<SPAN name="startofbook"></SPAN>
<h2> H.M.S. PINAFORE </h2>
<p>OR, THE LASS THAT LOVED A SAILOR<br/>
<br/>
Libretto by William S. Gilbert<br/>
<br/>
Music by Sir Arthur Sullivan<br/></p>
<p>DRAMATIS PERSONAE<br/>
<br/>
THE RT.HON SIR JOSEPH PORTER, K.C.B. (First Lord of the Admiralty).<br/>
CAPTAIN CORCORAN (Commanding H.M.S. Pinafore).<br/>
TOM TUCKER (Midshipmite).<br/>
RALPH RAKESTRAW (Able Seaman).<br/>
DICK DEADEYE (Able Seaman).<br/>
BILL BOBSTAY (Boatswain's Mate).<br/>
BOB BECKET (Carpenter's Mate).<br/>
JOSEPHINE (the Captain's Daughter).<br/>
HEBE (Sir Joseph Porter's First Cousin).<br/>
MRS. CRIPPS (LITTLE BUTTERCUP) (A Portsmouth Bumboat Woman).<br/>
First Lord's Sisters, his Cousins, his Aunts, Sailors, Marines, etc.<br/>
<br/>
Scene: QUARTER-DECK OF H.M.S. PINAFORE, OFF PORTSMOUTH<br/>
<br/>
ACT I.—Noon. ACT II.—Night<br/>
<br/>
First produced at the Opera Comique on May 25, 1878.<br/></p>
<p><SPAN name="link2H_4_0008" id="link2H_4_0008"></SPAN></p>
<br/>
<h2> ACT I </h2>
<p>SCENE—Quarter-deck of H.M.S. Pinafore. Sailors, led by BOATSWAIN,<br/>
discovered cleaning brasswork, splicing rope, etc.<br/>
<br/>
CHORUS<br/>
<br/>
We sail the ocean blue,<br/>
And our saucy ship's a beauty;<br/>
We're sober men and true,<br/>
And attentive to our duty.<br/>
When the balls whistle free<br/>
O'er the bright blue sea,<br/>
We stand to our guns all day;<br/>
When at anchor we ride<br/>
On the Portsmouth tide,<br/>
We have plenty of time to play.<br/>
<br/>
Enter LITTLE BUTTERCUP, with large basket on her arm<br/>
<br/>
RECITATIVE<br/>
<br/>
Hail, men-o'-war's men-safeguards of your nation<br/>
Here is an end, at last, of all privation;<br/>
You've got your play—spare all you can afford<br/>
To welcome Little Buttercup on board.<br/>
<br/>
ARIA<br/>
<br/>
For I'm called Little Buttercup—dear Little Buttercup,<br/>
Though I could never tell why,<br/>
But still I'm called Buttercup—poor little Buttercup,<br/>
Sweet Little Buttercup I!<br/>
<br/>
I've snuff and tobaccy, and excellent jacky,<br/>
I've scissors, and watches, and knives<br/>
I've ribbons and laces to set off the faces<br/>
Of pretty young sweethearts and wives.<br/>
<br/>
I've treacle and toffee, I've tea and I've coffee,<br/>
Soft tommy and succulent chops;<br/>
I've chickens and conies, and pretty polonies,<br/>
And excellent peppermint drops.<br/>
<br/>
Then buy of your Buttercup—dear Little Buttercup;<br/>
Sailors should never be shy;<br/>
So, buy of your Buttercup—poor Little Buttercup;<br/>
Come, of your Buttercup buy!<br/>
<br/>
BOAT. Aye, Little Buttercup—and well called—for you're the<br/>
rosiest,<br/>
the roundest, and the reddest beauty in all Spithead.<br/>
BUT. Red, am I? and round—and rosy! Maybe, for I have<br/>
dissembled well!<br/>
But hark ye, my merry friend—hast ever thought that beneath a<br/>
gay and<br/>
frivolous exterior there may lurk a canker-worm which is slowly<br/>
but<br/>
surely eating its way into one's very heart?<br/>
<br/>
BOAT. No, my lass, I can't say I've ever thought that.<br/>
<br/>
Enter DICK DEADEYE. He pushes through sailors, and comes down<br/>
<br/>
DICK. I have thought it often. (All recoil from him.)<br/>
BUT. Yes, you look like it! What's the matter with the man?<br/>
Isn't he<br/>
well?<br/>
BOAT. Don't take no heed of him; that's only poor Dick Deadeye.<br/>
DICK. I say—it's a beast of a name, ain't it—Dick Deadeye?<br/>
BUT. It's not a nice name.<br/>
DICK. I'm ugly too, ain't I?<br/>
BUT. You are certainly plain.<br/>
DICK. And I'm three-cornered too, ain't I?<br/>
BUT. You are rather triangular.<br/>
DICK. Ha! ha! That's it. I'm ugly, and they hate me for it; for<br/>
you all<br/>
hate me, don't you?<br/>
ALL. We do!<br/>
DICK. There!<br/>
BOAT. Well, Dick, we wouldn't go for to hurt any fellow<br/>
creature's<br/>
feelings, but you can't expect a chap with such a name as Dick<br/>
Deadeye to<br/>
