<h2><SPAN name="THE_PARABLES_OF_PILJOSH" id="THE_PARABLES_OF_PILJOSH"></SPAN>THE PARABLES OF PILJOSH</h2>
<p class="h5">FREELY RENDERED INTO ENGLISH FROM THE ORIGINAL STYPTIC WITH INTRODUCTION
AND NOTES</p>
<p class="h5">BY</p>
<p class="h5">H. B. JABBERJEE, B.A.</p>
<p class="h5">INTRODUCTION</p>
<p class="dropcap">I shall begin by begging that it may not
be supposed either that <i>I</i> am the Author
or even the Translator of the appended fables!</p>
<p>The plain truth of the matter is that I am
far indeed from standing agog with amazement
at their literary or other excellences, and
inclined rather to award them the faint damnation
of a very mediocre eulogy.</p>
<p>But it so happens that the actual translator
is the same young English friend who kindly
furnished me with a few selected poetic extracts
for my Society novel, and has earnestly entreated
me (as the <i>quid pro quo</i>!) to compose
an introduction and notes for his own effusion,<span class="pagenum">[112]</span>
alleging that it is a <i>sine quâ non</i> nowadays for
all first class Classics to be issued with introduction,
notes and appendix by some literary
knob—otherwise they speedily become obsolete
and still-born.</p>
<p>Therefore I readily consented to oblige him,
although I am no <i>au fait</i> in the Styptic dialect,
and cannot therefore be held answerable for
the accuracy of my friend's translation, which
he admits himself is of a rather free description.</p>
<p>Of the Philosopher who composed these
Proverbs or Fables little is known, even in his
own country, except that (as all Scholiasts are
aware) he was born on the 1st of April 1450
(old style), and for some years filled the important
and responsible post of Archi-mandrake
of Paraprosdokian. He probably met with a
violent end.</p>
<p>I shall not undertake to provide a note to
<i>every</i> parable, but only in cases where I think
that the Parabolist is not quite as luminous as
the nose on one's face, and needs the services
of an experienced interpreter.</p>
<p class="author">H. B. J.</p>
<br/>
<p><span class="pagenum">[113]</span></p>
<p>The Butterfly visited so many flowers that
she fell sick of a surfeit of nectar. She called
it "Nervous Breakdown."</p>
<hr class="tb" />
<p>"Instead of vainly lamenting over those we
have lost," said the young Cuckoo severely,
to the Father and Mother Sparrow, "it seems
to me that you should be rejoicing that <i>I</i> am
still spared to you!"</p>
<p class="p4">
<i>Note.</i>—A mere plagiaristic adaptation of the trite adage
concerning the comparative values of birds in the hand and in the
bush.—H. B. J.</p>
<hr class="tb" />
<p>"I am old enough to be thy Grandfather!"
the Egg informed the Chicken.</p>
<p>"In that case," replied the Chicken, "it is
high time thou bestirredst thyself!"</p>
<p>"Not so!" said the Egg, "since the longer
I remain quiescent, the fitter I shall be for the
career that is destined for me."<span class="pagenum">[114]</span></p>
<p>"Indeed," inquired the Chicken, "and what
may <i>that</i> be?"</p>
<p>"<i>Politics!</i>" answered the Egg with importance.</p>
<p>And the Chicken pondered long over that
saying.</p>
<p class="p4">
<i>Note.</i>—I must confess to following the Chicken's precedent,
without arriving at any solution. For, logically, an Egg must be the
junior of any Chicken. And again, even for parabolical purposes, it
is far-fetched to represent an Egg as a potential Member of
Parliament. On the whole, I am not entirely satisfied that my young
friend is so proficient in acquaintance with Cryptic as he has
represented to me.—H. B. J.</p>
<hr class="tb" />
<p>There is only one thing that irritateth a
woman more than the man who doth not
understand her, and that is the man who
doth.</p>
<hr class="tb" />
<p>A certain Artificer constructed a mechanical
Serpent which was so marvellously natural that
it bit him in the back. "Had I but another
hour to live," he lamented in his last agonies,
"I would have patented the invention!"<span class="pagenum">[115]</span></p>
<p>The Woman was so determined to be independent
of Man that she voluntarily became
the slave of a Machine.</p>
<p class="p4">
<i>Note.</i>—I do not understand the meaning of the
Fabulist here.—H. B. J.</p>
<hr class="tb" />
<p>"She used to be so fresh; but she is gone
off terribly since I first knew her!" said the
Slug of the Strawberry.</p>
<p class="p4">
<i>Note.</i>—See my remark on the last parable.—H. B. J.</p>
<hr class="tb" />
<p>"Now, I call that downright Plagiarism!"
