<h2>IV</h2>
<p><ANTIMG class="figleft" style="width: 97px; height: 105px;" alt="Initial I" title="I" src="images/leti.png" />t
was ten o'clock in the forenoon. The April sun bathed the
tender
leafage of the trees in light. A storm had cleared the air during the
night and it was deliciously fresh and sweet. At long intervals a
horseman passing along the Allée des Veuves broke the
silence and
solitude. On the outskirts of the shady avenue, over against a rustic
cottage known as <i>La Belle Lilloise</i>,
Évariste sat on a wooden bench
waiting for Élodie. Since the day their fingers had met over
the
embroidery and their breaths had mingled, he had never been back to the
<i>Amour peintre</i>. For a whole week his proud stoicism
and his timidity,
which grew more extreme every day, had kept him away from
Élodie. He had
written her a letter conceived in a key of gravity, at once sombre and
ardent, in which, explaining the grievance he had against the <i>citoyen</i>
Blaise, but saying no word of his love and concealing his chagrin, he
announced his intention of never returning to her father's shop, and
was
now showing greater steadfastness in keeping this resolution than a
woman in love was quite likely to approve.</p>
<p>A born fighter whose bent was to defend her property under all
circumstances, Élodie instantly turned her mind to the task
of winning
back her lover. At first she thought of going to see him at the studio
in the Place de Thionville. But knowing his touchy temper and judging
from his letter that he was sick and sore, she feared he might come to
regard daughter and father with the same angry displeasure and make a
point of never seeing her again; so she deemed it wiser to invite him
to
a sentimental, romantic rendezvous which he could not well decline,
where she would have ample time to cajole and charm him and where
solitude would be her ally to fascinate his senses and overcome his
scruples.</p>
<p>At this period, in all the English gardens and all the
fashionable
promenades, rustic cottages were to be found, built by clever
architects, whose aim it was to flatter the taste of the city folk for
a
country life. The <i>Belle Lilloise</i> was occupied as a
house of light
refreshment; its exterior bore a look of poverty that was part of the
<i>mise en scène</i> and it stood on the
fragments, artistically imitated, of
a fallen tower, so as to unite with the charm of rusticity the
melancholy appeal of a ruined castle. Moreover, as though a peasant's
cot and a shattered donjon were not enough to stir the sensibilities of
his customers, the owner had raised a tomb beneath a
weeping-willow,—a
column surmounted by a funeral urn and bearing the inscription:
"Cléonice to her faithful Azor." Rustic cots, ruined keeps,
imitation
tombs,—on the eve of being swept away, the aristocracy had
erected in
its ancestral parks these symbols of poverty, of decadence and of
death.
And now the patriot citizen found his delight in drinking, dancing,
making love in sham hovels, under the broken vaults, a sham in their
very ruin, of sham cloisters and surrounded by a sham graveyard; for
was
not he too, like his betters, a lover of nature, a disciple of
Jean-Jacques? was not his heart stuffed as full as theirs with
sensibility and the philosophy of humanity?</p>
<p>Reaching the rendezvous before the appointed time,
Évariste waited,
measuring the minutes by the beating of his heart as by the pendulum of
a clock. A patrol passed, guarding a convoy of prisoners. Ten minutes
after a woman dressed all in pink, carrying a bouquet as the fashion
was, escorted by a gentleman in a three-cornered hat, red coat, striped
waistcoat and breeches, slipped into the cottage, both so very like the
gallants and dames of the ancien régime one was bound to
think with the
<i>citoyen</i> Blaise that mankind possesses
characteristics Revolutions
cannot change.</p>
<p>A few minutes later, coming from Rueil or Saint-Cloud, an old
woman
carrying a cylindrical box, painted in brilliant colours, arrived and
sat down beside Gamelin, on his bench. She put down her box in front of
her, and he saw that the lid had a turning needle fixed on it; the poor
woman's trade was to hold a lottery in the public gardens for the
children to try their luck at. She also dealt in "ladies' pleasures,"
an
old-fashioned sweetmeat which she sold under a new name; whether
because
the time-honoured title of "forget-me-nots" called up inappropriate
ideas of unhappiness and retribution or that folks had just got tired
of
it in course of time, "forget-me-nots" were now yclept "ladies'
pleasures."</p>
<p>The old dame wiped the sweat from her forehead with a corner
of her
apron and broke out into railings against heaven, upbraiding God for
injustice when he made life so hard for his creatures. Her husband kept
a tavern on the river-bank at Saint-Cloud, while she came in every day
to the Champs Élysées, sounding her rattle and
crying: "<i>Ladies'
pleasures</i>, come buy, come buy!" And with all this toil the
old couple
could not scrape enough together to end their days in comfort.</p>
<p>Seeing the young man beside her disposed to commiserate with
her, she
expounded at great length the origin of her misfortunes. It was all the
Republic; by robbing the rich, it was taking the bread out of poor
people's mouths. And there was no hoping for a better state of affairs.