be a popular character—now can you?<br/>
DICK. No.<br/>
BOAT. It's asking too much, ain't it?<br/>
DICK. It is. From such a face and form as mine the noblest<br/>
sentiments<br/>
sound like the black utterances of a depraved imagination It is<br/>
human<br/>
nature—I am resigned.<br/>
<br/>
RECITATIVE<br/>
<br/>
BUT. (looking down hatchway).<br/>
But, tell me—who's the youth whose faltering feet<br/>
With difficulty bear him on his course?<br/>
BOAT. That is the smartest lad in all the fleet—<br/>
Ralph Rackstraw!<br/>
BUT. Ha! That name! Remorse! remorse!<br/>
<br/>
Enter RALPH from hatchway<br/>
<br/>
MADRIGAL—RALPH<br/>
<br/>
The Nightingale<br/>
Sighed for the moon's bright ray<br/>
And told his tale<br/>
In his own melodious way!<br/>
He sang "Ah, well-a-day!"<br/>
<br/>
ALL. He sang "Ah, well-a-day!"<br/>
The lowly vale<br/>
For the mountain vainly sighed,<br/>
To his humble wail<br/>
The echoing hills replied.<br/>
They sang "Ah, well-a-day!"<br/>
<br/>
All. They sang "Ah, well-a-day!"<br/>
<br/>
RECITATIVE<br/>
<br/>
I know the value of a kindly chorus,<br/>
But choruses yield little consolation<br/>
When we have pain and sorrow too before us!<br/>
I love—and love, alas, above my station!<br/>
<br/>
BUT. (aside). He loves—and loves a lass above his station!<br/>
ALL (aside). Yes, yes, the lass is much above his station!<br/>
<br/>
Exit LITTLE BUTTERCUP<br/>
<br/>
BALLAD — RALPH<br/>
<br/>
A maiden fair to see,<br/>
The pearl of minstrelsy,<br/>
A bud of blushing beauty;<br/>
For whom proud nobles sigh,<br/>
And with each other vie<br/>
To do her menial's duty.<br/>
ALL. To do her menial's duty.<br/>
<br/>
A suitor, lowly born,<br/>
With hopeless passion torn,<br/>
And poor beyond denying,<br/>
Has dared for her to pine<br/>
At whose exalted shrine<br/>
A world of wealth is sighing.<br/>
ALL. A world of wealth is sighing.<br/>
<br/>
Unlearned he in aught<br/>
Save that which love has taught<br/>
(For love had been his tutor);<br/>
Oh, pity, pity me—<br/>
Our captain's daughter she,<br/>
And I that lowly suitor!<br/>
ALL. And he that lowly suitor!<br/>
<br/>
BOAT. Ah, my poor lad, you've climbed too high: our worthy<br/>
captain's<br/>
child won't have nothin' to say to a poor chap like you. Will<br/>
she, lads?<br/>
ALL. No, no.<br/>
DICK. No, no, captains' daughters don't marry foremast hands.<br/>
ALL (recoiling from him). Shame! shame!<br/>
BOAT. Dick Deadeye, them sentiments o' yourn are a disgrace to<br/>
our<br/>
common natur'.<br/>
RALPH, But it's a strange anomaly, that the daughter of a man<br/>
who hails<br/>
from the quarter-deck may not love another who lays out on the<br/>
fore-yard<br/>
arm. For a man is but a man, whether he hoists his flag at the<br/>
main-truck<br/>
or his slacks on the main-deck.<br/>
DICK. Ah, it's a queer world!<br/>
RALPH. Dick Deadeye, I have no desire to press hardly on you,<br/>
but such<br/>
a revolutionary sentiment is enough to make an honest sailor<br/>
shudder.<br/>
BOAT. My lads, our gallant captain has come on deck; let us<br/>
greet him<br/>
as so brave an officer and so gallant a seaman deserves.<br/>
<br/>
Enter CAPTAIN CORCORAN<br/>
<br/>
RECITATIVE<br/>
<br/>
CAPT. My gallant crew, good morning.<br/>
ALL (saluting). Sir, good morning!<br/>
CAPT. I hope you're all quite well.<br/>
ALL(as before). Quite well; and you, sir?<br/>
CAPT. I am in reasonable health, and happy<br/>
To meet you all once more.<br/>
ALL (as before). You do us proud, sir!<br/>
<br/>
SONG—CAPTAIN<br/>
<br/>
CAPT. I am the Captain of the Pinafore;<br/>
ALL. And a right good captain, tool<br/>
You're very, very good,<br/>
And be it understood,<br/>
I command a right good crew,<br/>
ALL. We're very, very good,<br/>
And be it understood,<br/>
He commands a right good crew.<br/>
CAPT. Though related to a peer,<br/>
I can hand, reef, and steer,<br/>
And ship a selvagee;<br/>
