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<h2> CHAPTER XVI </h2>
<p>Alice reached home again on Christmas Eve. It was snowing; she came in
chilled and looking miserable. Mrs. Mutimer met her in the hall, passed
her, and looked out at the open door, then turned with a few white flecks
on her gown.</p>
<p>‘Where’s Dick?</p>
<p>‘He couldn’t come,’ replied the girl briefly, and ran up to her room.</p>
<p>‘Arry was spending the evening with friends. Since tea-time the old woman
had never ceased moving from room to room, up and down stairs. She had got
out an old pair of Richard’s slippers, and had put them before the
dining-room fire to warm. She had made a bed for Richard, and had a fire
burning in the chamber. She had made arrangements for her eldest son’s
supper. No word had come from Wanley, but she held to the conviction that
this night would see Richard in London.</p>
<p>Alice came down and declared that she was very hungry. Her mother went to
the kitchen to order a meal, which in the end she prepared with her own
hands. She seemed to have a difficulty in addressing any one. Whilst Alice
ate in silence, Mrs. Mutimer kept going in and out of the room; when the
girl rose from the table, she stood before her and asked:</p>
<p>‘Why couldn’t he come?’</p>
<p>Alice went to the fireplace, knelt down, and spread her hands to the
blaze. Her mother approached her again.</p>
<p>‘Won’t you give me no answer, Alice?’</p>
<p>‘He couldn’t come, mother. Something important is keeping him.’</p>
<p>‘Something important? And why did he want you there?’</p>
<p>Alice rose to her feet, made one false beginning, then spoke to the point.</p>
<p>‘Dick’s married, mother.’</p>
<p>The old woman’s eyes seemed to grow small in her wrinkled face, as if
directing themselves with effort upon something minute. They looked
straight into the eyes of her daughter, but had a more distant focus. The
fixed gaze continued for nearly a minute.</p>
<p>‘What are you talking about, girl?’ she said at length, in a strange,
rattling voice. ‘Why, I’ve seen Emma this very morning. Do you think she
wouldn’t ‘a told me if she’d been a wife?’</p>
<p>Alice was frightened by the look and the voice.</p>
<p>‘Mother, it isn’t Emma at all. It’s someone at Wanley. We can’t help it,
mother. It’s no use taking on. Now sit down and make yourself quiet. It
isn’t our fault.’</p>
<p>Mrs. Mutimer smiled in a grim way, then laughed—a most unmusical
laugh.</p>
<p>‘Now what’s the good o’ joking in that kind o’ way? That’s like your
father, that is; he’d often come ‘ome an’ tell me sich things as never
was, an’ expect me to believe ‘em. An’ I used to purtend I did, jist to
please him. But I’m too old for that kind o’ jokin’.—Alice, where’s
Dick? How long’ll it be before he’s here? Where did he leave you?’</p>
<p>‘Now do just sit down, mother; here, in this chair. Just sit quiet for a
little, do.’</p>
<p>Mrs. Mutimer pushed aside the girl’s hand; her face had become grave
again.</p>
<p>‘Let me be, child. And I tell you I have seen Emma to-day. Do you think
she wouldn’t ‘a told me if things o’ that kind was goin’ on?’</p>
<p>‘Emma knows nothing about it, mother. He hasn’t told any one. He got me to
come because he couldn’t tell it himself. It was as much a surprise to me
as to you, and I think it’s very cruel of him. But it’s over, and we can’t
help it. I shall have to tell Emma, I suppose, and a nice thing too!’</p>
<p>The old woman had begun to quiver; her hands shook by her sides, her very
features trembled with gathering indignation.</p>
<p>‘Dick has gone an’ done this?’ she stammered. ‘He’s gone an’ broke his
given word? He’s deceived that girl as trusted to him an’ couldn’t help
herself?’</p>
<p>‘Now, mother, don’t take on so! You’re going to make yourself ill. It
can’t be helped. He says he shall send Emma money just the same.’</p>
<p>‘Money! There you’ve hit the word; it’s money as ‘as ruined him, and as
‘ll be the ruin of us all. Send her money! What does the man think she’s
made of? Is all his feelings got as hard as money? and does he think the
same of every one else? If I know Emma, she’ll throw his money in his
face. I knew what ‘ud come of it, don’t tell me I didn’t. That very night
as he come ‘ome an’ told me what had ‘appened, there was a cold shiver run
over me. I told him as it was the worst news ever come into our ‘ouse, and
now see if I wasn’t right! He was angry with me ‘cause I said it, an’
who’s a right to be angry now? It’s my belief as money’s the curse o’ this
world; I never knew a trouble yet as didn’t somehow come of it, either
‘cause there was too little or else too much. And Dick’s gone an’ done
this? And him with all his preachin’ about rights and wrongs an’ what not!
