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<h1> CLARISSA HARLOWE </h1>
<h3> or the </h3>
<h1> HISTORY OF A YOUNG LADY </h1>
<p><br/></p>
<h2> By Samuel Richardson </h2>
<p><br/></p>
<h4>
Nine Volumes<br/> Volume IV.
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<p><big><b>CONTENTS</b></big></p>
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<p><SPAN href="#link2H_TOC"> DETAILED CONTENTS </SPAN></p>
<p><SPAN href="#link2H_4_0002"> LETTER I </SPAN></p>
<p><SPAN href="#link2H_4_0003"> LETTER II </SPAN></p>
<p><SPAN href="#link2H_4_0004"> LETTER III </SPAN></p>
<p><SPAN href="#link2H_4_0005"> LETTER IV </SPAN></p>
<p><SPAN href="#link2H_4_0006"> LETTER V </SPAN></p>
<p><SPAN href="#link2H_4_0007"> LETTER VI </SPAN></p>
<p><SPAN href="#link2H_4_0008"> LETTER VII </SPAN></p>
<p><SPAN href="#link2H_4_0009"> LETTER VIII </SPAN></p>
<p><SPAN href="#link2H_4_0010"> LETTER IX </SPAN></p>
<p><SPAN href="#link2H_4_0011"> LETTER X </SPAN></p>
<p><SPAN href="#link2H_4_0012"> LETTER XI </SPAN></p>
<p><SPAN href="#link2H_4_0013"> LETTER XII </SPAN></p>
<p><SPAN href="#link2H_4_0014"> LETTER XIII </SPAN></p>
<p><SPAN href="#link2H_4_0015"> LETTER XIV </SPAN></p>
<p><SPAN href="#link2H_4_0016"> LETTER XV </SPAN></p>
<p><SPAN href="#link2H_4_0017"> LETTER XVI </SPAN></p>
<p><SPAN href="#link2H_4_0018"> LETTER XVII </SPAN></p>
<p><SPAN href="#link2H_4_0019"> LETTER XVIII </SPAN></p>
<p><SPAN href="#link2H_4_0020"> LETTER XIX </SPAN></p>
<p><SPAN href="#link2H_4_0021"> LETTER XX </SPAN></p>
<p><SPAN href="#link2H_4_0022"> LETTER XXI </SPAN></p>
<p><SPAN href="#link2H_4_0023"> LETTER XXII </SPAN></p>
<p><SPAN href="#link2H_4_0024"> LETTER XXIII </SPAN></p>
<p><SPAN href="#link2H_4_0025"> LETTER XXIV </SPAN></p>
<p><SPAN href="#link2H_4_0026"> LETTER XXV </SPAN></p>
<p><SPAN href="#link2H_4_0027"> LETTER XXVI </SPAN></p>
<p><SPAN href="#link2H_4_0028"> LETTER XXVII </SPAN></p>
<p><SPAN href="#link2H_4_0029"> LETTER XXIX </SPAN></p>
<p><SPAN href="#link2H_4_0030"> LETTER XXX </SPAN></p>
<p><SPAN href="#link2H_4_0031"> LETTER XXXI </SPAN></p>
<p><SPAN href="#link2H_4_0032"> LETTER XXXII </SPAN></p>
<p><SPAN href="#link2H_4_0033"> LETTER XXXIII </SPAN></p>
<p><SPAN href="#link2H_4_0034"> LETTER XXXIV </SPAN></p>
<p><SPAN href="#link2H_4_0035"> LETTER XXXV </SPAN></p>
<p><SPAN href="#link2H_4_0036"> LETTER XXXVI </SPAN></p>
<p><SPAN href="#link2H_4_0037"> LETTER XXXVII </SPAN></p>
<p><SPAN href="#link2H_4_0038"> LETTER XXXVIII </SPAN></p>
<p><SPAN href="#link2H_4_0039"> LETTER XXXIX </SPAN></p>
<p><SPAN href="#link2H_4_0040"> LETTER XL </SPAN></p>
<p><SPAN href="#link2H_4_0041"> LETTER XLI </SPAN></p>
<p><SPAN href="#link2H_4_0042"> LETTER XLII </SPAN></p>
<p><SPAN href="#link2H_4_0043"> LETTER XLIII </SPAN></p>
<p><SPAN href="#link2H_4_0044"> LETTER XLIV </SPAN></p>
<p><SPAN href="#link2H_4_0046"> LETTER XLV </SPAN></p>
<p><SPAN href="#link2H_4_0047"> LETTER XLVI </SPAN></p>
<p><SPAN href="#link2H_4_0048"> LETTER XLVII </SPAN></p>
<p><SPAN href="#link2H_4_0049"> LETTER XLVIII </SPAN></p>
<p><SPAN href="#link2H_4_0050"> LETTER XLIX </SPAN></p>
<p><SPAN href="#link2H_4_0051"> LETTER L </SPAN></p>
<p><SPAN href="#link2H_4_0052"> LETTER LI </SPAN></p>
<p><SPAN href="#link2H_4_0053"> LETTER LII </SPAN></p>
<p><SPAN href="#link2H_4_0054"> LETTER LIII </SPAN></p>
<p><SPAN href="#link2H_4_0055"> LETTER LIV </SPAN></p>
<p><SPAN href="#link2H_4_0056"> LETTER LV </SPAN></p>
<p><br/></p>
