines. I suppose I ought to find some comfort in the
thought that I am laying up treasures for future enjoyment, but I am
improvident enough to prefer present joy to hoarding riches against a
rainy day.</p>
<p>My studies the first year were French, German, history, English
composition and English literature. In the French course I read some of
the works of Corneille, Moliere, Racine, Alfred de Musset and
Sainte-Beuve, and in the German those of Goethe and Schiller. I reviewed
rapidly the whole period of history from the fall of the Roman Empire to
the eighteenth century, and in English literature studied critically
Milton's poems and "Areopagitica."</p>
<p>I am frequently asked how I overcome the peculiar conditions under which I
work in college. In the classroom I am of course practically alone. The
professor is as remote as if he were speaking through a telephone. The
lectures are spelled into my hand as rapidly as possible, and much of the
individuality of the lecturer is lost to me in the effort to keep in the
race. The words rush through my hand like hounds in pursuit of a hare
which they often miss. But in this respect I do not think I am much worse
off than the girls who take notes. If the mind is occupied with the
mechanical process of hearing and putting words on paper at pell-mell
speed, I should not think one could pay much attention to the subject
under consideration or the manner in which it is presented. I cannot make
notes during the lectures, because my hands are busy listening. Usually I
jot down what I can remember of them when I get home. I write the
exercises, daily themes, criticisms and hour-tests, the mid-year and final
examinations, on my typewriter, so that the professors have no difficulty
in finding out how little I know. When I began the study of Latin prosody,
I devised and explained to my professor a system of signs indicating the
different meters and quantities.</p>
<p>I use the Hammond typewriter. I have tried many machines, and I find the
Hammond is the best adapted to the peculiar needs of my work. With this
machine movable type shuttles can be used, and one can have several
shuttles, each with a different set of characters—Greek, French, or
mathematical, according to the kind of writing one wishes to do on the
typewriter. Without it, I doubt if I could go to college.</p>
<p>Very few of the books required in the various courses are printed for the
blind, and I am obliged to have them spelled into my hand. Consequently I
need more time to prepare my lessons than other girls. The manual part
takes longer, and I have perplexities which they have not. There are days
when the close attention I must give to details chafes my spirit, and the
thought that I must spend hours reading a few chapters, while in the world
without other girls are laughing and singing and dancing, makes me
rebellious; but I soon recover my buoyancy and laugh the discontent out of
my heart. For, after all, every one who wishes to gain true knowledge must
climb the Hill Difficulty alone, and since there is no royal road to the
summit, I must zigzag it in my own way. I slip back many times, I fall, I
stand still, I run against the edge of hidden obstacles, I lose my temper
and find it again and keep it better, I trudge on, I gain a little, I feel
encouraged, I get more eager and climb higher and begin to see the
widening horizon. Every struggle is a victory. One more effort and I reach
the luminous cloud, the blue depths of the sky, the uplands of my desire.
I am not always alone, however, in these struggles. Mr. William Wade and
Mr. E. E. Allen, Principal of the Pennsylvania Institution for the
Instruction of the Blind, get for me many of the books I need in raised
print. Their thoughtfulness has been more of a help and encouragement to
me than they can ever know.</p>
<p>Last year, my second year at Radcliffe, I studied English composition, the
Bible as English composition, the governments of America and Europe, the
Odes of Horace, and Latin comedy. The class in composition was the
pleasantest. It was very lively. The lectures were always interesting,
vivacious, witty; for the instructor, Mr. Charles Townsend Copeland, more
than any one else I have had until this year, brings before you literature
in all its original freshness and power. For one short hour you are
permitted to drink in the eternal beauty of the old masters without
needless interpretation or exposition. You revel in their fine thoughts.