Him as was always a-cryin’ down the rich folks ‘cause they hadn’t no
feelin’ for the poor! What feeling’s <i>he</i> had, I’d like to know? It’s
him as is rich now, an’ where’s the difference ‘tween him and them as he
called names? No feelin’ for the poor! An’ what’s Emma Vine? Poor enough
by now. There’s Jane as can’t have not a week more to live, an’ she
a-nursin’ her night an’ day. He’ll give her money!—has he got the
face to say it? Nay, don’t talk to me, girl; I’ll say what I think if it’s
the last I speak in this world. Don’t let him come to me! Never a word
again shall he have from me as long as I live. He’s disgraced himself, an’
me his mother, an’ his father in the grave. A poor girl as couldn’t help
herself, as trusted him an’ wouldn’t hear not a word against him, for all
he kep’ away from her in her trouble. I’d a fear o’ this, but I wouldn’t
believe it of Dick; I wouldn’t believe it of a son o’ mine. An’ ‘Arry ‘ll
go the same way. It’s all the money, an a curse go with all the money as
ever was made! An’ you too, Alice, wi’ your fine dresses, an’ your
piannerin’, an’ your faldedals. But I warn you, my girl. There ‘ll no good
come of it. I warn you, Alice! You’re ashamed o’ your own mother—oh,
I’ve seen it! But it’s a mercy if you’re not a disgrace to her. I’m
thankful as I was always poor; I might ‘a been tempted i’ the same way.’</p>
<p>The dogma of a rude nature full of secret forces found utterance at length
under the scourge of a resentment of very mingled quality. Let half be put
to the various forms of disinterested feeling, at least half was due to
personal exasperation. The whole change that her life had perforce
undergone was an outrage upon the stubbornness of uninstructed habit; the
old woman could see nothing but evil omens in a revolution which cost her
bodily discomfort and the misery of a mind perplexed amid alien
conditions. She was prepared for evil; for months she had brooded over
every sign which seemed to foretell its approach; the egoism of the
unconscious had made it plain to her that the world must suffer in a state
of things which so grievously affected herself. Maternal solicitude kept
her restlessly swaying between apprehension for her children and injury in
the thought of their estrangement from her. And now at length a bitter
shame added itself to her torments. She was shamed in her pride as a
mother, shamed before the girl for whom she nourished a deep affection.
Emma’s injuries she felt charged upon herself; she would never dare to
stand before her again. Her moral code, as much a part of her as the sap
of the plant and as little the result of conscious absorption, declared
itself on the side of all these rushing impulses; she was borne blindly on
an exhaustless flux of words. After vain attempts to make herself heard,
Alice turned away and sat sullenly waiting for the outburst to spend
itself. Herself comparatively unaffected by the feelings strongest in her
mother, this ear-afflicting clamour altogether checked her sympathy, and
in a great measure overcame those personal reasons which had made her
annoyed with Richard. She found herself taking his side, even knew
something of his impatience with Emma and her sorrows. When it came to
rebukes and charges against herself her impatience grew active. She stood
up again and endeavoured to make herself heard.</p>
<p>‘What’s the good of going on like this, mother? Just because you’re angry,
that’s no reason you should call us all the names you can turn your tongue
to. It’s over and done with, and there’s an end of it. I don’t know what
you mean about disgracing you; I think you might wait till the time comes.
I don’t see what I’ve done as you can complain of.’</p>
<p>‘No, of course you don’t,’ pursued her mother bitterly. ‘It’s the money as
prevents you from seeing it. Them as was good enough for you before you
haven’t a word to say to now; a man as works honestly for his living you
make no account of. Well, well, you must go your own way—’</p>
<p>‘What is it you want, mother? You don’t expect me to look no higher than
when I hadn’t a penny but what I worked for? I’ve no patience with you.
You ought to be glad—’</p>
<p>‘You haven’t no patience, of course you haven’t. And I’m to be glad when a
son of mine does things as he deserves to be sent to prison for! I don’t
understand that kind o’ gladness. But mind what I say; do what you like
with your money, I’ll have no more part in it. If I had as much as ten
shillings a week of my own, I’d go and live by myself, and leave you to
take your own way. But I tell you what I <i>can</i> do, and what I will.
I’ll have no more servants a-waitin’ on <i>me</i>; I wasn’t never used to
it, and I’m too old to begin. I go to my own bedroom upstairs, and there I
live, and there ‘ll be nobody go into that room but myself. I’ll get my
bits o’ meals from the kitchen. ‘Tain’t much as I want, thank goodness,
an’ it won’t be missed. I’ll have no more doin’s with servants, understand
that; an’ if I can’t be left alone i’ my own room, I’ll go an’ find a room
where I can, an’ I’ll find some way of earnin’ what little I want. It’s
your own house, and you’ll do what you like in it. There’s the keys, I’ve
done with ‘em; an’ here’s the money too, I’m glad to be rid of it. An’
you’ll just tell Dick. I ain’t one as says what I don’t mean, nor never
was, as that you know. You take your way, an’ I’ll take mine. An’ now may
be I’ll get a night’s sleep, the first I’ve had under this roof.’</p>
<p>As she spoke she took from her pockets the house keys, and from her purse
the money she used for current expenses, and threw all together on to the
table. Alice had turned to the fireplace, and she stood so for a long time
after her mother had left the room. Then she took the keys and the money,
consulted her watch, and in a few minutes was walking from the house to a
neighbouring cab-stand.</p>
<p>She drove to Wilton Square. Inspecting the front of the house before
knocking at the door, she saw a light in the kitchen and a dimmer gleam at
an upper window. It was Mrs. Clay who opened to her.</p>
<p>‘Is Emma in?’ Alice inquired as she shook hands rather coldly.</p>
<p>‘She’s sitting with Jane. I’ll tell her. There’s no fire except in the
kitchen,’ Kate added, in a tone which implied that doubtless her visitor
was above taking a seat downstairs.</p>
<p>‘I’ll go down,’ Alice replied, with just a touch of condescension. ‘I want
to speak a word or two with Emma, that’s all.’</p>
<p>Kate left her to descend the stairs, and went to inform her sister. Emma
was not long in appearing; the hue of her face was troubled, for she had
deceived herself with the belief that it was Richard who knocked at the
door. What more natural than for him to have come on Christmas Eve? She
approached Alice with a wistful look, not venturing to utter any question,
only hoping that some good news might have been brought her. Long watching
in the sick room had given her own complexion the tint of ill-health; her
eyelids were swollen and heavy; the brown hair upon her temples seemed to
droop in languor. You would have noticed that her tread was very soft, as
if she still were moving in the room above.</p>
<p>‘How’s Jane?’ Alice began by asking. She could not quite look the other in
the face, and did not know how to begin her disclosure.</p>
<p>‘No better,’ Emma gave answer, shaking her head. Her voice, too, was
suppressed; it was weeks since she had spoken otherwise.</p>
<p>‘I am so sorry, Emma. Are you in a hurry to go up again?’</p>
<p>‘No. Kate will sit there a little.’</p>
<p>‘You look very poorly yourself. It must be very trying for you.’</p>
<p>‘I don’t feel it,’ Emma said, with a pale smile. ‘She gives no trouble.