I am never known to quail<br/>
At the furry of a gale,<br/>
And I'm never, never sick at sea!<br/>
ALL. What, never?<br/>
CAPT. No, never!<br/>
ALL. What, never?<br/>
CAPT. Hardly ever!<br/>
ALL. He's hardly ever sick at seal<br/>
Then give three cheers, and one cheer more,<br/>
For the hardy Captain of the Pinafore!<br/>
<br/>
CAPT. I do my best to satisfy you all—<br/>
ALL. And with you we're quite content.<br/>
CAPT. You're exceedingly polite,<br/>
And I think it only right<br/>
To return the compliment.<br/>
ALL. We're exceedingly polite,<br/>
And he thinks it's only right<br/>
To return the compliment.<br/>
CAPT. Bad language or abuse,<br/>
I never, never use,<br/>
Whatever the emergency;<br/>
Though "Bother it" I may<br/>
Occasionally say,<br/>
I never use a big, big D—<br/>
ALL. What, never?<br/>
CAPT. No, never!<br/>
ALL. What, never?<br/>
CAPT. Hardly ever!<br/>
ALL. Hardly ever swears a big, big D—<br/>
Then give three cheers, and one cheer more,<br/>
For the well-bred Captain of the Pinafore!<br/>
[After song exeunt all but<br/>
CAPTAIN]<br/>
<br/>
Enter LITTLE BUTTERCUP<br/>
<br/>
RECITATIVE<br/>
<br/>
BUT. Sir, you are sad! The silent eloquence<br/>
Of yonder tear that trembles on your eyelash<br/>
Proclaims a sorrow far more deep than common;<br/>
Confide in me—fear not—I am a mother!<br/>
<br/>
CAPT. Yes, Little Buttercup, I'm sad and sorry—<br/>
My daughter, Josephine, the fairest flower<br/>
That ever blossomed on ancestral timber,<br/>
Is sought in marriage by Sir Joseph Porter,<br/>
Our Admiralty's First Lord, but for some reason<br/>
She does not seem to tackle kindly to it.<br/>
<br/>
BUT, (with emotion). Ah, poor Sir Joseph! Ah, I know too well<br/>
The anguish of a heart that loves but vainly!<br/>
But see, here comes your most attractive daughter.<br/>
I go—Farewell!<br/>
[Exit.<br/>
<br/>
CAPT. (looking after her). A plump and pleasing person!<br/>
[Exit.<br/>
<br/>
Enter JOSEPHINE, twining some flowers which she carries in a<br/>
small<br/>
basket<br/>
<br/>
BALLAD JOSEPHINE<br/>
<br/>
Sorry her lot who loves too well,<br/>
Heavy the heart that hopes but vainly,<br/>
Sad are the sighs that own the spell,<br/>
Uttered by eyes that speak too plainly;<br/>
Heavy the sorrow that bows the head<br/>
When love is alive and hope is dead!<br/>
<br/>
Sad is the hour when sets the sun—<br/>
Dark is the night to earth's poor daughters,<br/>
When to the ark the wearied one<br/>
Flies from the empty waste of waters!<br/>
Heavy the sorrow that bows the head<br/>
When love is alive and hope is dead!<br/>
<br/>
Enter CAPTAIN<br/>
<br/>
CAPT. My child, I grieve to see that you are a prey to<br/>
melancholy. You<br/>
should look your best to-day, for Sir Joseph Porter, K.C.B., will<br/>
be here<br/>
this afternoon to claim your promised hand.<br/>
JOS. Ah, father, your words cut me to the quick. I can esteem—<br/>
reverence—venerate Sir Joseph, for he is a great and good man;<br/>
but oh, I<br/>
cannot love him! My heart is already given.<br/>
CAPT. (aside). It is then as I feared. (Aloud.) Given? And to<br/>
whom? Not<br/>
to some gilded lordling?<br/>
JOS. No, father—the object of my love is no lordling. Oh, pity<br/>
me, for<br/>
he is but a humble sailor on board your own ship!<br/>
CAPT. Impossible!<br/>
JOS. Yes, it is true.<br/>
CAPT. A common sailor? Oh fie!<br/>
JOS. I blush for the weakness that allows me to cherish such a<br/>
passion.<br/>
I hate myself when I think of the depth to which I have stooped<br/>
in<br/>
permitting myself to think tenderly of one so ignobly born, but I<br/>
love<br/>
him! I love him! I love him! (Weeps.)<br/>
CAPT. Come, my child, let us talk this over. In a matter of the<br/>
heart I<br/>
would not coerce my daughter—I attach but little value to rank<br/>
or<br/>
wealth, but the line must be drawn somewhere. A man in that<br/>
station may<br/>