observed the Ass, when he heard the Lion
roar.</p>
<p>"A cheery laugh goes a long way in this
world!" remarked the Hyena.</p>
<p>"But a bright smile goes further still!" said
the Alligator, as he took him in.</p>
<p class="p4">
<i>Note.</i>—If the honble Philosopher is censuring here merely the
assumption of hilarity and not ordinary quiet facetiousness, I am
<span class="pagenum">[116]</span>
entirely with him. But I rather regard him as a total deficient in
Humour and fanatically opposed to it in any form.—H. B. J.</p>
<hr class="tb" />
<p>"I trust I have now made myself perfectly
clear?" observed the Cuttlefish, after discharging
his ink.</p>
<hr class="tb" />
<p>The Cockney was assured that, if he placed
the Sea-shell to his ear, he would hear the
murmur of Ocean.</p>
<p>But all he caught distinctly was the melody
of negro minstrels.</p>
<hr class="tb" />
<p>"It is some satisfaction to feel that we have
both been sacrificed in a thoroughly deserving
cause!" said the Brace-button, complacently,
to the Threepenny Bit, as they met in the
Offertory Bag.</p>
<p class="p4">
<i>Note.</i>—This must be some local allusion, for I
do not know what sort of receptacle an Offertory
Bag may be, or why such articles should be inserted
therein.—H. B. J.</p>
<p><span class="pagenum">[117]</span></p>
<hr class="tb" />
<p>Mistrust the Bridegroom who appeareth at
his wedding with sticking-plaster on his chin
[or "<i>without</i> sticking-plaster," &c.—the Styptic
is capable of either interpretation.—<i>Trans.</i>].</p>
<p class="p4">
<i>Note.</i>—Then I will humbly say that it must be a peculiarly elastic
tongue. But in <i>either</i> form the Proverb is meaningless.—H. B. J.</p>
<hr class="tb" />
<p>"What!—My Original dead?" cried the
Statue. "Then I have lost all chance of
ever becoming celebrated!"</p>
<p class="p4">
<i>Note.</i>—This is an obvious mistranslation, since a Statue is only
erected when the Original is already celebrated.—H. B. J.</p>
<hr class="tb" />
<p>"What is your favourite Perfume?" they
asked the Hog, and he answered them, "Pigwash."</p>
<p>"How vulgar!" exclaimed the Stoat. "<i>Mine</i>
is Patchouli!"</p>
<p>But the Fox said that, in <i>his</i> opinion, the
less scent one used the better.</p>
<p class="p4">
<i>Note.</i>—This merely records the well-known physiological fact that
<span class="pagenum">[118]</span>
some persons are born without the olfactory sense. Emperor
Vespasian was accustomed to declare (erroneously) that "pecunia non
olet."—H. B. J.</p>
<hr class="tb" />
<p>"I wonder they allow such a cruel contrivance
as that 'Catch 'em alive, oh!' paper!"
said the Spider tearfully, as she sat in her web.</p>
<p class="p4">
<i>Note.</i>—From this we learn that there may be a soft spot in the<br/>
most unpromising quarters. Even Alexander the Great, who spent the<br/>
blood of his troops like pocket money, is recorded to have wept at a<br/>
review on suddenly reflecting that all his soldiers would probably<br/>
be deceased in a hundred years. It is barely possible that Piljosh<br/>
may have been a spectator of this incident.—H. B. J.</p>
<hr class="tb" />
<p>A certain Pheasant was pluming herself
upon having become a member of the Anti-Sporting
League.</p>
<p>"Softly, friend!" said a wily old Cock, "for,
should this League of thine succeed in its
object, every man's hand would be against us
both by day and night; whereas, at present,
our lives are protected all night by vigilant<span class="pagenum">[119]</span>
keepers, and spared all day by our owner and
his guests, who are incapable of shooting for
nuts!"</p>
<p class="p4">
<i>Note.</i> —This is a glaring <i>non sequitur</i> and fallacy. I myself
have never shot for nuts—but it does not necessarily follow that
any pheasant would remain intact after I discharged my
rifle-barrel!—H. B. J.</p>
<hr class="tb" />
<p>"It is not what we <i>look</i> that signifieth,"
said the Scorpion virtuously, "it is what we
<i>are</i>!"</p>
<p class="p4">
<i>Note.</i>—True enough—but the moral would have been improved by
attributing the saying to some insect of more innocuous character
than a Scorpion. Perhaps this is so in the original Styptic, for, as
I have said, I cannot repose implicit faith in my young friend's
version.—H. B. J.</p>
<hr class="tb" />
<p>"I have composed the most pathetic poem
in the world!" declared the Poet.</p>
<p>"How can'st thou be sure of that," he was
asked.</p>
<p>"Because," he replied, "I recited it to the
Crocodile, and she could not refrain from
shedding tears!"<span class="pagenum">[120]</span></p>
<hr class="tb" />
<p>"It is gratifying to find oneself appreciated
at last," said the Cabbage, when the Cigar
Merchant labelled him as a Cabaña.</p>
<hr class="tb" />
<p>"Don't talk to <i>me</i> about Cactus," said the
Ostrich contemptuously to the Camel. "Insipid
stuff, <i>I</i> call it! No—for real flavour
and delicacy, give me a pair of Sheffield
scissors!"</p>
<hr class="tb" />
<p>"The accommodation might be more
luxurious, it's true," remarked the philosophic
Mouse, when he found himself in the Trap,
"but, after all, it's not as if I was going to
stay here <i>long</i>!"</p>
<hr class="tb" />
<p>"People tell me he can shine when he
chooses," said the Extinguisher of the Candle.