It’s only her weakness now; the pain has almost gone.’</p>
<p>‘But then she must be getting better.’</p>
<p>Emma shook her head, looking aside. As Alice kept silence, she continued:</p>
<p>‘I was glad to hear you’d gone to see Richard. He wouldn’t—I was
afraid he mightn’t have time to get here for Christmas.’</p>
<p>There was a question in the words, a timorously expectant question. Emma
had learnt the sad lesson of hope deferred, always to meet discouragement
halfway. It is thus one seeks to propitiate the evil powers, to turn the
edge of their blows by meekness.</p>
<p>‘No, he couldn’t come,’ said Alice.</p>
<p>She had a muff on her left hand, and was turning it round and round with
the other. Emma had not asked her to sit down, merely because of the
inward agitation which absorbed her.</p>
<p>‘He’s quite well?’</p>
<p>‘Oh yes, quite well.’</p>
<p>Again Alice paused. Emma’s heart was beating painfully. She knew now that
Richard’s sister had not come on an ordinary visit; she felt that the call
to Wanley had had some special significance. Alice did not ordinarily
behave in this hesitating way.</p>
<p>‘Did—did he send me a message?’</p>
<p>‘Yes.’</p>
<p>But even now Alice could not speak. She found a way of leading up to the
catastrophe.</p>
<p>‘Oh, mother has been going on so, Emma! What do you think? She won’t have
anything to do with the house any longer. She’s given me the keys and all
the money she had, and she’s going to live just in her bedroom. She says
she’ll get her food from the kitchen herself, and she won’t have a thing
done for her by any one. I’m sure she means it; I never saw her in such a
state. She says if she’d ever so little money of her own, she’d leave the
house altogether. She’s been telling me I’ve no feeling, and that I’m
going to the bad, that I shall live to disgrace her, and I can’t tell you
what. Everything is so miserable! She says it’s all the money, and that
she knew from the first how it would be. And I’m afraid some of what she
says is true, I am indeed, Emma. But things happen in a way you could
never think. I half wish myself the money had never come. It’s making us
all miserable.’</p>
<p>Emma listened, expecting from phrase to phrase some word which would be to
her a terrible enlightenment But Alice had ceased, and the word still
unspoken.</p>
<p>‘You say he sent me a message?’</p>
<p>She did not ask directly the cause of Mrs. Mutimer’s anger. Instinct told
her that to hear the message would explain all else.</p>
<p>‘Emma, I’m afraid to tell you. You’ll blame <i>me</i>, like mother did.’</p>
<p>‘I shan’t blame you, Alice. Will you please tell me the message?’</p>
<p>Emma’s lips seemed to speak without her volition. The rest o her face was
fixed and cold.</p>
<p>‘He’s married, Emma.’</p>
<p>‘He asked you to tell me?’</p>
<p>Alice was surprised at the self-restraint proved by so quiet an
interrogation.</p>
<p>‘Yes, he did. Emma, I’m so, so sorry! If only you’ll believe I’m sorry,
Emma! He <i>made</i> me come and tell you. He said if I didn’t you’d have
to find out by chance, because he couldn’t for shame tell you himself. And
he couldn’t tell mother neither. I’ve had it all to do. If you knew what
I’ve gone through with mother! It’s very hard that other people should
suffer so much just on his account. I am really sorry for you, Emma.’</p>
<p>‘Who is it he’s married?’ Emma asked. Probably all the last speech had
been but a vague murmur to her ears.</p>
<p>‘Some one at Wanley.’</p>
<p>‘A lady?’</p>
<p>‘Yes, I suppose she’s a lady.’</p>
<p>‘You didn’t see her, then?’</p>
<p>‘Yes, I saw her. I don’t like her.’</p>
<p>Poor Alice meant this to be soothing. Emma knew it, and smiled.</p>
<p>‘I don’t think she cares much after all,’ Alice said to herself.</p>
<p>‘But was that the message?’</p>
<p>‘Only to tell you of it, Emma. There was something else,’ she added
immediately; ‘not exactly a message, but he told me, and I dare say he
thought I should let you know. He said that of course you were to have the
money still as usual.’</p>
<p>Over the listener’s face came a cloud, a deep, turbid red. It was not
anger, but shame which rose from the depths of her being. Her head sank;
she turned and walked aside.</p>
<p>‘You’re not angry with <i>me</i>, Emma?’</p>
<p>‘Not angry at all, Alice,’ was the reply in a monotone.</p>
<p>‘I must say good-bye now. I hope you won t take on much. And I hope Jane
‘ll soon be better.’</p>
<p>‘Thank you. I must go up to her; she doesn’t like me to be away long.’</p>
<p>Alice went before up the kitchen stairs, the dark, narrow stairs which now
seemed to her so poverty-stricken. Emma did not speak, but pressed her
hand at the door.</p>
<p>Kate stood above her on the first landing, and, as Emma came up,
whispered:</p>
<p>‘Has he come?’</p>
<p>‘Something has hindered him.’ And Emma added, ‘He couldn’t help it.’</p>
<p>‘Well, then, I think he ought to have helped it,’ said the other tartly.