Things would only go from bad to worse,—she knew that from
many tokens.
At Nanterre a woman had had a baby born with a serpent's head; the
lightning had struck the church at Rueil and melted the cross on the
steeple; a were-wolf had been seen in the woods of Chaville. Masked men
were poisoning the springs and throwing plague powders in the air to
cause diseases....</p>
<p>Évariste saw Élodie spring from a
carriage and run forward. The girl's
eyes flashed in the clear shadow cast by her straw hat; her lips, as
red
as the carnations she held in her hand, were wreathed in smiles. A
scarf
of black silk, crossed over the bosom, was knotted behind the back. Her
yellow gown displayed the quick movements of the knees and showed a
pair
of low-heeled shoes below the hem. The hips were almost entirely
unconfined; the Revolution had enfranchised the waists of its
<i>citoyennes</i>. For all that, the skirts, still puffed
out below the
loins, marked the curves by exaggerating them and veiled the reality
beneath an artificial amplitude of outline.</p>
<p>He tried to speak but could not find his voice, and was
chagrined at his
failure, which Élodie preferred to the most eloquent
greeting. She
noticed also and looked upon it as a good omen, that he had tied his
cravat with more than usual pains.</p>
<p>She gave him her hand.</p>
<p>"I wanted to see you," she began, "and talk to you. I did not
answer
your letter; I did not like it and I did not think it worthy of you. It
would have been more to my taste if it had been more outspoken. It
would
be to malign your character and common sense to suppose you do not mean
to return to the <i>Amour peintre</i> because you had a
trifling altercation
there about politics with a man many years your senior. Rest assured
you
have no cause to fear my father will receive you ill whenever you come
to see us again. You do not know him; he has forgotten both what he
said
to you and what you said in reply. I do not say there is any great bond
of sympathy between you two; but he bears no malice; I tell you frankly
he pays no great heed to you ... nor to me. He thinks only of his own
affairs and his own pleasures."</p>
<p>She stepped towards the shrubberies surrounding the <i>Belle
Lilloise</i>,
and he followed her with something of repugnance, knowing it to be the
trysting-place of mercenary lovers and amours of a day. She selected
the
table furthest out of sight.</p>
<p>"How many things I have to tell you, Évariste.
Friendship has its
rights; you do not forbid me to exercise them? I have much to say about
you ... and something about myself, if you will let me."</p>
<p>The landlord having brought a carafe of lemonade, she filled
their
glasses herself with the air of a careful housewife; then she began to
tell him about her childhood, described her mother's beauty, which she
loved to dilate upon both as a tribute to the latter's memory and as
the source of her own good looks, and boasted of her grandparents'
sturdy vigour, for she was proud of her bourgeois blood. She related
how
at sixteen she had lost this mother she adored and had entered on a
life
without anyone to love or rely upon. She painted herself as she was, a
vehement, passionate nature, full of sensibility and courage, and
concluded:</p>
<p>"Oh, Évariste, my girlhood was so sad and lonely I
cannot but know what
a prize is a heart like yours, and I will not surrender, I give you
fair
warning, of my own free will and without an effort to retain it, a
sympathy on which I trusted I might count and which I held dear."</p>
<p>Évariste gazed at her tenderly.</p>
<p>"Can it be, Élodie, that I am not indifferent to
you? Can I really
think...?"</p>
<p>He broke off, fearing to say too much and thereby betray so
trusting a
friendliness.</p>
<p>She gave him a little confiding hand that half-peeped out of
the long
narrow sleeve with its lace frillings. Her bosom rose and fell in
long-drawn sighs.</p>
<p>"Credit me, Évariste, with all the sentiments you
would have me feel for
you, and you will not be mistaken in the dispositions of my heart."</p>
<p>"Élodie, Élodie, you say that? will you
still say it when you know
..."—he hesitated.</p>
<p>She dropped her eyes; and he finished the sentence in a
whisper:</p>
<p>"... when you know I love you?"</p>
<p>As she heard the declaration, she blushed,—with
pleasure. Yet, while
her eyes still spoke of a tender ecstasy, a quizzical smile flickered
in
spite of herself about one corner of her lips. She was thinking:</p>
<p>"And he imagines he proposed first!... and he is afraid
perhaps of
offending me!..."</p>
<p>Then she said to him fondly:</p>
<p>"So you had never seen, dear heart, that I loved you?"</p>
<p>They seemed to themselves to be alone, the only two beings in
the
universe. In his exaltation, Évariste raised his eyes to the
firmament
flashing with blue and gold:</p>
<p>"See, the sky is looking down at us! It is benign; it is
adorable, as
you are, beloved; it has your brightness, your gentleness, your smile."</p>
<p>He felt himself one with all nature, it formed part and parcel
of his
joy and triumph. To his eyes, it was to celebrate his betrothal that