be brave and worthy, but at every step he would commit solecisms<br/>
that<br/>
society would never pardon.<br/>
JOS. Oh, I have thought of this night and day. But fear not,<br/>
father, I<br/>
have a heart, and therefore I love; but I am your daughter, and<br/>
therefore<br/>
I am proud. Though I carry my love with me to the tomb, he shall<br/>
never,<br/>
never know it.<br/>
CAPT. You are my daughter after all. But see, Sir Joseph's<br/>
barge<br/>
approaches, manned by twelve trusty oarsmen and accompanied by<br/>
the<br/>
admiring crowd of sisters, cousins, and aunts that attend him<br/>
wherever he<br/>
goes. Retire, my daughter, to your cabin—take this, his<br/>
photograph, with<br/>
you—it may help to bring you to a more reasonable frame of mind.<br/>
JOS. My own thoughtful father!<br/>
<br/>
[Exit JOSEPHINE. CAPTAIN remains and ascends the poop-deck.<br/>
<br/>
BARCAROLLE. (invisible)<br/>
<br/>
Over the bright blue sea<br/>
Comes Sir Joseph Porter, K.C.B.,<br/>
Wherever he may go<br/>
Bang-bang the loud nine-pounders go!<br/>
Shout o'er the bright blue sea<br/>
For Sir Joseph Porter, K.C.B.<br/>
<br/>
[During this the Crew have entered on tiptoe, listening<br/>
attentive to<br/>
the song.<br/>
<br/>
CHORUS OF SAILORS<br/>
<br/>
Sir Joseph's barge is seen,<br/>
And its crowd of blushing beauties,<br/>
We hope he'll find us clean,<br/>
And attentive to our duties.<br/>
We sail, we sail the ocean blue,<br/>
And our saucy ship's a beauty.<br/>
We're sober, sober men and true<br/>
And attentive to our duty.<br/>
We're smart and sober men,<br/>
And quite devoid of fe-ar,<br/>
In all the Royal N.<br/>
None are so smart as we are.<br/>
<br/>
Enter SIR JOSEPH'S FEMALE RELATIVES<br/>
<br/>
(They dance round stage)<br/>
<br/>
REL. Gaily tripping,<br/>
Lightly skipping,<br/>
Flock the maidens to the shipping.<br/>
SAILORS. Flags and guns and pennants dipping!<br/>
All the ladies love the shipping.<br/>
REL. Sailors sprightly<br/>
Always rightly<br/>
Welcome ladies so politely.<br/>
SAILORS. Ladies who can smile so brightly,<br/>
Sailors welcome most politely.<br/>
CAPT. (from poop). Now give three cheers, I'll lead the way<br/>
ALL. Hurrah! hurrah! hurrah! hurray!<br/>
<br/>
Enter SIR JOSEPH with COUSIN HEBE<br/>
<br/>
SONG—SIR JOSEPH<br/>
<br/>
I am the monarch of the sea,<br/>
The ruler of the Queen's Navee,<br/>
Whose praise Great Britain loudly chants.<br/>
COUSIN HEBE. And we are his sisters, and his cousins and his<br/>
aunts!<br/>
REL. And we are his sisters, and his cousins, and his<br/>
aunts!<br/>
SIR JOSEPH. When at anchor here I ride,<br/>
My bosom swells with pride,<br/>
And I snap my fingers at a foeman's<br/>
taunts;<br/>
COUSIN HEBE. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
ALL. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
SIR JOSEPH. But when the breezes blow,<br/>
I generally go below,<br/>
And seek the seclusion that a cabin grants;<br/>
COUSIN HEBE. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
ALL. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
His sisters and his cousins,<br/>
Whom he reckons up by dozens,<br/>
And his aunts!<br/>
<br/>
SONG — SIR JOSEPH<br/>
<br/>
When I was a lad I served a term<br/>
As office boy to an Attorney's firm.<br/>
I cleaned the windows and I swept the floor,<br/>
And I polished up the handle of the big front door.<br/>
I polished up that handle so carefullee<br/>
That now I am the Ruler of the Queen's Navee!<br/>
<br/>
CHORUS.—He polished, etc.<br/>
<br/>
As office boy I made such a mark<br/>
That they gave me the post of a junior clerk.<br/>
I served the writs with a smile so bland,<br/>
And I copied all the letters in a big round hand—<br/>
I copied all the letters in a hand so free,<br/>
That now I am the Ruler of the Queen's Navee!<br/>
<br/>
CHORUS.- He copied, etc.<br/>
<br/>
In serving writs I made such a name<br/>
That an articled clerk I soon became;<br/>