‘When does he mean to come, I’d like to know?’</p>
<p>‘It’s uncertain.’</p>
<p>Emma passed into the sick-room. Her sister followed her with eyes of
ill-content, then returned to the kitchen.</p>
<p>Jane lay against pillows. Red light from the fire played over her face,
which was wasted beyond recognition. She looked a handmaiden of Death.</p>
<p>The atmosphere of the room was warm and sickly. A small green-shaded lamp
stood by the looking-glass in front of the window; it cast a disk of light
below, and on the ceiling concentric rings of light and shade, which
flickered ceaselessly, and were at times all but obliterated in a gleam
from the fireplace. A kettle sang on the trivet.</p>
<p>The sick girl’s hands lay on the counterpane; one of them moved as Emma
came to the bedside, and rested when the warmer fingers clasped it. There
was eager inquiry in the sunken eyes; her hand tried to raise itself, but
in vain.</p>
<p>‘What did Alice say?’ she asked, in quick feeble tones. ‘Is he coming?’</p>
<p>‘Not for Christmas, I’m afraid, dear. He’s still very busy.’</p>
<p>‘But he sent you a message?’</p>
<p>‘Yes. He would have come if he could.’</p>
<p>‘Did you tell Alice I wanted to see her? Why didn’t she come up? Why did
she stay such a short time?’</p>
<p>‘She couldn’t stay to-night, Jane. Are you easy still, love?’</p>
<p>‘Oh, I did so want to see her. Why couldn’t she stop, Emma? It wasn’t kind
of her to go without seeing me. I’d have made time if it had been her as
was lying in bed. And he doesn’t even answer what I wrote to him. It was
such work to write—I couldn’t now; and he might have answered.’</p>
<p>‘He very seldom writes to any one, you know, Jane. He has so little time.’</p>
<p>‘Little time! I have less, Emma, and he must know that. It’s unkind of
him. What did Alice tell you? Why did he want her to go there? Tell me
everything.’</p>
<p>Emma felt the sunken eyes burning her with their eager look. She
hesitated, pretended to think of something that had to be done, and the
eyes burned more and more. Jane made repeated efforts to raise herself, as
if to get a fuller view of her sister’s face.</p>
<p>‘Shall I move you?’ Emma asked. ‘Would you like another pillow?’</p>
<p>‘No, no,’ was the impatient answer. ‘Don’t go away from me; don’t take
your hand away. I want to know all that Alice said. You haven’t any
secrets from me, Emmy. Why <i>does</i> he stay away so long? It seems
years since he came to see you. It’s wrong of him. There’s no business
ought to keep him away all this time. Look at me, and tell me what she
said.’</p>
<p>‘Only that he hadn’t time. Dear, you mustn’t excite yourself so. Isn’t it
all right, Jane, as long as I don’t mind it?’</p>
<p>‘Why do you look away from me? No, it isn’t all right. Oh, I can’t rest, I
can’t lie here! Why haven’t I strength to go and say to him what I want to
say? I thought it was him when the knock came. When Kate told me it
wasn’t, I felt as if my heart was sinking down; and I don’t seem to have
no tears left to cry. It ‘ud ease me a little if I could. And now <i>you’re</i>
beginning to have secrets. Emmy!’</p>
<p>It was a cry of anguish. The mention of tears had brought them to Emma’s
eyes, for they lurked very near the surface, and Jane had seen the
firelight touch on a moist cheek. For an instant she raised herself from
the pillows. Emma folded soft arms about her and pressed her cheek against
the heat which consumed her sister’s.</p>
<p>‘Emmy, I must know,’ wailed the sick girl. ‘Is it what I’ve been afraid
of? No, not that! Is it the worst of all? You must tell me now. You don’t
love me if you keep away the truth. I can’t have anything between you and
me.’</p>
<p>A dry sob choked her; she gasped for breath. Emma, fearful lest the very
life was escaping from her embrace, drew away and looked in anguish. Her
involuntary tears had ceased, but she could no longer practise deception.
The cost to Jane was greater perhaps than if she knew the truth. At least
their souls must be united ere it was too late.</p>
<p>‘The truth, Emmy!’</p>
<p>‘I will tell it you, darling,’ she replied, with quiet sadness. ‘It’s for
him that I’m sorry. I never thought anything could tempt him to break his
word. Think of it in the same way as I do, dear-sister; don’t be sorry for
me, but for him.’</p>
<p>‘He’s never coming? He won’t marry you?’</p>
<p>‘He’s already married, Jane. Alice came to tell me.’</p>
<p>Again she would have raised herself, but this time there was no strength.