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<p><SPAN name="link2H_TOC" id="link2H_TOC"></SPAN></p>
<p><big><b>DETAILED CONTENTS</b></big></p>
<p><br/> LETTER I. Clarissa to Miss Howe.— <br/> Likes her lodgings;
but not greatly the widow. Chides Miss Howe for her <br/> rash, though
friendly vow. Catalogue of good books she finds in her <br/> closet.
Utterly dissatisfied with him for giving out to the women below <br/> that
they were privately married. Has a strong debate with him on this <br/>
subject. He offers matrimony to her, but in such a manner that she could
<br/> not close with his offer. Her caution as to doors, windows, and
seals of <br/> letters. <br/> LETTER II. Miss Howe to Clarissa.—
<br/> Her expedient to correspond with each other every day. Is glad she
had <br/> thoughts of marrying him had he repeated his offer. Wonders he
did not. <br/> LETTER III. Clarissa to Miss Howe.— <br/> Breakfasts
with him and the widow, and her two nieces. Observations upon <br/> their
behaviour and looks. He makes a merit of leaving her, and hopes, <br/> ON
HIS RETURN, that she will name his happy day. She is willing to make <br/>
the best constructions in his favour. <br/> In his next letter (extracts
from which are only given) he triumphs on <br/> the points he has carried.
Stimulated by the women, he resumes his <br/> resolution to try her to the
utmost. <br/> LETTER IV. Clarissa to Miss Howe.— <br/> Lovelace
returns the next day. She thinks herself meanly treated, and is <br/>
angry. He again urges marriage; but before she can return his answer <br/>
makes another proposal; yet she suspects not that he means a studied <br/>
delay. He is in treaty for Mrs. Fretchville's house. Description of it.
<br/> An inviting opportunity offers for him to propose matrimony to her.
She <br/> wonders he let it slip. He is very urgent for her company at a
collation <br/> he is to give to four of his select friends, and Miss
Partington. He <br/> gives an account who Miss Partington is. <br/> In Mr.
Lovelace's next letter he invites Belford, Mowbray, Belton, and <br/>
Tourville, to his collation. His humourous instructions for their <br/>
behaviour before the lady. Has two views in getting her into their <br/>
company. <br/> LETTER V. Lovelace to Belford.— <br/> Has been at
church with Clarissa. The sabbath a charming institution. <br/> The text
startles him. Nathan the prophet he calls a good ingenious <br/> fellow.
She likes the women better than she did at first. She <br/> reluctantly
consents to honour his collation with her presence. Longs <br/> to have
their opinions of his fair prize. Describes her to great <br/> advantage.
<br/> LETTER VI. Clarissa to Miss Howe.— <br/> She praises his good
behaviour at St. Paul's. Is prevailed on to dine <br/> with Mrs. Sinclair
and her nieces. Is better pleased with them than she <br/> thought she
should be. Blames herself for her readiness to censure, <br/> where
reputation is concerned. Her charitable allowances on this head. <br/>
This day an agreeable day. Interprets ever thing she can fairly <br/>
interpret in Mr. Lovelace's favour. She could prefer him to all the men
<br/> she ever knew, if he would always be what he had been that day. Is
<br/> determined, as much as possible, by true merit, and by deeds. Dates
<br/> again, and is offended at Miss Partington's being introduced to her,
and <br/> at his making her yield to be present at his intended collation.