I wore clean collars and a brand-new suit<br/>
For the pass examination at the Institute,<br/>
And that pass examination did so well for me,<br/>
That now I am the Ruler of the Queen's Navee!<br/>
<br/>
CHORUS.—And that pass examination, etc.<br/>
<br/>
Of legal knowledge I acquired such a grip<br/>
That they took me into the partnership.<br/>
And that junior partnership, I ween,<br/>
Was the only ship that I ever had seen.<br/>
But that kind of ship so suited me,<br/>
That now I am the Ruler of the Queen's Navee!<br/>
<br/>
CHORUS.- But that kind, etc.<br/>
<br/>
I grew so rich that I was sent<br/>
By a pocket borough into Parliament.<br/>
I always voted at my party's call,<br/>
And I never thought of thinking for myself at all.<br/>
I thought so little, they rewarded me<br/>
By making me the Ruler of the Queen's Navee!<br/>
<br/>
CHORUS.- He thought so little, etc.<br/>
<br/>
Now landsmen all, whoever you may be,<br/>
If you want to rise to the top of the tree,<br/>
If your soul isn't fettered to an office stool,<br/>
Be careful to be guided by this golden rule—<br/>
Stick close to your desks and never go to sea,<br/>
And you all may be rulers of the Queen's Navee!<br/>
<br/>
CHORUS.—Stick close, etc.<br/>
<br/>
SIR JOSEPH. You've a remarkably fine crew, Captain Corcoran.<br/>
CAPT. It is a fine crew, Sir Joseph.<br/>
SIR JOSEPH. (examining a very small midshipman). A British<br/>
sailor is a<br/>
splendid fellow, Captain Corcoran.<br/>
CAPT. A splendid fellow indeed, Sir Joseph.<br/>
SIR JOSEPH. I hope you treat your crew kindly, Captain<br/>
Corcoran.<br/>
CAPT. Indeed I hope so, Sir Joseph.<br/>
SIR JOSEPH, Never forget that they are the bulwarks of<br/>
England's<br/>
greatness, Captain Corcoran.<br/>
CAPT. So I have always considered them, Sir Joseph.<br/>
SIR JOSEPH. No bullying, I trust—no strong language of any<br/>
kind, eh?<br/>
CAPT. Oh, never, Sir Joseph.<br/>
SIR JOSEPH. What, never?<br/>
CAPT. Hardly ever, Sir Joseph. They are an excellent crew, and<br/>
do their<br/>
work thoroughly without it.<br/>
SIR JOSEPH. Don't patronise them, sir—pray, don't patronise<br/>
them.<br/>
CAPT. Certainly not, Sir Joseph.<br/>
SIR JOSEPH. That you are their captain is an accident of birth.<br/>
I<br/>
cannot permit these noble fellows to be patronised because an<br/>
accident of<br/>
birth has placed you above them and them below you.<br/>
CAPT. I am the last person to insult a British sailor, Sir<br/>
Joseph.<br/>
SIR JOSEPH. You are the last person who did, Captain Corcoran.<br/>
Desire<br/>
that splendid seaman to step forward.<br/>
<br/>
(DICK comes forward)<br/>
<br/>
SIR JOSEPH. No, no, the other splendid seaman.<br/>
CAPT. Ralph Rackstraw, three paces to the front—march!<br/>
SIR JOSEPH (sternly). If what?<br/>
CAPT. I beg your pardon—I don't think I understand you.<br/>
SIR JOSEPH. If you please.<br/>
CAPT. Oh, yes, of course. If you please. (RALPH steps forward.)<br/>
SIR JOSEPH. You're a remarkably fine fellow.<br/>
RALPH. Yes, your honour.<br/>
SIR JOSEPH. And a first-rate seaman, I'll be bound.<br/>
RALPH. There's not a smarter topman in the Navy, your honour,<br/>
though I<br/>
say it who shouldn't.<br/>
SIR JOSEPH. Not at all. Proper self-respect, nothing more. Can<br/>
you<br/>
dance a hornpipe?<br/>
RALPH. No, your honour.<br/>
SIR JOSEPH. That's a pity: all sailors should dance hornpipes.<br/>
I will<br/>
teach you one this evening, after dinner. Now tell me—don't be<br/>
afraid—<br/>
how does your captain treat you, eh?<br/>
RALPH. A better captain don't walk the deck, your honour.<br/>
ALL. Aye; Aye!<br/>
SIR JOSEPH. Good. I like to hear you speak well of your<br/>
commanding<br/>
officer; I daresay he don't deserve it, but still it does you<br/>
credit. Can<br/>
you sing?<br/>
RALPH. I can hum a little, your honour.<br/>
SIR JOSEPH. Then hum this at your leisure. (Giving him MS.<br/>