Not even her arms could she lift from the coverlets. But Emma saw the vain
effort, raised the thin arms, put them about her neck, and held her sister
to her heart as if for eternity.</p>
<p>‘Darling, darling, it isn’t hard to bear. I care for nothing but your
love. Live for my sake, dearest dear; I have forgotten every one and
everything but you. It’s so much better. I couldn’t have changed my life
so; I was never meant to be rich. It seems unkind of him, but in a little
time we shall see it was best. Only you, Janey; you have my whole heart,
and I’m so glad to feel it is so. Live, and I’ll give every minute of my
life to loving you, poor sufferer.’</p>
<p>Jane could not breathe sound into the words she would have spoken. She lay
with her eyes watching the fire-play on the ceiling. Her respiration was
quick and feeble.</p>
<p>Mutimer’s name was not mentioned by either again that night, by one of
them never again. Such silence was his punishment.</p>
<p>Kate entered the room a little before midnight. She saw one of Jane’s
hands raised to impose silence. Emma, still sitting by the bedside, slept;
her head rested on the pillows. The sick had become the watcher.</p>
<p>‘She’d better go to bed,’ Kate whispered. ‘I’ll wake her.’</p>
<p>‘No, no You needn’t stay, Kate. I don’t want anything. Let her sleep as
she is.’</p>
<p>The elder sister left the room. Then Jane approached her head to that of
the sleeper, softly, softly, and her arm stole across Emma’s bosom and
rested on her farther shoulder. The fire burned with little whispering
tongues of flame; the circles of light and shade quivered above the lamp.
Abroad the snow fell and froze upon the ground.</p>
<p>Three days later Alice Mutimer, as she sat at breakfast, was told that a
visitor named Mrs. Clay desired to see her. It was nearly ten o’clock;
Alice had no passion for early rising, and since her mother’s retirement
from the common table she breakfasted alone at any hour which seemed good
to her. ‘Arry always—or nearly always—left the house at eight
o’clock.</p>
<p>Mrs. Clay was introduced into the dining-room. Alice received her with an
anxious face, for she was anticipating trouble from the house in Wilton
Square. But the trouble was other than she had in mind.</p>
<p>‘Jane died at four o’clock this morning,’ the visitor began, without
agitation, in the quick, unsympathetic voice which she always used when
her equanimity was in any way disturbed. ‘Emma hasn’t closed her eyes for
two days and nights, and now I shouldn’t wonder if she’s going to be ill
herself. I made her lie down, and then came out just to ask you to write
to your brother. Surely he’ll come now. I don’t know what to do about the
burying; we ought to have some one to help us. I expected your mother
would be coming to see us, but she’s kept away all at once. Will you write
to Dick?’</p>
<p>Alice was concerned to perceive that Kate was still unenlightened.</p>
<p>‘Did Emma know you were coming?’ she asked.</p>
<p>‘Yes, I suppose she did. But it’s hard to get her to attend to anything.
I’ve left her alone, ‘cause there wasn’t any one I could fetch at once.
Will you write to-day?’</p>
<p>‘Yes, I’ll see to it,’ said Alice. ‘Have some breakfast, will you?’</p>
<p>‘Well, I don’t mind just a cup o’ coffee. It’s very cold, and I had to
walk a long way before I could get a ‘bus.’</p>
<p>Whilst Kate refreshed herself, Alice played nervously with her tea-spoon,
trying to make up her mind what must be done. The situation was
complicated with many miseries, but Alice had experienced a growth of
independence since her return from Wanley. All she had seen and heard
whilst with her brother had an effect upon her in the afterthought, and
her mother’s abrupt surrender into her hands of the household control gave
her, when she had time to realise it, a sense of increased importance not
at all disagreeable. Already she had hired a capable servant in addition
to the scrubby maid-of-all-work who had sufficed for Mrs. Mutimer, and it
was her intention that henceforth domestic arrangements should be
established on quite another basis.</p>
<p>‘I’ll telegraph to Dick,’ she said, presently. ‘I’ve no doubt he’ll see
that everything’s done properly.’</p>
<p>‘But won’t he come himself?’</p>
<p>‘We shall see.’</p>
<p>‘Is your mother in?’</p>
<p>‘She’s not very well; I don’t think I must disturb her with bad news. Tell
Emma I’m very sorry, will you? I do hope she isn’t going to be ill. You
must see that she gets rest now. Was it sudden?’ she added, showing in her
face how little disposed she was to dwell on such gloomy subjects as death
and burial.</p>
<p>‘She was wandering all yesterday. I don’t think she knew anything after
eight o’clock last night. She went off in a sleep.’</p>
<p>When the visitor had gone, Alice drove to the nearest telegraph office and
despatched a message to her brother, giving the news and asking what
should be done. By three o’clock in the afternoon no reply had yet
arrived; but shortly after Mr. Keene presented himself at the house. Alice
had not seen him since her return. He bowed to her with extreme gravity,
and spoke in a subdued voice.</p>
<p>‘I grieve that I have lost time, Miss Mutimer. Important business had
taken me from home, and on my return I found a telegram from Wanley. Your
brother directs me to wait upon you at once, on a very sad subject, I
fear. He instructs me to purchase a grave in Manor Park Cemetery. No near
relative, I trust?’</p>
<p>‘No, only a friend,’ Alice replied. ‘You’ve heard me speak of a girl
called Emma Vine. It’s a sister of hers. She died this morning, and they
want help about the funeral.’</p>
<p>‘Precisely, precisely. You know with what zeal I hasten to perform your’—a
slight emphasis on this word—‘brother’s pleasure, be the business
what it may. I’ll see about it at once. I was to say to you that your
brother would be in town this evening.’</p>
<p>‘Oh, very well. But you needn’t look so gloomy, you know, Mr. Keene. I’m
very sorry, but then she’s been ill for a very long time, and it’s really
almost a relief—to her sisters, I mean.’</p>
<p>‘I trust you enjoyed your visit to Wanley, Miss Mutimer?’ said Keene,
still preserving his very respectful tone and bearing.</p>
<p>‘Oh yes, thanks. I dare say I shall go there again before very long. No
doubt you’ll be glad to hear that.’</p>
<p>‘I will try to be, Miss Mutimer. I trust that your pleasure is my first
consideration in life.’</p>
<p>Alice was, to speak vulgarly, practising on Mr. Keene. He was her first
visitor since she had entered upon rule, and she had a double satisfaction
in subduing him with airs and graces. She did not trouble to reflect that
under the circumstances he might think her rather heartless, and indeed
hypocrisy was not one of her failings. Her <i>naivete</i> constituted such
charm as she possessed; in the absence of any deep qualities it might be
deemed a virtue, for it was inconsistent with serious deception.</p>
<p>‘I suppose you mean you’d really much rather I stayed here?’</p>
<p>Keene eyed her with observation. He himself had slight depth for a man
doomed to live by his wits, and he was under the disadvantage of really
feeling something of what he said. He was not a rascal by predilection;
merely driven that way by the forces which in our social state abundantly
make for rascality.</p>
<p>‘Miss Mutimer,’ he replied, with a stage sigh, ‘why do you tempt my
weakness? I am on my honour; I am endeavouring to earn your good opinion.