You enjoy with all your soul the sweet thunder of the Old Testament,
forgetting the existence of Jahweh and Elohim; and you go home feeling
that you have had "a glimpse of that perfection in which spirit and form
dwell in immortal harmony; truth and beauty bearing a new growth on the
ancient stem of time."</p>
<p>This year is the happiest because I am studying subjects that especially
interest me, economics, Elizabethan literature, Shakespeare under
Professor George L. Kittredge, and the History of Philosophy under
Professor Josiah Royce. Through philosophy one enters with sympathy of
comprehension into the traditions of remote ages and other modes of
thought, which erewhile seemed alien and without reason.</p>
<p>But college is not the universal Athens I thought it was. There one does
not meet the great and the wise face to face; one does not even feel their
living touch. They are there, it is true; but they seem mummified. We must
extract them from the crannied wall of learning and dissect and analyze
them before we can be sure that we have a Milton or an Isaiah, and not
merely a clever imitation. Many scholars forget, it seems to me, that our
enjoyment of the great works of literature depends more upon the depth of
our sympathy than upon our understanding. The trouble is that very few of
their laborious explanations stick in the memory. The mind drops them as a
branch drops its overripe fruit. It is possible to know a flower, root and
stem and all, and all the processes of growth, and yet to have no
appreciation of the flower fresh bathed in heaven's dew. Again and again I
ask impatiently, "Why concern myself with these explanations and
hypotheses?" They fly hither and thither in my thought like blind birds
beating the air with ineffectual wings. I do not mean to object to a
thorough knowledge of the famous works we read. I object only to the
interminable comments and bewildering criticisms that teach but one thing:
there are as many opinions as there are men. But when a great scholar like
Professor Kittredge interprets what the master said, it is "as if new
sight were given the blind." He brings back Shakespeare, the poet.</p>
<p>There are, however, times when I long to sweep away half the things I am
expected to learn; for the overtaxed mind cannot enjoy the treasure it has
secured at the greatest cost. It is impossible, I think, to read in one
day four or five different books in different languages and treating of
widely different subjects, and not lose sight of the very ends for which
one reads. When one reads hurriedly and nervously, having in mind written
tests and examinations, one's brain becomes encumbered with a lot of
choice bric-a-brac for which there seems to be little use. At the present
time my mind is so full of heterogeneous matter that I almost despair of
ever being able to put it in order. Whenever I enter the region that was
the kingdom of my mind I feel like the proverbial bull in the china shop.
A thousand odds and ends of knowledge come crashing about my head like
hailstones, and when I try to escape them, theme-goblins and college
nixies of all sorts pursue me, until I wish—oh, may I be forgiven
the wicked wish!—that I might smash the idols I came to worship.</p>
<p>But the examinations are the chief bugbears of my college life. Although I
have faced them many times and cast them down and made them bite the dust,
yet they rise again and menace me with pale looks, until like Bob Acres I
feel my courage oozing out at my finger ends. The days before these
ordeals take place are spent in cramming your mind with mystic formula and
indigestible dates—unpalatable diets, until you wish that books and
science and you were buried in the depths of the sea.</p>
<p>At last the dreaded hour arrives, and you are a favoured being indeed if
you feel prepared, and are able at the right time to call to your standard
thoughts that will aid you in that supreme effort. It happens too often
that your trumpet call is unheeded. It is most perplexing and exasperating
that just at the moment when you need your memory and a nice sense of
discrimination, these faculties take to themselves wings and fly away. The
facts you have garnered with such infinite trouble invariably fail you at
a pinch.</p>
<p>"Give a brief account of Huss and his work." Huss? Who was he and what did
he do? The name looks strangely familiar. You ransack your budget of
historic facts much as you would hunt for a bit of silk in a rag-bag. You
are sure it is somewhere in your mind near the top—you saw it there
the other day when you were looking up the beginnings of the Reformation.
But where is it now? You fish out all manner of odds and ends of knowledge—revolutions,
schisms, massacres, systems of government; but Huss—where is he? You
are amazed at all the things you know which are not on the examination
paper. In desperation you seize the budget and dump everything out, and
there in a corner is your man, serenely brooding on his own private
thought, unconscious of the catastrophe which he has brought upon you.</p>
<p>Just then the proctor informs you that the time is up. With a feeling of
intense disgust you kick the mass of rubbish into a corner and go home,
your head full of revolutionary schemes to abolish the divine right of
professors to ask questions without the consent of the questioned.</p>
<p>It comes over me that in the last two or three pages of this chapter I
have used figures which will turn the laugh against me. Ah, here they are—the
mixed metaphors mocking and strutting about before me, pointing to the
bull in the china shop assailed by hailstones and the bugbears with pale
looks, an unanalyzed species! Let them mock on. The words describe so
exactly the atmosphere of jostling, tumbling ideas I live in that I will
wink at them for once, and put on a deliberate air to say that my ideas of
college have changed.</p>
<p>While my days at Radcliffe were still in the future, they were encircled
with a halo of romance, which they have lost; but in the transition from
romantic to actual I have learned many things I should never have known
had I not tried the experiment. One of them is the precious science of
patience, which teaches us that we should take our education as we would
take a walk in the country, leisurely, our minds hospitably open to
impressions of every sort. Such knowledge floods the soul unseen with a
soundless tidal wave of deepening thought. "Knowledge is power." Rather,
knowledge is happiness, because to have knowledge—broad, deep
knowledge—is to know true ends from false, and lofty things from
low. To know the thoughts and deeds that have marked man's progress is to
feel the great heart-throbs of humanity through the centuries; and if one
does not feel in these pulsations a heavenward striving, one must indeed
be deaf to the harmonies of life.</p>
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