"All <i>I</i> know is, he's positively dull whenever
he's with <i>me</i>!"</p>
<hr class="tb" />
<p>There was once a Musical Box which played
but one tune, to which its owner was never<span class="pagenum">[121]</span>
weary of listening. But, after a time, he
desired a novelty, and could not rest until he
had exchanged the barrel for another. However,
he sickened of the second tune sooner
than of the first, and so he exchanged it for a
third, which he liked not at all.</p>
<p>Accordingly he commanded that the Box
should return to the first tune of all—and lo!
this had become an abomination unto his ears,
nor could he conceive how he had ever been
able to endure it!</p>
<p>So the Musical Box was laid upon the shelf,
and the Owner procured for himself a cheap
mouth-organ which could play any air that was
suggested to it, and thus became an established
favourite.</p>
<p class="p4">
<i>Note.</i>—This is apparently designed to illustrate the ficklety of
the Musical Character.—H. B. J.</p>
<hr class="tb" />
<p>"<i>Do</i> come in!" snapped the severed Shark's
Head to the Ship's Cat. "As you perceive,
I am carrying on business as usual during the
alterations."<span class="pagenum">[122]</span></p>
<hr class="tb" />
<p>The Bulbul had no sooner finished her song
than the Bullfrog began to make profuse apologies
for having left his music at home.</p>
<hr class="tb" />
<p>To a Butterscotch Machine the Penny and
the Tin Disc are alike.</p>
<p class="p4">
<i>Note.</i>—Surely not if an official is looking on!—H. B. J.</p>
<hr class="tb" />
<p>"My dears," said the Converted Cannibal
reverently to his Wife and Family, as they
sat down to their Baked Missionary, "do
not let us omit to ask a blessing!"</p>
<hr class="tb" />
<p>There is but one Singer whom it is futile
to encore—and that is a Dying Swan.</p>
<hr class="tb" />
<p>"I am doing a series of 'Notable Nests'
for 'Sylvan Society,'" said the insinuating Serpent,
on finding the Ringdove at home, "and
I should so much like to include <i>you</i>." "You
are very kind," said the Ringdove, in a flutter,
"but I can assure you that there is no more<span class="pagenum">[123]</span>
in my poor little eggs than in any other
bird's!" "That may be," replied the Serpent,
"but I must live <i>somehow</i>!"</p>
<hr class="tb" />
<p>"No outsiders there—only just their own
particular set!" said the Cocksparrow, when
he came home after having been to tea with
the Birds of Paradise.</p>
<hr class="tb" />
<p>The Elephant was dying of starvation, and
a kind-hearted person presented him with an
acidulated drop.</p>
<p class="p4">
<i>Note.</i>—It is well-nigh incredible that any Philosopher should be
so ignorant of Natural History as to imagine that any Elephant would
accept an acid drop, even if it was on its last legs for want of
nutrition.<br/>
<br/>
The conclusion of this anecdote would seem to be either lost, or
unfit for publication.—H. B. J.</p>
<hr class="tb" />
<p>There was once a famous Violinist who serenaded
his Mistress every evening, performing
the most divine melodies upon his instrument.</p>
<p>But all the while she was straining her ears
to listen to a piano-organ round the corner
which was playing "Good-bye, Dolly Gray!"<span class="pagenum">[124]</span></p>
<hr class="tb" />
<p>The Performing Lioness kisses her Trainer
on the mouth—but only in public.</p>
<hr class="tb" />
<p>The Candle complained bitterly of the unpleasantness
of seeing so many scorched moths
in her vicinity.</p>
<hr class="tb" />
<p>"I have taken such a fancy to thee," said
the Hawk genially to the Field-Mouse, "that
I am going to put thee into a really good
thing."</p>
<p>And he opened his beak.</p>
<hr class="tb" />
<p>There are persons who have no sense of the
fitness of things.</p>
<p>Like the Grasshopper, who insisted on putting
the Snail up for the Skipping Club.</p>
<hr class="tb" />
<p>The Cat scratched the Dog's nose out of
sheer playfulness—but she had no time to
explain.<span class="pagenum">[125]</span></p>
<hr class="tb" />
<p>"After all, it <i>is</i> pleasant to be at home
again!" said the Eagle's feathers on the shaft
that pierced him.</p>
<p>But the Eagle's reply is not recorded.</p>
<p class="p4">
<i>Note.</i>—Poet Byron also mentions this incident.—H.B.J.</p>
<hr class="tb" />
<p>A certain Painter set himself to depict a
lovely landscape. "See!" he cried, as he
exhibited his canvas to a Passing Stranger,
"doth not this my picture resemble the scene
with exactitude?"</p>
<p>"Since thou desirest to know," was the
reply, "thou seemest to me to have portrayed
nothing but a manure heap!"</p>
<p>"And am <i>I</i> to blame," exclaimed the indignant
Painter, "if a manure heap chanced
to be immediately in front of me?"</p>
<hr class="tb" />
<p>Before a Man marrieth a Woman he delighteth