Spare me!’</p>
<p>‘Oh, I’m sure there’s no harm in you, Mr. Keene. I suppose you’d better go
and see after your—your business.’</p>
<p>‘You are right. I go at once, Princess. I may call you Princess?’</p>
<p>‘Well, I don’t know about that. Of course only when there’s no one else in
the room.’</p>
<p>‘But I shall think it always.’</p>
<p>‘That I can’t prevent, you know.’</p>
<p>‘Ah, I fear you mean nothing, Miss Mutimer.’</p>
<p>‘Nothing at all.’</p>
<p>He took his leave, and Alice enjoyed reflecting upon the dialogue, which
certainly had meant nothing for her in any graver sense.</p>
<p>‘Now, that’s what the books call <i>flirtation</i>,’ she said to herself.
‘I think I can do that.’</p>
<p>And on the whole she could, vastly better than might have been expected of
her birth and breeding.</p>
<p>At six o’clock a note was delivered for her. Richard wrote from an hotel
in the neighbourhood, asking her to come to him. She found him in a
private sitting-room, taking a meal.</p>
<p>‘Why didn’t you come to the house?’ she asked. ‘You knew mother never
comes down-stairs.’</p>
<p>Richard looked at her with lowered brows.</p>
<p>‘You mean to say she’s doing that in earnest?’</p>
<p>‘That she is She comes down early in the morning and gets all the food she
wants for the day. I heard her cooking something in a frying-pan to-day.
She hasn’t been out of the house yet.’</p>
<p>‘Does she know about Jane?’</p>
<p>‘No. I know what it would be if I went and told her.’</p>
<p>He ate in silence. Alice waited.</p>
<p>‘You must go and see Emma,’ was his next remark. ‘Tell her there’s a grave
in Manor Park Cemetery; her father and mother were buried there, you know.
Keene ‘ll look after it all and he’ll come and tell you what to do.’</p>
<p>‘Why did you come up?’</p>
<p>‘Oh, I couldn’t talk about these things in letters. You’ll have to tell
mother; she might want to go to the funeral.’</p>
<p>‘I don’t see why I should do all your disagreeable work, Dick!’</p>
<p>‘Very well, don’t do it,’ he replied sullenly, throwing down his knife and
fork.</p>
<p>A scene of wrangling followed, without violence, but of the kind which is
at once a cause and an effect of demoralisation. The old disagreements
between them had been in another tone, at all events on Richard’s side,
for they had arisen from his earnest disapproval of frivolities and the
like. Richard could no longer speak in that way. To lose the power of
honest reproof in consequence of a moral lapse is to any man a
wide-reaching calamity; to a man of Mutimer’s calibre it meant disaster of
which the end could not be foreseen.</p>
<p>Of course Alice yielded; her affection and Richard’s superior force always
made it a foregone result that she should do so.</p>
<p>‘And you won’t come and see mother?’ she asked.</p>
<p>‘No. She’s behaving foolishly.’</p>
<p>‘It’s precious dull at home, I can tell you. I can’t go on much longer
without friends of some kind. I’ve a good mind to marry Mr. Keene, just
for a change.’</p>
<p>Richard started up, with his fist on the table.</p>
<p>‘Do you mean to say he’s been talking to you in that way?’ he cried
angrily.</p>
<p>Alice had spoken with thoughtless petulance. She hastened eagerly to
correct her error.</p>
<p>‘As if I meant it! Don’t be stupid, Dick. Of course he hasn’t said a word;
I believe he’s engaged to somebody; I thought so from something he said a
little while ago. The idea of me marrying a man like that!’</p>
<p>He examined her closely, and Alice was not afraid of telltale cheeks.</p>
<p>‘Well, I can’t think you’d be such a fool. If I thought there was any
danger of that, I’d soon stop it.’</p>
<p>‘Would you, indeed! Why, that would be just the way to make me say I’d
have him. You’d have known that if only you read novels.’</p>
<p>‘Novels!’ he exclaimed, with profound contempt. ‘Don’t go playing with
that kind of thing; it’s dangerous. At least you can wait a week or two
longer. I’ve only let him see so much of you because I felt sure you’d got
common sense.’</p>
<p>‘Of course I have. But what’s to happen in a week or two?’</p>
<p>‘I should think you might come to Wanley for a little. We shall see. If
mother had only ‘Arry in the house, she might come back to her senses.’</p>
<p>‘Shall I tell her you’ve been to London?’</p>
<p>‘You can if you like,’ he replied, with a show of indifference.</p>
<p>Jane Vine was buried on Sunday afternoon, her sisters alone accompanying
her to the grave. Alice had with difficulty obtained admission to her
mother’s room, and it seemed to her that the news she brought was received
with little emotion. The old woman had an air of dogged weariness; she did
not look her daughter in the face, and spoke only in monosyllables. Her
face was yellow, her cheeks like wrinkled parchment.</p>
<p>Manor Park Cemetery lies in the remote East End, and gives sleeping-places
to the inhabitants of a vast district. There Jane’s parents lay, not in a
grave to themselves, but buried amidst the nameless dead, in that part of
the ground reserved for those who can purchase no more than a portion in
the foss which is filled when its occupants reach statutable distance from
the surface. The regions around were then being built upon for the first
time; the familiar streets of pale, damp brick were stretching here and
there, continuing London, much like the spreading of a disease. Epping
Forest is near at hand, and nearer the dreary expanse of Wanstead Flats.</p>
<p>Not grief, but chill desolation makes this cemetery its abode. A country
churchyard touches the tenderest memories, and softens the heart with
longing for the eternal rest. The cemeteries of wealthy London abound in
dear and great associations, or at worst preach homilies which connect