<br/> LETTER VII. From the same.— <br/> Disgusted wit her evening.
Characterizes his four companions. Likes not <br/> Miss Partington's
behaviour. <br/> LETTER VIII. From the same.— <br/> An attempt to
induce her to admit Miss Partington to a share in her bed <br/> for that
night. She refuses. Her reasons. Is highly dissatisfied. <br/> LETTER IX.
From the same.— <br/> Has received an angry letter from Mrs. Howe,
forbidding her to correspond <br/> with her daughter. She advises
compliance, though against herself; and, <br/> to induce her to it, makes
the best of her present prospects. <br/> LETTER X. Miss Howe. In answer.—
<br/> Flames out upon this step of her mother. Insists upon continuing the
<br/> correspondence. Her menaces if Clarissa write not. Raves against
<br/> Lovelace. But blames her for not obliging Miss Partington: and why.
<br/> Advises her to think of settlements. Likes Lovelace's proposal of
Mrs. <br/> Fretchville's house. <br/> LETTER XI. Clarissa. In reply.—
<br/> Terrified at her menaces, she promises to continue writing.
Beseeches <br/> her to learn to subdue her passions. Has just received her
clothes. <br/> LETTER XII. Mr. Hickman to Clarissa.— <br/> Miss
Howe, he tells her, is uneasy for the vexation she has given her. <br/> If
she will write on as before, Miss Howe will not think of doing what <br/>
she is so apprehensive of. He offers her his most faithful services. <br/>
LETTER XIII. XIV. Lovelace to Belford.— <br/> Tells him how much the
lady dislikes the confraternity; Belford as well <br/> as the rest. Has a
warm debate with her in her behalf. Looks upon her <br/> refusing a share
in her bed to Miss Partington as suspecting and defying <br/> him.
Threatens her.—Savagely glories in her grief, on receiving Miss
<br/> Howe's prohibitory letter: which appears to be instigated by
himself. <br/> LETTER XV. Belford to Lovelace.— <br/> His and his
compeer's high admiration of Clarissa. They all join to <br/> entreat him
to do her justice. <br/> LETTER XVI. XVII. Lovelace. In answer.—
<br/> He endeavours to palliate his purposes by familiar instances of
cruelty <br/> to birds, &c.—Farther characteristic reasonings in
support of his wicked <br/> designs. The passive condition to which he
wants to bring the lady. <br/> LETTER XVIII. Belford. In reply.—
<br/> Still warmly argues in behalf of the lady. Is obliged to attend a
dying <br/> uncle: and entreats him to write from time to time an account
of all his <br/> proceedings. <br/> LETTER XIX. Clarissa to Miss Howe.—
<br/> Lovelace, she says, complains of the reserves he gives occasion for.
His <br/> pride a dirty low pride, which has eaten up his prudence. He is
sunk in <br/> her opinion. An afflicting letter sent her from her cousin
Morden. <br/> Encloses the letter. In which her cousin (swayed by the
representations <br/> of her brother) pleads in behalf of Solmes, and the
family-views; and <br/> sets before her, in strong and just lights, the
character of a libertine. <br/> Her heavy reflections upon the contents.
Her generous prayer. <br/> LETTER XX. Clarissa to Miss Howe.— <br/>
He presses her to go abroad with him; yet mentions not the ceremony that
<br/> should give propriety to his urgency. Cannot bear the life she
lives. <br/> Wishes her uncle Harlowe to be sounded by Mr. Hickman, as to
a <br/> reconciliation. Mennell introduced to her. Will not take another
step <br/> with Lovelace till she know the success of the proposed
application to <br/> her uncle. <br/> Substance of two letters from
Lovelace to Belford; in which he tells him <br/> who Mennell is, and gives
an account of many new contrivances and <br/> precautions. Women's pockets
ballast-bags. Mrs. Sinclair's wardrobe. <br/> Good order observed in her
house. The lady's caution, he says, warrants <br/> his contrivances. <br/>
LETTER XXI. Lovelace to Belford.— <br/> Will write a play. The title
of it, The Quarrelsome Lovers. <br/> Perseverance his glory; patience his
hand-maid. Attempts to get a letter <br/> the lady had dropt as she sat.