to describe unto her all his doings—even
the most unimportant.</p>
<p>But, after marriage, he considereth that such
talk may savour too much of egotism.<span class="pagenum">[126]</span></p>
<p class="p4">
<i>Note.</i>-This is very very shallow. I have never experienced any such
compunctiousness with my own wives.—H. B. J.</p>
<hr class="tb" />
<p>"I shouldn't have minded so much," said the
Bee, with some bitterness, just before breathing
his last in the honey-pot, "only it happens
to be my own make!"</p>
<hr class="tb" />
<p>"Is the White Rabbit beautiful?" someone
inquired of the Albino Rat.</p>
<p>"She might be passable enough," replied
the Rat, "but for one most distressing deformity.
She has pink eyes!"</p>
<hr class="tb" />
<p>When the Ass was asked about his Cousin
the Zebra, he said: "Do not speak about him—for
he has disgraced us all. Never before
has there been any eccentricity in <i>our</i> family!"</p>
<hr class="tb" />
<p>The full-blown Sausage professeth to have
forgotten the days of his puppyhood.</p>
<hr class="tb" />
<p>"<i>Will</i> you allow me to pass?" said the
courteous Garden Roller to the Snail.<span class="pagenum">[127]</span></p>
<hr class="tb" />
<p>Had anyone met the Red Herring in the
sea and foretold that he would one day be
pursued by Hounds across a difficult country,
the Herring would have accounted him but a
vain babbler.</p>
<p>Yet so it fell out!</p>
<p class="p4">
<i>Note.</i>—I shrewdly suspect that my young friend has made the rather
natural mistake of substituting the word "Red Herring" for "Flying
Fish."<br/>
<br/>
It is not absolutely incredible that one of the latter department
should fly inland and be chased by Dogs—but even Piljosh should be
aware that no Herring could pop off in such a way.—H. B. J.</p>
<hr class="tb" />
<p>An Officious Busybody, perceiving a Phœnix
well alight, promptly extinguished her by means
of a convenient watering-pot.</p>
<hr class="tb" />
<p>"Had you refrained from this uncalled for
interference," said the justly irate Bird, "I
should by this time be rising gloriously from
my ashes—instead of presenting the ridiculous
appearance of a partially roasted Fowl!"</p>
<p><span class="pagenum">[128]</span></p>
<p class="p4">
<i>Note.</i>—I can offer no explanation of this allegory, except to<br/>
remind the reader that the Phœnix is the notorious symbol for a<br/>
fire insurance.—H. B. J.</p>
<hr class="tb" />
<p>"Alas!" sighed the Learned Pig, while expiring
from inflammation of the brain, brought
on by a laborious endeavour to ascertain the
sum of two and two, "Why, <i>why</i> was I cursed
with Intellect?"</p>
<hr class="tb" />
<p>"I shall know better another time!" gasped
the Fish, as he lay in the Landing-net.</p>
<hr class="tb" />
<p>A certain Merchant sold a child a sharp
sword. "Thou hast done wrong in this,"
remonstrated a Sage, "since the child will
assuredly wound either himself or some other."</p>
<p>"<i>I</i> shall not be responsible," cried the
Merchant, "for, in selling the sword, I did
recommend the child to protect the point with
a cork!"</p>
<hr class="tb" />
<p>A certain grain of Millet fell out of a sack
in which it was being carried into the City,
and was soon trampled in the dust.</p>
<p>"I am lost!" cried the Millet-seed. "Yet<span class="pagenum">[129]</span>
I do not repine so much for myself as for
those countless multitudes who, deprived of
me, are now doomed to perish miserably of
starvation!"</p>
<hr class="tb" />
<p>"I have given up dancing," said the Tongs,
"for they no longer dance with the Elegance
and Grace that were universal in <i>my</i> young
days!"</p>
<hr class="tb" />
<p>"But for the Mercy of Providence," said
the Fox, piously, to the Goose whom he found
in a trap that had been set for himself, "our
respective situations might now be reversed!"</p>
<hr class="tb" />
<p>"She really sang quite nicely," remarked
the Cuckoo, after she had been to hear the
Nightingale one evening, "but it's a pity
her range is so sadly limited!"</p>
<hr class="tb" />
<p>The Mendicant insisted on making his Will:<span class="pagenum">[130]</span></p>
<p>"But what hast <i>thou</i> to leave when thou
diest?" cried the Scribe.</p>
<p>"As much as the richest," he replied; "for
when I die, I leave the entire World!"</p>
<p class="p4">
<i>Note.</i>—This is (if not incorrectly translated) a grotesque and
puerile allegation. The veriest tyro is aware that when a
Millionaire hops the twig of his existence, he leaves more behind
him than a mere Mendicant!—H. B. J.</p>
<hr class="tb" />
<p>"Forgive me," said the Toad to the
Swallow, "but, although you may not be
aware of it, you are flying on totally false
principles!"</p>
<p>"Am I?" said the Swallow meekly. "I'm
so sorry! Do you mind showing me how <i>you</i>
do it?"</p>