the
chestnut blossoms lit their flaming candles, the poplars burned aloft
like giant torches.</p>
<p>He exulted in his strength and stature. She, with her softer
as well as
finer nature, more pliable and more malleable, rejoiced in her very
weakness and, his subjection once secured, instantly bowed to his
ascendancy; now she had brought him under her slavery, she acknowledged
him for the master, the hero, the god, burned to obey, to admire, to
offer her homage. In the shade of the shrubbery he gave her a long,
ardent kiss, which she received with head thrown back and, clasped in
Évariste's arms, felt all her flesh melt like wax.</p>
<p>They went on talking a long time of themselves, forgetful of
the
universe. Évariste abounded mainly in vague, high thoughts,
which filled
Élodie with ecstasy. She spoke sweetly of things of
practical utility
and personal interest. Then, presently, when she felt she could stay no
longer, she rose with a decided air, gave her lover the three red
carnations from the flower in her balcony and sprang lightly into the
cabriolet in which she had driven there. It was a hired carriage,
painted yellow, hung on very high wheels and certainly had nothing out
of the common about it, or the coachman either. But Gamelin was not in
the habit of hiring carriages and his friends were hardly more used to
such an indulgence. To see the great wheels whirling her away gave him
a
strange pang and a painful presentiment assailed him; by a sort of
hallucination of the mind, the hack horse seemed to be carrying
Élodie
away from him beyond the bounds of the actual world and present time
towards a city of wealth and pleasure, towards abodes of luxury and
enjoyment, which he would never be able to enter.</p>
<p>The carriage disappeared. Évariste recovered his
calm by degrees; but a
dull anguish remained and he felt that the hours of tender abandonment
he had just lived would never be his again.</p>
<p>He returned by the Champs Élysées, where
women in light summer dresses
were sitting on wooden chairs, talking or sewing, while their children
played under the trees. A woman selling "ladies' pleasures,"—<i>her</i>
box
was shaped like a drum—reminded him of the one he had spoken
to in the
Allée des Veuves, and it seemed as if a whole epoch of his
life had
elapsed between the two encounters. He crossed the Place de la
Révolution. In the Tuileries gardens he caught the distant
roar of a
host of men, a sound of many voices shouting in accord, so familiar in
those great days of popular enthusiasm which the enemies of the
Revolution declared would never dawn again. He quickened his pace as
the
noise grew louder and louder, reached the Rue Honoré and
found it
thronged with a crowd of men and women yelling: "Vive la
République!
Vive la Liberté!" The walls of the gardens, the windows, the
balconies,
the very roofs were black with lookers-on waving hats and
handkerchiefs.
Preceded by a sapper, who cleared a way for the procession, surrounded
by Municipal Officers, National Guards, gunners, gendarmes, huzzars,
advanced slowly, high above the backs of the citizens, a man of a
bilious complexion, a wreath of oak-leaves about his brow, his body
wrapped in an old green surtout with an ermine collar. The women threw
him flowers, while he cast about him the piercing glance of his
jaundiced eyes, as though, in this enthusiastic multitude he was still
searching out enemies of the people to denounce, traitors to punish. As
he went by, Gamelin bent his head and joining his voice to a hundred
thousand others, shouted his:</p>
<p>"Vive Marat!"</p>
<p>The triumphant hero entered the Hall of the Convention like
Fate
personified. While the crowd slowly dispersed Gamelin sat on a stone
post in the Rue Honoré and pressed his hand over his heart
to check its
wild beating. What he had seen filled him with high emotion and burning
enthusiasm.</p>
<p>He loved and worshipped Marat, who, sick and fevered, his
veins on fire,
eaten up by ulcers, was wearing out the last remnants of his strength
in
the service of the Republic, and in his own poor house, closed to no
man, welcomed him with open arms, conversed eagerly with him of public
affairs, questioned him sometimes on the machinations of evil-doers. He
rejoiced that the enemies of <i>the Just</i>, conspiring
for his ruin, had
prepared his triumph; he blessed the Revolutionary Tribunal, which
acquitting the Friend of the People had given back to the Convention
the most zealous and most immaculate of its legislators. Again his eyes
could see the head racked with fever, garlanded with the civic crown,
the features instinct with virtuous pride and pitiless love, the worn,
ravaged, powerful face, the close-pressed lips, the broad chest, the
strong man dying by inches who, raised aloft in the living chariot of
his triumph, seemed to exhort his fellow-citizens: "Be ye like
me,—patriots to the death!"</p>
<p>The street was empty, darkening with the shadows of
approaching night;
the lamplighter went by with his cresset, and Gamelin muttered to
himself:</p>
<p>"Yes, to the death!"</p>
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