Her high indignation upon it. Farther <br/> plots. Paul Wheatly, who; and
for what employed. Sally Martin's <br/> reproaches. Has overplotted
himself. Human nature a well-known rogue. <br/> LETTER XXII. Clarissa to
Miss Howe.— <br/> Acquaints her with their present quarrel. Finds it
imprudent to stay <br/> with him. Re-urges the application to her uncle.
Cautions her sex with <br/> regard to the danger of being misled by the
eye. <br/> LETTER XXIII. Miss Howe. In answer.— <br/> Approves of
her leaving Lovelace. New stories of his wickedness. Will <br/> have her
uncle sounded. Comforts her. How much her case differs from <br/> that of
any other female fugitive. She will be an example, as well as a <br/>
warning. A picture of Clarissa's happiness before she knew Lovelace. <br/>
Brief sketches of her exalted character. Adversity her shining time. <br/>
LETTER XXIV. Clarissa. In reply.— <br/> Has a contest with Lovelace
about going to church. He obliges her again <br/> to accept of his company
to St. Paul's. <br/> LETTER XXV. Miss Howe to Mrs. Norton.— <br/>
Desiring her to try to dispose Mrs. Harlowe to forward a reconciliation.
<br/> LETTER XXVI. Mrs. Norton. In answer. <br/> LETTER XXVII. Miss Howe.
In reply. <br/> LETTER XXVIII. Mrs. Harlowe's pathetic letter to Mrs.
Norton. <br/> LETTER XXIX. Miss Howe to Clarissa.— <br/> Fruitless
issue of Mr. Hickman's application to her uncle. Advises her <br/> how to
proceed with, and what to say to, Lovelace. Endeavours to account <br/>
for his teasing ways. Who knows, she says, but her dear friend was <br/>
permitted to swerve, in order to bring about his reformation? Informs
<br/> her of her uncle Antony's intended address to her mother. <br/>
LETTER XXX. Clarissa to Miss Howe.— <br/> Hard fate to be thrown
upon an ungenerous and cruel man. Reasons why she <br/> cannot proceed
with Mr. Lovelace as she advises. Affecting apostrophe to <br/> Lovelace.
<br/> LETTER XXXI. From the same.— <br/> Interesting conversation
with Lovelace. He frightens her. He mentions <br/> settlements. Her modest
encouragements of him. He evades. True <br/> generosity what. She requires
his proposals of settlements in writing. <br/> Examines herself on her
whole conduct to Lovelace. Maidenly niceness not <br/> her motive for the
distance she has kept him at. What is. Invites her <br/> correction if she
deceive herself. <br/> LETTER XXXII. From the same.— <br/> With Mr.
Lovelace's written proposals. Her observations on the cold <br/>
conclusion of them. He knows not what every wise man knows, of the <br/>
prudence and delicacy required in a wife. <br/> LETTER XXXIII. From the
same.— <br/> Mr. Lovelace presses for the day; yet makes a proposal
which must <br/> necessarily occasion a delay. Her unreserved and pathetic
answer to it. <br/> He is affected by it. She rejoices that he is
penetrable. He presses <br/> for her instant resolution; but at the same
time insinuates delay. <br/> Seeing her displeased, he urges for the
morrow: but, before she can <br/> answer, gives her the alternative of
other days. Yet, wanting to reward <br/> himself, as if he had obliged
her, she repulses him on a liberty he would <br/> have taken. He is
enraged. Her melancholy reflections on her future <br/> prospects with
such a man. The moral she deduces from her story. [A <br/> note, defending
her conduct from the censure which passed upon her as <br/> over nice.]