<p>"I don't fly myself," said the Toad, with an
air of superiority. "I've other things to do—but
I have thoroughly mastered the theory of
the Art."</p>
<p>"Then teach <i>me</i> the theory!" said the
Swallow.</p>
<p>"Willingly," said the Toad; "my fee—to
<i>you</i>—will be two worms a lesson."<span class="pagenum">[131]</span></p>
<hr class="tb" />
<p>"I can't bear to think that no one will weep
for me when I am gone!" said the sentimental
Fly, as he flew into the eye of a Moneylender.</p>
<p class="p4">
<i>Note.—Cf.</i> Poet Byron: "'Tis sweet to know there is an eye will
mark Our coming, and look brighter when we come!"—H. B. J.</p>
<hr class="tb" />
<p>A certain Cockatrice, feeling sociably inclined,
entered a Mother's Meeting, bent upon
making himself agreeable—but was greatly
mortified to find himself but coldly received.</p>
<p>"Women <i>are</i> so particular about trifles!"
he reflected bitterly. "I know I said 'Good
Afternoon' with my mouth full—but, as I
explained, I had just been lunching at the
Infant School!"</p>
<hr class="tb" />
<p>"I want to be <i>useful!</i>" said the Silkworm,
as she sat down and "set" a sock for a
Decayed Centipede.<span class="pagenum">[132]</span></p>
<hr class="tb" />
<p>A Traveller demanded hospitality from
fourteen Kurds, who were occupying one
small tent.</p>
<p>"Enter freely," said the Kurds, "but we
must warn thee that thou wilt find the atmosphere
exceedingly unpleasant—for, by some
inadvertence, we have greased our boots from
a jar of Attar of Roses!"</p>
<p class="p4">
<i>Note.</i>—Once more I do not entirely fathom the Fabulist's
meaning—unless it is that such a valuable cosmetic as Attar of
Roses may become so deteriorated as to offend even the nostril organ
of a Kurd.—H. B. J.</p>
<hr class="tb" />
<p>A certain Basilisk having attained great
success in petrifying all who came under his
personal observation, there was a Scheme set
afoot to present him with some Token of
popular esteem and regard.</p>
<p>"If we give him <i>anything</i>" said the Fox,
who was consulted as to the form of the
proposed Testimonial, "I would suggest that
it should take the shape of a pair of Smoked
Spectacles."<span class="pagenum">[133]</span></p>
<p class="p4">
<i>Note.</i>—The Satire here, at least, is obvious enough. Smoked
spectacles are a very inexpensive gift.—H. B. J.</p>
<hr class="tb" />
<p>"How truly the Poet sang that: 'we may
rise on stepping-stones of our dead selves to
higher things!'" remarked the Chicken's Merrythought,
when it found itself apotheosised into
a Penwiper.</p>
<p class="p4">
<i>Note.</i>—A young lady, that shall be nameless, once presented me
with a very similar penwipe, which represented a Church of England
ecclesiastic in surplice and mortar-cap.—H. B. J.</p>
<hr class="tb" />
<p>"I shall not have perished in vain!" gasped
an altruistic Cockroach, immediately before
expiring from an overdose of Insect Powder,
"for, after this fatality, the Owners of the
House will doubtless be more careful how they
leave such stuff about!"</p>
<p class="p4">
<i>Note.</i>—British Cockroaches, however, resemble Emperor Mithridates
<span class="pagenum">[134]</span>
in being totally impervious to beetle poison.—H. B. J.</p>
<hr class="tb" />
<p>The Sheep was so exceedingly tough and
old, that the Wolf had thoughts of becoming a
Vegetarian.</p>
<p class="p4">
<i>Note.</i>—When we see some person attaining Centenarian longevity, we
are foolishly inclined to fancy that, by adopting their diet, we
also are to become Methusalems!—H. B. J.</p>
<hr class="tb" />
<p>A certain Ant that had lost its All owing to
the sudden collapse of the Bank in which its
savings were invested, applied to a Grasshopper
for a small temporary advance.</p>
<p>"I am sorry, dear boy," chirpily replied the
Grasshopper, "that, although I am playing to
big business every evening, I have not put by
a single grain. However, I will get up a
<i>matinée</i> for your benefit."</p>
<p>This he did with such success that, next
winter, the Ant was once more sufficiently
prosperous to discharge his obligation by
offering the Grasshopper a letter to the
Charity Organisation Society!</p>
<p class="p4">
<i>Note.</i>—The application of this is that a kind action is never
<span class="pagenum">[135]</span>
really thrown away.—H. B. J.</p>
<hr class="tb" />
<p>"I never feel quite myself till I've had a
good bath!" said the Bird whom an elderly
Lady had purchased from a Street Boy as a
Goldfinch.</p>
<p>And behold, when the Bird came out of its
saucer of water, it was a Sparrow!</p>
<p class="p4">
<i>Note.</i>—Like many Philosophers, Piljosh would seem to have had no
great liking for ablutions. But water which could transform a
Goldfinch into a Sparrow must previously have been enchanted by some
Magician, so that our Parabolist's shaft misses fire in this