music.) It<br/>
is a song that I have composed for the use of the Royal Navy. It<br/>
is<br/>
designed to encourage independence of thought and action in the<br/>
lower<br/>
branches of the service, and to teach the principle that a<br/>
British sailor<br/>
is any man's equal, excepting mine. Now, Captain Corcoran, a word<br/>
with<br/>
you in your cabin, on a tender and sentimental subject.<br/>
CAPT. Aye, aye,<br/>
Sir Joseph (Crossing) Boatswain, in commemoration of this<br/>
joyous<br/>
occasion, see that extra grog is served out to the ship's company<br/>
at<br/>
seven bells.<br/>
BOAT. Beg pardon. If what, your honour?<br/>
CAPT. If what? I don't think I understand you.<br/>
BOAT. If you please, your honour.<br/>
CAPT. What!<br/>
SIR JOSEPH. The gentleman is quite right. If you please.<br/>
CAPT. (stamping his foot impatiently). If you please!<br/></p>
<p>[Exit.<br/>
SIR JOSEPH. For I hold that on the seas<br/>
The expression, "if you please",<br/>
A particularly gentlemanly tone implants.<br/>
COUSIN HEBE. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
ALL. And so do his sisters, and his cousins, and his<br/>
aunts!<br/>
<br/>
[Exeunt SIR JOSEPH AND<br/>
RELATIVES.<br/>
<br/>
BOAT. Ah! Sir Joseph's true gentleman; courteous and<br/>
considerate to the<br/>
very humblest.<br/>
RALPH. True, Boatswain, but we are not the very humblest. Sir<br/>
Joseph<br/>
has explained our true position to us. As he says, a British<br/>
seaman is<br/>
any man's equal excepting his, and if Sir Joseph says that, is it<br/>
not our<br/>
duty to believe him?<br/>
ALL. Well spoke! well spoke!<br/>
DICK. You're on a wrong tack, and so is he. He means well, but<br/>
he don't<br/>
know. When people have to obey other people's orders, equality's<br/>
out of<br/>
the question.<br/>
ALL (recoiling). Horrible! horrible!<br/>
BOAT. Dick Deadeye, if you go for to infuriate this here ship's<br/>
company<br/>
too far, I won't answer for being able to hold 'em in. I'm<br/>
shocked!<br/>
that's what I am—shocked!<br/>
RALPH. Messmates, my mind's made up. I'll speak to the<br/>
captain's<br/>
daughter, and tell her, like an honest man, of the honest love I<br/>
have for<br/>
her.<br/>
ALL. Aye, aye!<br/>
RALPH. Is not my love as good as another's? Is not my heart as<br/>
true as<br/>
another's? Have I not hands and eyes and ears and limbs like<br/>
another?<br/>
ALL. Aye, Aye!<br/>
RALPH. True, I lack birth—<br/>
BOAT. You've a berth on board this very ship.<br/>
RALPH. Well said—I had forgotten that. Messmates—what do you<br/>
say? Do<br/>
you approve my determination?<br/>
ALL. We do.<br/>
DICK. I don t.<br/>
BOAT. What is to be done with this here hopeless chap? Let us<br/>
sing him<br/>
the song that Sir Joseph has kindly composed for us. Perhaps it<br/>
will<br/>
bring this here miserable creetur to a proper state of mind.<br/>
<br/>
GLEE!—RALPH, BOATSWAIN, BOATSWAIN'S MATE, and CHORUS<br/>
<br/>
A British tar is a soaring soul,<br/>
As free as a mountain bird,<br/>
His energetic fist should be ready to resist<br/>
A dictatorial word.<br/>
His nose should pant and his lip should curl,<br/>
His cheeks should flame and his brow should furl,<br/>
His bosom should heave and his heart should glow,<br/>
And his fist be ever ready for a knock-down blow.<br/>
<br/>
CHORUS.—His nose should pant, etc.<br/>
<br/>
His eyes should flash with an inborn fire,<br/>
His brow with scorn be wrung;<br/>
He never should bow down to a domineering frown,<br/>
Or the tang of a tyrant tongue.<br/>
His foot should stamp and his throat should growl,<br/>
His hair should twirl and his face should scowl;<br/>
His eyes should flash and his breast protrude,<br/>
And this should be his customary attitude—(pose).<br/>
<br/>
CHORUS.—His foot should stamp, etc.<br/>
<br/>
[All dance off excepting RALPH, who remains, leaning pensively<br/>
against<br/>
bulwark.<br/>
<br/>