<br/> Extracts from four of his letters: in which he glories in his
cruelty. <br/> Hardheartedness he owns to be an essential of the libertine
character. <br/> Enjoys the confusion of a fine woman. His apostrophe to
virtue. Ashamed <br/> of being visibly affected. Enraged against her for
repulsing him. Will <br/> steel his own heart, that he may cut through a
rock of ice to her's. The <br/> women afresh instigate him to attempt her
virtue. <br/> LETTER XXXIV. Miss Howe to Clarissa.— <br/> Is enraged
at his delays. Will think of some scheme to get her out of <br/> his
hands. Has no notion that he can or dare to mean her dishonour. <br/>
Women do not naturally hate such men as Lovelace. <br/> LETTER XXXV.
Belford to Lovelace.— <br/> Warmly espouses the lady's cause.
Nothing but vanity and nonsense in the <br/> wild pursuits of libertines.
For his own sake, for his family's sake, <br/> and for the sake of their
common humanity, he beseeches him to do this <br/> lady justice. <br/>
LETTER XXXVI. Lord M. to Mr. Belford.— <br/> A proverbial letter in
the lady's favour. <br/> LETTER XXXVII. Lovelace to Belford.— <br/>
He ludicrously turns Belford's arguments against him. Resistance <br/>
inflames him. Why the gallant is preferred to the husband. Gives a piece
<br/> of advice to married women. Substance of his letter to Lord M.
desiring <br/> him to give the lady to him in person. His view in this
letter. <br/> Ridicules Lord M. for his proverbs. Ludicrous advice to
Belford in <br/> relation to his dying uncle. What physicians should do
when a patient is <br/> given over. <br/> LETTER XXXVIII. Belford to
Lovelace.— <br/> Sets forth the folly, the inconvenience, the
impolicy of KEEPING, and the <br/> preference of MARRIAGE, upon the foot
of their own principles, as <br/> libertines. <br/> LETTER XXXIX. Lovelace
to Belford.— <br/> Affects to mistake the intention of Belford's
letter, and thanks him for <br/> approving his present scheme. The
seduction progress is more delightful <br/> to him, he says, than the
crowning act. <br/> LETTER XL. From the same.— <br/> All extremely
happy at present. Contrives a conversation for the lady to <br/> overhear.
Platonic love, how it generally ends. Will get her to a play; <br/> likes
not tragedies. Has too much feeling. Why men of his cast prefer <br/>
comedy to tragedy. The nymphs, and Mrs. Sinclair, and all their <br/>
acquaintances, of the same mind. Other artifices of his. Could he have
<br/> been admitted in her hours of dishabille and heedlessness, he had
been <br/> long ago master of his wishes. His view in getting her to a
play: a <br/> play, and a collation afterwards, greatly befriend a lover's
designs; and <br/> why. She consents to go with him to see the tragedy of
Venice Preserved. <br/> LETTER XLI. Clarissa to Miss Howe.— <br/>
Gives the particulars of the overheard conversation. Thinks her <br/>
prospects a little mended. Is willing to compound for tolerable <br/>
appearances, and to hope, when reason for hope offers. <br/> LETTER XLII.
Miss Howe to Clarissa.— <br/> Her scheme of Mrs. Townsend. Is not
for encouraging dealers in <br/> prohibited goods; and why. Her humourous
treatment of Hickman on <br/> consulting him upon Lovelace's proposals of
settlements. <br/> LETTER XLIII. From the same.— <br/> Her account
of Antony Harlowe's address to her mother, and of what passed <br/> on her
mother's communicating it to her. Copy of Mrs. Howe's answer to <br/> his
letter. <br/> LETTER XLIV. XLV. Lovelace to Belford.— <br/> Comes at
several letters of Miss Howe. He is now more assured of <br/> Clarissa
than ever; and why. Sparkling eyes, what they indicate. She <br/> keeps
him at distance. Repeated instigations from the women. Account of <br/>
the letters he has come at. All rage and revenge upon the contents of
<br/> them. Menaces Hickman. Wishes Miss Howe had come up to town, as she
<br/> threatened. <br/> LETTER XLVI. Clarissa to Miss Howe.—Is
terrified by him. Disclaims <br/> prudery. Begs of Miss Howe to perfect
her scheme, that she may leave <br/> him. She thinks her temper changed
for the worse. Trembles to look back <br/> upon his encroachments. Is
afraid, on the close self-examination which <br/> her calamities have
caused her to make, that even in the best actions of <br/> her past life
she has not been quite free from secret pride, &c. Tears <br/> almost
in two the answer she had written to his proposals. Intends to go <br/>
out next day, and not to return. Her farther intentions. <br/> LETTER
XLVII. Lovelace to Belford.— <br/> Meets the lady at breakfast.
Flings the tea-cup and saucer over his <br/> head. The occasion. Alarms
and terrifies her by his free address. <br/> Romping, the use of it by a
lover. Will try if she will not yield to <br/> nightly surprises. A
lion-hearted lady where her honour is concerned. <br/> Must have recourse
to his master-strokes. Fable of the sun and north <br/> wind. Mrs.