instance (as indeed in many others!). Possibly, however, his
Translator has once more proved a Traitor!—H. B. J.</p>
<hr class="tb" />
<p>"Pride not yourself upon your Lustre and
Symmetry," said the Jet Ear-ring austerely to
the Pearl, "for, after all, you owe your beauty
to nothing but the morbid secretions of a
Diseased Oyster!"</p>
<p>"I am sorry to spoil your moral," retorted
the Pearl with much suavity, "but, like yourself,
I happen to be Artificial."</p>
<p class="p4">
<i>Note.</i>—Inhabitants of glassy mansions should not indulge in
<span class="pagenum">[136]</span>
lapidation.—H. B. J.</p>
<hr class="tb" />
<p>"Come!" said the Peacock's Feather proudly
to the Fly-flapper and the Tin Squeaker, as
the final illumination flickered out and they lay
in the gutter together, limp and exhausted
with their exertions in tickling and generally
exasperating inoffensive strangers. "They
may say what they please—but at least we
have shown them that the Spirit of Patriotism
is not yet extinct!"</p>
<p class="p4">
<i>Note.</i>—This must refer to some Cryptic customs prevalent in the
Parabolist's time. But I do not clearly apprehend what connection
either tickling, fly-flapping, or squeaking can have with
Patriotism!—H. B. J.</p>
<hr class="tb" />
<p class="h4"><span class="smcap">Last Words</span></p>
<p>Here conclude the Parables of Piljosh,
together with the present volume. That the
former can possibly obtain honble mention
when compared with the apologues of Plato,
Æsop, Corderius Nepos, or even Confucius,
I cannot for a moment anticipate, and none
can be more sensible than my humble self<span class="pagenum">[137]</span>
how very poor a figure they cut in proximity
to the production of my own pen!</p>
<p>However, indulgent critics will please not
saddle my unoffending head with the responsibility,
the fact being that I was vehemently
advised that, without some meretricious padding
of this sort, my Romance would not be
of sufficient robustness to produce a boom.</p>
<p>But should "A Bayard from Bengal" unfortunately
fail to render the Thames combustible,
I should rather attribute the cause
to its having been unwisely diluted with such
milk and watery material as the Parables of
Piljosh.</p>
<p>So, leaving the decision to the impartial
and unanimous verdict of popular approval, I
subscribe myself,</p>
<p class="h4">The Reader's very obsequious and palpitating Servant,
<br/>
<span class="smcap">Hurry Bungsho Jabberjee, B.A., etcetera, etcetera, etcetera.</span></p>
<p class="spacer"> </p>
<p class="h6">PRINTED BY<br/>
TURNBULL AND SPEARS,<br/>
EDINBURGH</p>
<hr class="chapter" />
<h2>Author's Notes on Illustrations:</h2>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. I.</p>
<p>(<i>Frontispiece</i>).</p>
<p>Had Mr Bernadhur Pahtridhji taken the very ordinary
precaution to consult myself upon the etiquettes proscribed
by smart society, I should infallibly have saved
him from so shocking an exhibition of his ignorance.</p>
<p>As it is, I can only say that of course a highly cultivated
Indian gentleman like Mr Bhosh would not dream of presenting
himself at any upper-class entertainment—even
a Baronet's—in so free and easy a garbage as a smoker's
jacket. Were he to be guilty of such want of <i>savoir faire</i>
he would inevitably incur some penalty kick or other.</p>
<p>Moreover, at these functions the hired musicians are
never compelled to remove their shoes and stockings.</p>
<p>Another correction I hazard with rather less confidence,
as I am unable at this moment to consult any authorised
work on ducal head coverings. But I am practically
certain that all the duchesses whom I have had the
privilege to encounter at fashionable <i>soirées</i> wore
coronets surmounted with golden balls, and of an
altogether different pattern from the very humdrum
concern which Mr Pahtridhji has thought proper to
represent on the Duchess of Dickinson's cranium.</p>
<p>I fear I must again ask the critic's kind indulgence for
an illustrator who has only too obviously never figured as
the hailfellow well-met in aristocratic London saloons.</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. II.</p>
<p>As I feared, a tolerably keen eye will detect, almost at a
glance, that my young native illustrator—though undeniably
gifted—has little or no personal acquaintance with
the English surroundings he so rashly professes to depict.</p>
<p>Very curiously, he has succeeded just where I should
have expected him to fail, and <i>vice versâ</i>!</p>
<p>For the students are quite correctly represented in their
collegiate caps and robes, whereas the police-officer is
furnished with far too excessive a superfluity of weapons,
nor do policemen in England, to my knowledge, wear
plumes in their helmets, or chest-protectors embroidered