themselves with human dignity and pride. Here on the waste limits of that
dread East, to wander among tombs is to go hand in hand with the stark and
eyeless emblem of mortality; the spirit falls beneath the cold burden of
ignoble destiny. Here lie those who were born for toll; who, when toil has
worn them to the uttermost, have but to yield their useless breath and
pass into oblivion. For them is no day, only the brief twilight of a
winter sky between the former and the latter night For them no aspiration;
for them no hope of memory in the dust; their very children are wearied
into forgetfulness. Indistinguishable units in the vast throng that
labours but to support life, the name of each, father, mother, child, is
as a dumb cry for the warmth and love of which Fate so stinted them. The
wind wails above their narrow tenements; the sandy soil, soaking in the
rain as soon as it has fallen, is a symbol of the great world which
absorbs their toil and straightway blots their being.</p>
<p>It being Sunday afternoon the number of funerals was considerable; even to
bury their dead the toilers cannot lose a day of the wage week. Around the
chapel was a great collection of black vehicles with sham-tailed mortuary
horses; several of the families present must have left themselves bare in
order to clothe a coffin in the way they deemed seemly. Emma and her
sister had made their own funeral garments, and the former, in consenting
for the sake of poor Jane to receive the aid which Mutimer offered, had
insisted through Alice that there should be no expenditure beyond the
strictly needful. The carriage which conveyed her and Kate alone followed
the hearse from Hoxton; it rattled along at a merry pace, for the way was
lengthy, and a bitter wind urged men and horses to speed. The occupants of
the box kept up a jesting colloquy.</p>
<p>Impossible to read the burial service over each of the dead separately;
time would not allow it. Emma and Kate found themselves crowded among a
number of sobbing women, just in time to seat themselves before the
service began. Neither of them had moist eyes; the elder looked about the
chapel with blank gaze, often shivering with cold; Emma’s face was bent
downwards, deadly pale, set in unchanging woe. A world had fallen to
pieces about her; she did not feel the ground upon which she trod; there
seemed no way from amid the ruins. She had no strong religious faith; a
wail in the darkness was all the expression her heart could attain to; in
the present anguish she could not turn her thoughts to that far vision of
a life hereafter. All day she had striven to realise that a box of wood
contained all that was left of her sister. The voice of the clergyman
struck her ear with meaningless monotony. Not immortality did she ask for,
but one more whisper from the lips that could not speak, one throb of the
heart she had striven so despairingly to warm against her own.</p>
<p>Kate was plucking at her arm, for the service was over, and unconsciously
she was impeding people who wished to pass from the seats. With difficulty
she rose and walked; the cold seemed to have checked the flow of her
blood; she noticed the breath rising from her mouth, and wondered that she
could have so much whilst those dear lips were breathless. Then she was
being led over hard snow, towards a place where men stood, where there was
new-turned earth, where a coffin lay upon the ground. She suffered the
sound of more words which she could not follow, then heard the dull
falling of clods upon hollow wood. A hand seemed to clutch her throat, she
struggled convulsively and cried aloud. But the tears would not come.</p>
<p>No memory of the return home dwelt afterwards in her mind. The white
earth, the headstones sprinkled with snow, the vast grey sky over which
darkness was already creeping, the wind and the clergyman’s voice joining
in woful chant, these alone remained with her to mark the day. Between it
and the days which then commenced lay formless void.</p>
<p>On Tuesday morning Alice Mutimer came to the house. Mrs. Clay chanced to
be from home; Emma received the visitor and led her down into the kitchen.</p>
<p>‘I am glad you have come,’ she said; ‘I wanted to see you to-day.’</p>
<p>‘Are you feeling better?’ Alice asked. She tried in vain to speak with the
friendliness of past days; that could never be restored. Her advantages of
person and dress were no help against the embarrassment caused in her by
the simple dignity of the wronged and sorrowing girl.</p>
<p>Emma replied that she was better, then asked:</p>
<p>‘Have you come only to see me; or for something else?’</p>
<p>‘I wanted to know how you were; but I’ve brought you something as well’</p>
<p>She took an envelope from within her muff. Emma shook her head.</p>
<p>‘No, nothing more,’ she said, in a tone removed alike from resentment and
from pathos; ‘I want you, please, to say that we can t take anything after
this.’</p>
<p>‘But what are you going to do, Emma?’</p>
<p>‘To leave this house and live as we did before.’</p>
<p>‘Oh, but you can’t do that What does Kate say?’</p>
<p>‘I haven’t told her yet; I’m going to do so to-day.’</p>
<p>‘But she’ll feel it very hard with the children.’</p>
<p>The children were sitting together in a corner of the kitchen. Emma
glanced at them, and saw that Bertie, the elder, was listening with a
surprised look.</p>
<p>‘Yes, I’m sorry,’ she replied simply, ‘but we have no choice.’</p>
<p>Alice had an impulse of generosity.</p>
<p>‘Then take it from <i>me</i>,’ she said. ‘You won’t mind that. You know I
have plenty of my own. Live here and let one or two of the rooms, and I’ll
lend you what you need till the business is doing well. Now you can’t have
anything to say against that?’</p>
<p>Emma still shook her head.</p>