Fretchville's house an embarrass. He gives that pretended <br/> lady the
small-pox. Other contrivances in his head to bring Clarissa <br/> back, if
she should get away. Miss Howe's scheme of Mrs. Townsend is, he <br/>
says, a sword hanging over his head. He must change his measures to <br/>
render it abortive. He is of the true lady-make. What that is. Another
<br/> conversation between them. Her apostrophe to her father. He is <br/>
temporarily moved. Dorcas gives him notice of a paper she has come at,
<br/> and is transcribing. In order to detain the lady, he presses for the
<br/> day. Miss Howe he fancies in love with him; and why. He sees
Clarissa <br/> does not hate him. <br/> LETTER XLVIII. From the same.—
<br/> Copy of the transcribed paper. It proves to be her torn answer to
his <br/> proposals. Meekness the glory of a woman. Ludicrous image of a
<br/> termagant wife. He had better never to have seen this paper. Has
very <br/> strong remorses. Paints them in lively colours. Sets forth the
lady's <br/> transcendent virtue, and greatness of mind. Surprised into
these <br/> arguments in her favour by his conscience. Puts it to flight.
<br/> LETTER XLIX. From the same.— <br/> Mennell scruples to aid him
farther in his designs. Vapourish people <br/> the physical tribe's
milch-cows. Advice to the faculty. Has done with <br/> the project about
Mrs. Fretchville's house. The lady suspects him. A <br/> seasonable letter
for him from his cousin Charlotte. Sends up the letter <br/> to the lady.
She writes to Miss Howe, upon perusing it, to suspend for <br/> the
present her application to Mrs. Townsend. <br/> LETTER L. From the same.—
<br/> An interview all placid and agreeable. Now is he in a train. All he
now <br/> waits for is a letter from Lord M. Inquires after their marriage
by a <br/> stranger of good appearance. The lady alarmed at them. <br/>
LETTER LI. Lovelace to Belford.— <br/> Curses his uncle for another
proverbial letter he has sent him. Permits <br/> the lady to see it. Nine
women in ten that fall, fall, he says, through <br/> their own fault.
<br/> LETTER LII. Lord M.'s characteristic letter. <br/> LETTER LIII.
Lovelace to Belford.— <br/> The lady now comes to him at the first
word. Triumphs in her sweetness <br/> of temper, and on her patience with
him. Puts his writings into <br/> counsellor Williams's hands, to prepare
settlements. Shall now be doubly <br/> armed. Boasts of his contrivances
in petto. Brings patterns to her. <br/> Proposes jewels. Admires her for
her prudence with regard to what he <br/> puts her upon doing for her
Norton. What his wife must do and be. She <br/> declines a public wedding.
Her dutiful reasons. She is willing to <br/> dispense with Lord M.'s
presence. He writes to Lord M. accordingly. <br/> Extract from a letter
from Clarissa.— <br/> After giving Miss Howe an account of the
present favourable appearances, <br/> she desires her to keep herself all
such of the particulars which she has <br/> communicated to her as may
discredit Mr. Lovelace. <br/> LETTER LIV. Lovelace to Belford.—
<br/> His projected plot to revenge himself upon Miss Howe. <br/> LETTER
LV. From the same.— <br/> Fresh contrivances crowd in upon him. He
shall be very sick on the <br/> morrow; and why. Women below impertinently
reproachful. He will be no <br/> man's successor. Will not take up with
harlots.—History of the French <br/> marquis. <br/> <br/> <br/></p>
<hr />
<p><br/></p>
<h1> THE HISTORY OF CLARISSA HARLOWE </h1>
<h3> VOLUME FOUR </h3>
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