with the initials E.R.</p>
<p>But it is in the presentment of the irate cow that Mr
Pahtridhji displays the most inexcusable ignorance. The
merest tyro could have informed him that animals of this
Brahminical type are very unfamiliar objects in Anglo-Saxon
landscapes!</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. III.</p>
<p>If a story is to be judged by the style in which it is
illustrated then truly will all professional Fox-chasers after
beholding this picture jump to the conclusion that the
Author has foolishly undertaken to write upon topics
concerning which he is the total ignoramus!</p>
<p>But if such captious critics will only do me the ordinary
justice to refer to the printed text they will find that I
am not responsible for such a childish blunder as representing
that any English Sportingman would run a
fox to the earth mounted upon a camel.</p>
<p>Nor am I to blame because Mr Pahtridhji, with
characteristic native conceit, has chosen to depict a
purely British episode as taking place in scenery of an
Oriental character.</p>
<p>However, to give the devil his due, my illustrator has
drawn other parts of the picture—especially the attitude
of Mr Bhosh—with considerable spirit and fidelity to the
Author's conceptions.</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. IV.</p>
<p>The duelling incident has already been found fault with
by certain superficial criticasters, on the alleged ground
of its improbability at so modern a period as the present.</p>
<p>I will only reply that I am not addicted to describing—even
in fiction—manners and customs of which I have
had no personal experience, and also drop a hint that
some such duel may <i>actually have taken place</i> in London
not so many years ago (though, of course, under a rose
without the presence of any reporter), and that a native
gentleman, who shall be nameless, may possibly have
figured as hero on that occasion.</p>
<p>I have not many remarks to offer on this illustration,
which is sufficiently true to Nature to pass muster.</p>
<p>Monkeys are not usually permitted to be present at
these encounters, but it is quite credible that the one in
the picture was a particular pet of Duchess Dickinson's
and therefore the chartered libertine.</p>
<p>Only I am strongly of opinion that she would have
ordered him off the line of fire, for fear that he might
receive his quietus from some stray bullet.</p>
<p>Mr Bodgers ought not to have been drawn in a sun-helmet.
He wore, of course, the more ceremonious covering
of chimney-pot pattern. But poor Mr Pahtridhji
could not perhaps be expected to know this!</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. V.</p>
<p>Once more I stand agog before the overweaned self-confidence
with which Mr Pahtridhji sets out to depict
scenes and episodes requiring the most exhaustive
familiarity with West End London habits, if the artist
is to escape the <i>risum teneatis</i> of a shocking fiasco!</p>
<p>There is scarcely any <i>habitué</i> of Hyde Park who
could not point the finger of scorn at some howling
piece of inaccuracy in this <i>soi-disant</i> representation of
Mr Bhosh on his cantankerous gifthorse.</p>
<p>The figure of the hero himself is passably correct,
though I may hint to Mr P. that no rider in Rotten
Row who belongs to the <i>bon ton</i> would wear golden
tassels attached to his riding topboots.</p>
<p>But how am I to excuse such a Leviathan <i>lapsus
linguæ</i> as the figure of the equestrian mounted upon a
cow? It is true that Honble Hampden was so upset
at having to pay sheep-money that he rode a cow, but
not all his social influence could launch so stagnant a
quadruped as a successful competitor with the swifter
and more spirited horse, and consequently it has long
been disused as the beast of pleasure, even by riders of
the funkiest temperaments.</p>
<p>And, as before, Mr Pahtridhji has represented (only with
far far less plausibility) a monkey as occupying a prominent
situation on the scene of action. I can only conjecture
that he is under the impression that ladies in the social
position of Princess Jones take horse exercise accompanied
by such Simian favourites! Readers, of course,
will not hold the writer responsible for these grotesque
absurdities, but the pity of it that an ambitious young
Native draughtsman should be employed to make a
fool of himself in this public manner! I will not insinuate
that Misters Publishers are guided by <i>economical</i>
motives.</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. VI</p>
<p>I cannot refrain once more from natural annoyance at
the excessively careless fashion in which my conceptions
are being realised by this Mr Birnadhur Pahtridhji.</p>
<p>Surely, if he was ignorant of the costume of so exalted
a pundit as the British Astrologer Royal, he could at