<p>‘The business will never help us. We must go back to the old work; we can
always live on that. I can’t take anything from you, Alice.’</p>
<p>‘Well, I think it’s very unkind, Emma.’</p>
<p>‘Perhaps so, but I can’t help it: It’s kind of you to offer, I feel that;
but I’d rather work my fingers to the bone than touch one halfpenny now
that I haven’t earned.’</p>
<p>Alice bridled slightly and urged no more. She left before Kate returned.</p>
<p>In the course of the morning Emma strung herself to the effort of letting
her sister know the true state of affairs. It was only what Kate had for a
long time suspected, and she freely said as much, expressing her
sentiments with fluent indignation.</p>
<p>‘Of course I know you won’t hear of it,’ she said, ‘but if I was in your
place I’d make him smart. I’d have him up and make him pay, see if I
wouldn’t. Trust him, he knows you’re too soft-hearted, and he takes
advantage of you. It’s girls like you as encourages men to think they can
do as they like. You’ve no right, you haven’t, to let him off. I’d have
him in the newspapers and show him up, see if I wouldn’t. And he shan’t
have it quite so easy as he thinks neither; I’ll go about and tell
everybody as I know. Only let him come a-lecturin’ hereabouts, that’s
all!’</p>
<p>‘Kate,’ broke in the other, ‘if you do anything of the kind, I don’t know
how I shall speak to you again. Its not you he’s harmed; you’ve no right
to spread talk about me It’s my affair, and I must do as I think fit. It’s
all over and there’s no occasion for neither you nor me to speak of him
again I’m going out this afternoon to find a room for us, and we shall be
no worse off than we was before. We’ve got to work, that’s all, and to
earn our living like other women do.’</p>
<p>Her sister stared incredulously.</p>
<p>‘You mean to say he’s stopped sending money?’</p>
<p>‘I have refused to take it.’</p>
<p>‘You’ve done <i>what</i>? Well, of all the—!’ Comparisons failed
her. ‘And I’ve got to take these children back again into a hole like the
last? Not me! You do as you like; I suppose you know your own business.
But if he doesn’t send the money as usual, I’ll find some way to make him,
see if I don’t! You’re off your head, I think.’</p>
<p>Emma had anticipated this, and was prepared to bear the brunt of her
sister’s anger. Kate was not originally blessed with much sweetness of
disposition, and an unhappy marriage had made her into a sour, nagging
woman. But, in spite of her wretched temper and the low moral tone induced
during her years of matrimony, she was not evil-natured, and her chief
safeguard was affection for her sister Emma. This seldom declared itself,
for she was of those unhappily constituted people who find nothing so hard
as to betray the tenderness of which they are capable, and, as often as
not, are driven by a miserable perversity to words and actions which seem
quite inconsistent with such feeling. For Jane she had cared far less than
for Emma, yet her grief at Jane’s death was more than could be gathered
from her demeanour. It had, in fact, resulted in a state of nervous
irritableness; an outbreak of anger came to her as a relief, such as Emma
had recently found in the shedding of tears. On her own account she felt
strongly, but yet more on Emma’s; coarse methods of revenge naturally
suggested themselves to her, and to be thwarted drove her to exasperation.
When Emma persisted in steady opposition, exerting all the force of her
character to subdue her sister’s ignoble purposes, Kate worked herself to
frenzy. For more than an hour her voice was audible in the street, as she
poured forth torrents of furious reproach and menace; all the time Emma
stood patient and undaunted, her own anger often making terrible struggle
for mastery, but ever finding itself subdued. For she, too, was of a
passionate nature, but the treasures of sensibility which her heart
enclosed consecrated all her being to noble ends. One invaluable aid she
had in a contest such as this—her inability to grow sullen.
Righteous anger might gleam in her eyes and quiver upon her lips, but the
fire always burnt clear; it is smoulder that poisons the air.</p>
<p>She knew her sister, pitied her, always made for her the gentlest
allowances. It would have been easy to stand aside, to disclaim
responsibility, and let Kate do as she chose, but the easy course was
never the one she chose when endurance promised better results. To resist
to the uttermost, even to claim and exert the authority she derived from
her suffering, was, she knew, the truest kindness to her sister. And in
the end she prevailed. Kate tore her passion to tatters, then succumbed to
exhaustion. But she did not fling out of the room, and this Emma knew to
be a hopeful sign. The opportunity of strong, placid speech at length
presented itself, and Emma used it well. She did not succeed in eliciting
a promise, but when she declared her confidence in her sister’s better
self, Kate made no retort, only sat in stubborn muteness.</p>
<p>In the afternoon Emma went forth to fulfil her intention of finding
lodgings. She avoided the neighbourhood in which she had formerly lived,
and after long search discovered what she wanted in a woful byway near Old
Street. It was one room only, but larger than she had hoped to come upon;
fortunately her own furniture had been preserved, and would now suffice.</p>
<p>Kate remained sullen, but proved by her actions that she had surrendered;
she began to pack her possessions. Emma wrote to Alice, announcing that
the house was tenantless; she took the note to Highbury herself, and left
it at the door, together with the house key. The removal was effected
after nightfall.</p>
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