<h2 id="id00237" style="margin-top: 4em">CHAPTER V</h2>
<p id="id00238" style="margin-top: 2em">A Proposal</p>
<p id="id00239" style="margin-top: 2em">'I say, Eugenia.'</p>
<p id="id00240">'Well, Cecil?'</p>
<p id="id00241">'Look here, Eugenia.'</p>
<p id="id00242">'What is it, Cecil?'</p>
<p id="id00243">'Will you marry me?'</p>
<p id="id00244">'I beg your pardon?'</p>
<p id="id00245">'Will you many me, Eugenia?'</p>
<p id="id00246">'<i>What</i>?'</p>
<p id="id00247">'You heard what I said. I asked you to marry me. Will you?'</p>
<p id="id00248">'<i>Certainly</i> not! Most decidedly not! How can you ask such a ridiculous
question!'</p>
<p id="id00249">The lady who thus scornfully rejected a proposal was no longer young,
and had never been beautiful. In what exactly her attraction consisted
was perhaps a mystery to many of those who found themselves under the
charm. Her voice and smile were very agreeable, and she had a graceful
figure. If she looked nearly ten years younger than her age (which was
forty-four), this was in no way owing to any artificial aid, but to a
kind of brilliant vitality, not a bouncing mature liveliness, but a
vivid, intense, humorous interest in life that was and would always
remain absolutely fresh. She was naturalness itself, and seemed
unconscious or careless of her appearance. Nor did she have that
well-preserved air of so many modern women who seem younger than their
years, but seemed merely clever, amiable, very unaffected, and rather
ill. She had long, veiled-looking brown eyes, turned up at the corners,
which gave to her glance an amusing slyness. It was a very misleading
physiognomical effect, for she was really unusually frank. She wore a
dull grey dress that was neither artistic, becoming, nor smart. In fact,
she was too charming to be dowdy, and too careless to be chic; she might
have been a great celebrity.</p>
<p id="id00250">The young man who made the suggestion above recorded was fair and
clean-shaven, tall and well-made, with clear-cut feature; in fact, he
was very good-looking—good-looking as almost only an Englishman can be.
Under a reserved, dandified manner, he tried unsuccessfully to conceal
the fact that he was too intelligent for his type. He did not, however,
quite attain his standard of entire expressionlessness; and his bright,
light-blue eyes and fully-curved lips showed the generous and emotional
nature of their owner. At this moment he seemed very much out of temper.</p>
<p id="id00251">They were sitting in a dismal little drawing-room in one of the smallest
houses in a dreary street in Belgravia. The room was crowded with
dateless, unmeaning furniture, and disfigured by muddled, mistaken
decoration. Its designer, probably, had meant well, but had been very
far from carrying out his meaning. There were too many things in the
room, and most of them were wrong. It would be unjust, however, to
suppose Mrs Raymond did not know this. Want of means, and indifference,
or perhaps perverseness, had caused her to leave the house unchanged
since his death as a sort of monument to poor Colonel Raymond's
erring taste.</p>
<p id="id00252">'You might just as well marry me as not,' said Cecil, in his level
voice, but with pleading eyes. He made the gesture of trying to take her
hand, but she took hers away.</p>
<p id="id00253">'You are very pressing, Cecil, but I think not. You know perfectly
well—I'm sure I make no secret of it—that I'm ten years older than
you. Old enough to be your mother! Am I the sort of person who would
take advantage of the fancy of a gilded youth? And, now I come to think
of it, your proposal's quite insulting. It's treating me like an
adventuress! It's implying that you think I <i>would</i> marry you!
Apologise, and withdraw it at once, or I'll never speak to you again.'</p>
<p id="id00254">'This is nonsense. To begin with,' said Cecil, 'I may be a little
gilded—not so very—but I'm far from being a youth. I'm thirty-four.'</p>
<p id="id00255">'Yes, I know! That's just the absurd part,' she answered inconsequently.
'It's not as if you were a mere boy and didn't know better! And you know
how I <i>hate</i> this sort of thing.'</p>
<p id="id00256">'I know you do, and very likely I wouldn't have worried about marrying
at all if you had been nicer to me—in other ways. You see, you brought
it on yourself!'</p>
<p id="id00257">'What <i>do</i> you mean? I <i>am</i> nice. Don't you come here whenever you
like—or nearly? Didn't I dine with you once—a year or two ago? I
forget, but I think I did.'</p>
<p id="id00258">'You never did,' he answered sharply.</p>
<p id="id00259">'Then it must have been with somebody else. Of course I didn't. I
shouldn't dream of such a thing.'</p>
<p id="id00260">'Someone else! Yes, of course; that's it. Well, I want you to marry me,
Eugenia, because I want to get you away from everyone else. You see
my point?'</p>
<p id="id00261">She laughed. 'Oh, jealousy! That's the last straw. Do you know that
you're a nuisance, Cecil?'</p>
<p id="id00262">'Because I love you?' he said, trying to look into her sly Japanese
eyes.</p>
<p id="id00263">She avoided his glance.</p>
<p id="id00264">'Because you keep on bothering. Always writing, always telephoning,
always calling! As soon as I've disposed of <i>one</i> invitation or excuse
to meet, you invent another. But this last idea is quite too
exasperating.' She spoke more gently. 'Don't you know, Cecil, that I've
been a widow for years? Would I be so ridiculous as to marry again? Why,
the one thing I can't stand is being interfered with! I prefer, far
prefer, being poor and alone to that. Now what I want you to do is to
marry someone else. I have an idea who I should like it to be, but I
won't talk about it now. It's the most charming girl in the world. I
shan't tell you her name, that would be tactless. It's that lovely Miss
Verney, of course. She's much too good for you—an heiress, a beauty,
and an orphan! But she's wonderful; and she really deserves you.'</p>
<p id="id00265">He stopped her.</p>
<p id="id00266">'How heartless you are!' he said admiringly.</p>
<p id="id00267">'Really not, Cecil. I'm very fond of you. I'd be your best friend if
you'd let me, but I shan't speak to you again or receive you at all
unless you promise not to repeat that nonsense about marrying. I know
how horridly obstinate you are! Please remember it's out of the
question.'</p>
<p id="id00268">At this moment the servant brought in a letter to Mrs Raymond. As she
read it, Cecil thought she changed colour.</p>
<p id="id00269">'It's only a line from Sir Charles Cannon,' she said.</p>
<p id="id00270">'What's he writing about?'</p>
<p id="id00271">'Really, Cecil! What right have you to ask? I certainly shan't say. It's
about his ward, if you must know. And now I think you'd better go, if
you will make these violent scenes.'</p>
<p id="id00272">He stood up.</p>
<p id="id00273">'You must let me come soon again,' he said rather dejectedly. 'I'll try
not to come tomorrow. Shall I?'</p>
<p id="id00274">'Yes, do try—not to come, I mean. And will you do everything I tell
you?'</p>
<p id="id00275">'I suppose it will please you if I dine with Hyacinth Verney this
evening? She asked me yesterday. I said I was half-engaged, but would
let her know.'</p>
<p id="id00276">'Yes, it <i>would</i> please me very much indeed,' said Mrs Raymond. 'Please
do it, and try to know her better. She's sweet. I don't know her, but—'</p>
<p id="id00277">'All right. If you'll be nice to me. Will you?'</p>
<p id="id00278">She was reading the letter again, and did not answer when he said
good-bye and left the room.</p>
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