Enter JOSEPHINE from cabin<br/>
<br/>
JOS. It is useless—Sir Joseph's attentions nauseate me. I know<br/>
that he<br/>
is a truly great and good man, for he told me so himself, but to<br/>
me he<br/>
seems tedious, fretful, and dictatorial. Yet his must be a mind<br/>
of no<br/>
common order, or he would not dare to teach my dear father to<br/>
dance a<br/>
hornpipe on the cabin table. (Sees RALPH.) Ralph Rackstraw!<br/>
(Overcome by<br/>
emotion.)<br/>
RALPH. Aye, lady—no other than poor Ralph Rackstraw!<br/>
JOS. (aside). How my heart beats! (Aloud) And why poor, Ralph?<br/>
RALPH. I am poor in the essence of happiness, lady—rich only<br/>
in never-<br/>
ending unrest. In me there meet a combination of antithetical<br/>
elements<br/>
which are at eternal war with one another. Driven hither by<br/>
objective<br/>
influences—thither by subjective emotions—wafted one moment<br/>
into<br/>
blazing day, by mocking hope—plunged the next into the Cimmerian<br/>
darkness of tangible despair, I am but a living ganglion of<br/>
irreconcilable antagonisms. I hope I make myself clear, lady?<br/>
JOS. Perfectly. (Aside.) His simple eloquence goes to my heart.<br/>
Oh, if<br/>
I dared—but no, the thought is madness! (Aloud.) Dismiss these<br/>
foolish<br/>
fancies, they torture you but needlessly. Come, make one effort.<br/>
RALPH (aside). I will—one. (Aloud.) Josephine!<br/>
JOS. (Indignantly). Sir!<br/>
RALPH. Aye, even though Jove's armoury were launched at the<br/>
head of the<br/>
audacious mortal whose lips, unhallowed by relationship, dared to<br/>
breathe<br/>
that precious word, yet would I breathe it once, and then<br/>
perchance be<br/>
silent evermore. Josephine, in one brief breath I will<br/>
concentrate the<br/>
hopes, the doubts, the anxious fears of six weary months.<br/>
Josephine, I am<br/>
a British sailor, and I love you!<br/>
JOS. Sir, this audacity! (Aside.) Oh, my heart, my beating<br/>
heart!<br/>
(Aloud.) This unwarrantable presumption on the part of a common<br/>
sailor!<br/>
(Aside.) Common! oh, the irony of the word! (Crossing, aloud.)<br/>
Oh, sir,<br/>
you forget the disparity in our ranks.<br/>
RALPH. I forget nothing, haughty lady. I love you desperately,<br/>
my life<br/>
is in your hand—I lay it at your feet! Give me hope, and what I<br/>
lack in<br/>
education and polite accomplishments, that I will endeavour to<br/>
acquire.<br/>
Drive me to despair, and in death alone I shall look for<br/>
consolation. I<br/>
am proud and cannot stoop to implore. I have spoken and I wait<br/>
your word.<br/>
JOS. You shall not wait long. Your proffered love I haughtily<br/>
reject.<br/>
Go, sir, and learn to cast your eyes on some village maiden in<br/>
your own<br/>
poor rank—they should be lowered before your captain's daughter.<br/>
<br/>
DUET—JOSEPHINE and RALPH<br/>
<br/>
JOS. Refrain, audacious tar,<br/>
Your suit from pressing,<br/>
Remember what you are,<br/>
And whom addressing!<br/>
(Aside.) I'd laugh my rank to scorn<br/>
In union holy,<br/>
Were he more highly born<br/>
Or I more lowly!<br/>
RALPH. Proud lady, have your way,<br/>
Unfeeling beauty!<br/>
You speak and I obey,<br/>
It is my duty!<br/>
I am the lowliest tar<br/>
That sails the water,<br/>
And you, proud maiden, are<br/>
My captain's daughter!<br/>
(Aside.) My heart with anguish torn<br/>
Bows down before her,<br/>
She laughs my love to scorn,<br/>
Yet I adore her!<br/>
<br/>
[Repeat refrain, ensemble, then exit JOSEPHINE into cabin.<br/>
<br/>
RALPH. (Recit.) Can I survive this overbearing<br/>
Or live a life of mad despairing,<br/>
My proffered love despised, rejected?<br/>
No, no, it's not to be expected!<br/>
(Calling off.)<br/>
Messmates, ahoy!<br/>
Come here! Come here!<br/>
<br/>
Enter SAILORS, HEBE, and RELATIVES<br/>
<br/>
ALL. Aye, aye, my boy,<br/>
What cheer, what cheer?<br/>
Now tell us, pray,<br/>
Without delay,<br/>