least have taken the trouble to cram up the uniform in
some work of reference at a Public Library!</p>
<p>In any case a little reflection would have shown even
Mr Pahtridhji that such a dignitary could not be
correctly represented in a turban.</p>
<p>Most probably on so special an occasion he would
have assumed his full-dress extinguisher cap adorned
with Zodiacal emblems.</p>
<p>Such inaccuracies would perhaps be of mediocre importance
if they occurred in the illustrations to a work
of ordinary fiction. But in the present case of a novel
which depends chiefly on its scathingly realistic exposures
of London High Life, it is much to be deplored
that some more observant and experienced artist could
not have been selected.</p>
<p>I would respectfully remind my honble friends the
Publishers that many a stately vessel has become a total
loss owing to ill-judged parsimony in the tar department!</p>
<p>And I humbly recommend them (if not too late) to
adopt Spartan measures, by instantaneously throwing
Mr Pahtridhji overboard, and handing the job over to
the President of the Royal Academy of Arts, who from
his tip-top position would be most likely to execute same
in a competent manner and to the general satisfaction
of the Public.</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. VII.</p>
<p>I earnestly implore my benevolent publishers to suppress
at all events <i>this</i> illustration—as much for the sake
of Mr Birnadhur Pahtridhji (who, if it appears, will be the
jesting-stock of every cultivated young Indian with any
acquaintance at all with English life) as on my own poor
account.</p>
<p>I ask anyone endowed with common sense—<i>could</i> there
be a more preposterously grotesque misrepresentation
than this of such a well-known scene as the annual
pilgrimage to the Derby Race?</p>
<p>It is true that I wrote "every description of conveyance"—but
how was I, being "Davus non Œdipus," to
anticipate that Mr Pahtridhji would interpret the phrase
as including such nondescript vehicles as a hansom cab
propelled by a bullock, and a kind of <i>palkee</i> borne by
two members of the flunkey caste?</p>
<p>He further displays his colossal ignorance by the
introduction of a snake charmer—a character who,
even assuming that he ever made his <i>début</i> on a
London roadway, would be speedily run in, with all
his serpents, for obstructing traffic.</p>
<p>Moreover, where is his authority for representing an
adjutant bird as an ordinary London fowl?</p>
<p>Time and patience fail me to indicate the countless
and howling croppers which Mr Pahtridhji has achieved
in the space of this single picture.</p>
<p>But I say once more: unless it is possible to provide
a novel of this calibre with congenial and appropriate
drawings by an artist who is acquainted with what is
what, it is infinitely preferable to dispense with illustrations
altogether than to disfigure such a work with
mediocre and puerile pictures!</p>
<p>H. B. J.</p>
<p class="h4">AUTHOR'S NOTE ON ILLUSTRATION No. VIII.</p>
<p>After having been compelled to pluck so many crows
with Mr Pahtridhji, I would gladly (if I could) commend
his final attempt without reserve.</p>
<p>And I cheerfully allow that he has rather cleverly
succeeded in delineating both the modest elation of
Mr Bhosh and the paternal benevolence on the judicial
physiognomy.</p>
<p>But heigho! <i>surgit amari aliquid</i>—and Mr Pahtridhji,
of course, was fated to insert the cloven hoof of inaccuracy
into <i>some</i> portion of what might otherwise have been a
passably correct presentment of a very simple episode!</p>
<p>Surely, surely even a native artist might have known
that the judge who decides such an open air affair as the
Derby race does not assume his wig and gown for the
purpose, nor is he, necessarily, even a member of the
legal profession! Moreover, if such a judge indulges in
tobacco in any form (as to which I express no opinion),
then indubitably he would not employ a pipe of a pattern
which only an Oriental could puff without experiencing
severe internal disturbances.</p>
<p>I am confoundedly sorry now that I did not take the precaution
of supplying my illustrator with a few photographs
of ordinary English characters, as I actually proposed to
do, only unfortunately my aforesaid young English friend
earnestly assured me that Mr P. would be as right as rain,
provided that I left him a free hand.</p>
<p>And these are the free-hand drawings which have
resulted!</p>
<p>All I can say is, that if my Publishers persist in including
them in the volume, they must be prepared to take
the consequences. Should this novel fail to secure the
brilliant ovation which I anticipate for it, don't blame
<i>me</i>, Misters!</p>
<p>H. B. J.</p>
<div style="break-after:column;"></div><br />