What does she say—<br/>
What cheer, what cheer?<br/>
<br/>
RALPH (to COUSIN HEBE). The maiden treats my suit with scorn,<br/>
Rejects my humble gift, my lady;<br/>
She says I am ignobly born,<br/>
And cuts my hopes adrift, my lady.<br/>
ALL. Oh, cruel one.<br/>
<br/>
DICK. She spurns your suit? Oho! Oho!<br/>
I told you so, I told you so.<br/>
<br/>
SAILORS and RELATIVES.<br/>
Shall { we } submit? Are { we } but slaves?<br/>
they they<br/>
Love comes alike to high and low—<br/>
Britannia's sailors rule the waves,<br/>
And shall they stoop to insult? No!<br/>
<br/>
DICK. You must submit, you are but slaves;<br/>
A lady she! Oho! Oho!<br/>
You lowly toilers of the waves,<br/>
She spurns you all—I told you so!<br/>
<br/>
RALPH. My friends, my leave of life I'm taking,<br/>
For oh, my heart, my heart is breaking.<br/>
When I am gone, oh, prithee tell<br/>
The maid that, as I died, I loved her well!<br/>
<br/>
ALL (turning away, weeping). Of life, alas! his leave he's<br/>
taking,<br/>
For ah! his faithful heart is breaking;<br/>
When he is gone we'll surely tell<br/>
The maid that, as he died, he loved her well.<br/>
<br/>
[During Chorus BOATSWAIN has loaded pistol, which he hands to<br/>
RALPH.<br/>
<br/>
RALPH. Be warned, my messmates all<br/>
Who love in rank above you—<br/>
For Josephine I fall!<br/>
<br/>
[Puts pistol to his head. All the sailors stop their<br/>
ears.<br/>
<br/>
Enter JOSEPHINE on deck<br/>
<br/>
JOS. Ah! stay your hand—I love you!<br/>
ALL. Ah! stay your hand—she loves you!<br/>
RALPH. (incredulously). Loves me?<br/>
JOS. Loves you!<br/>
ALL. Yes, yes—ah, yes,—she loves you!<br/>
<br/>
ENSEMBLE<br/>
<br/>
SAILORS and RELATIVES and JOSEPHINE<br/>
<br/>
Oh joy, oh rapture unforeseen,<br/>
For now the sky is all serene;<br/>
The god of day—the orb of love—<br/>
Has hung his ensign high above,<br/>
The sky is all ablaze.<br/>
<br/>
With wooing words and loving song,<br/>
We'll chase the lagging hours along,<br/>
And if {I find } the maiden coy,<br/>
we find<br/>
I'll } murmur forth decorous joy<br/>
We'll<br/>
In dreamy roundelays!<br/>
<br/>
DICK DEADEYE<br/>
<br/>
He thinks he's won his Josephine,<br/>
But though the sky is now serene,<br/>
A frowning thunderbolt above<br/>
May end their ill-assorted love<br/>
Which now is all ablaze.<br/>
<br/>
Our captain, ere the day is gone,<br/>
Will be extremely down upon<br/>
The wicked men who art employ<br/>
To make his Josephine less coy<br/>
In many various ways. [Exit<br/>
DICK.<br/>
<br/>
JOS. This very night,<br/>
HEBE. With bated breath<br/>
RALPH. And muffled oar—<br/>
JOS. Without a light,<br/>
HEBE. As still as death,<br/>
RALPH. We'll steal ashore<br/>
JOS. A clergyman<br/>
RALPH. Shall make us one<br/>
BOAT, At half-past ten,<br/>
JOS. And then we can<br/>
RALPH Return, for none<br/>
BOAT. Can part them then!<br/>
ALL. This very night, etc.<br/>
<br/>
(DICK appears at hatchway.)<br/>
<br/>
DICK. Forbear, nor carry out the scheme you've planned;<br/>
She is a lady—you a foremast hand!<br/>
Remember, she's your gallant captain's daughter,<br/>
And you the meanest slave that crawls the water!<br/>
ALL. Back, vermin, back,<br/>
Nor mock us!<br/>
Back, vermin, back,<br/>
You shock us!<br/>
[Exit DICK<br/>
<br/>
Let's give three cheers for the sailor's bride<br/>
Who casts all thought of rank aside—<br/>
Who gives up home and fortune too<br/>
For the honest love of a sailor true!<br/>
For a British tar is a soaring soul<br/>
As free as a mountain bird!<br/>
His energetic fist should be ready to resist<br/>
A dictatorial word!<br/>
His foot should stamp and his throat should growl,<br/>
His hair should twirl and his face should scowl,<br/>
His eyes should flash and his breast protrude,<br/>
And this should be his customary attitude—(pose).<br/>
<br/>
GENERAL DANCE<br/>
<br/>
END OF ACT I<br/></p>
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