<h2>CHAPTER VIII</h2>
<h3><span class="smcap">The Quilt’s Place in American Homes</span></h3>
<p><span class="dropcap">T</span>HE dominant characteristics of quilt making
are companionship and concentrated
interest. Both of these qualities, or—better
yet—virtues, must be in evidence in order
to bring a quilt to successful completion. The
sociable, gossipy “quilting bee,” where the quilt
is put together and quilted, has planted in every
community in which it is an institution the seeds
of numberless lifelong friendships. These friendships
are being made over the quilting frames to-day
just as they were in the pioneer times when a
“quilting” was almost the only social diversion.
Content with life, fixity of purpose, development of
individuality, all are brought forth in every woman
who plans and pieces a quilt. The reward of her
work lies, not only in the pleasure of doing, but also
in the joy of possession—which can be passed on
even to future generations, for a well-made quilt
is a lasting treasure.</p>
<p><span class="pagenum"><SPAN name="Page_150" id="Page_150">[Pg 150]</SPAN></span>
All this is quite apart from the strictly useful
functions which quilts perform so creditably in every
home, for quilts are useful as well as artistic. In
summer nights they are the ideal emergency covering
for the cool hour before dawn, or after a rapid
drop in temperature, caused by a passing thunderstorm.
But in the long chill nights of winter, when
the snow sifts in through the partly raised window
and all mankind snuggles deeper into the bed
clothes, then all quilts may be truly said to do their
duty. And right well they do it, too, as all those
who love to linger within their cozy shelter on
frosty December mornings will testify.</p>
<div class="figcenter"> <SPAN name="DOGWOOD_QUILT" id="DOGWOOD_QUILT"></SPAN> <ANTIMG src="images/quilts85th.jpg" width-obs="314" height-obs="400" alt="" /> <span class="link"><SPAN href="images/quilts85.jpg">See larger image</SPAN></span></div>
<p class="caption">THE DOGWOOD QUILT</p>
<p class="incaption" style="padding-bottom: 3em;">Offers another choice in flower designs. The full-grown blossoms on the
green background remind us of the beauty of trees
and flowers in early spring</p>
<p>As a promoter of good-will and neighbourly interest
during the times when our new country was
being settled, and woman’s social intercourse was
very limited, the “quilting bee” holds a worthy
place close beside the meeting-house. The feeling
of coöperation so noticeable in all men and growing
communities, and which is really essential for their
success, is aptly described in the old “Annals of
Tennessee,” published by Dr. J. G. M. Ramsey in
1853 (“Dedicated to the surviving pioneers of
Tennessee”):</p>
<p>“To say of one he has no neighbours was sufficient,
<span class="pagenum"><SPAN name="Page_151" id="Page_151">[Pg 151]</SPAN></span>
in those times of mutual wants and mutual
benefactions, to make the churl infamous and execrable.
A failure to ask a neighbour to a raising,
clearing, a chopping frolic, or his family to a quilting,
was considered a high indignity; such an one,
too, as required to be explained or atoned for at
the next muster or county court. Each settler
was not only willing but desirous to contribute his
share to the general comfort and public improvement,
and felt aggrieved and insulted if the opportunity
to do so were withheld. ‘It is a poor dog
that is not worth whistling for,’ replied the
indignant neighbour who was allowed to remain at
home, at his own work, while a house raising was
going on in the neighbourhood. ‘What injury
have I done that I am slighted so?’”</p>
<p>Quilts occupied a preëminent place in the rural
social scheme, and the quilting bees were one of
the few social diversions afforded outside of the
church. Much drudgery was lightened by the
joyful anticipation of a neighbourhood quilting
bee. The preparations for such an important event
were often quite elaborate. As a form of entertainment
quilting bees have stood the test of time,
and from colonial days down to the present
<span class="pagenum"><SPAN name="Page_152" id="Page_152">[Pg 152]</SPAN></span>
have furnished much pleasure in country communities.</p>
<p>In a quaint little book published in 1872 by
Mrs. P. G. Gibbons, under the title, “Pennsylvania
Dutch,” is a detailed description of a country
quilting that Mrs. Gibbons attended. The
exact date of this social affair is not given, but
judging from other closely related incidents mentioned
by the writer, it must have taken place about
1840, in Lancaster County, Pennsylvania. The
account reads as follows:</p>
<p>“Aunt Sally had her quilt up in her landlord’s
east room, for her own was too small. However, at
about eleven she called us over to dinner, for people
who have breakfasted at five or six have an
appetite at eleven.</p>
<p>“We found on the table beefsteaks, boiled pork,
sweet potatoes, ‘Kohl-slaw,’ pickled cucumbers and
red beets, apple butter and preserved peaches,
pumpkin and apple pie, sponge cake and coffee.
After dinner came our next neighbours, ‘the maids,’
Susy and Katy Groff, who live in single blessedness
and great neatness. They wore pretty, clear-starched
Mennonist caps, very plain. Katy is a
sweet-looking woman and, although she is more than
<span class="pagenum"><SPAN name="Page_153" id="Page_153">[Pg 153]</SPAN></span>
sixty years old, her forehead is almost unwrinkled,
and her fine hair is still brown. It was late when
the farmer’s wife came—three o’clock; for she had
been to Lancaster. She wore hoops and was of the
‘world’s people.’ These women all spoke ‘Dutch,’
for the maids, whose ancestors came here probably
one hundred and fifty years ago, do not speak English
with fluency yet.</p>
<p>“The first subject of conversation was the fall
house-cleaning; and I heard mention of ‘die carpett
hinaus an der fence’ and ‘die fenshter und
die porch,’ and the exclamation, ‘My goodness,
es was schlimm.’ I quilted faster than Katy
Groff, who showed me her hands, and said, ‘You
have not been corn husking, as I have.’</p>
<p>“So we quilted and rolled, talked and laughed,
got one quilt done, and put in another. The work
was not fine; we laid it out by chalking around
a small plate. Aunt Sally’s desire was rather to
get her quilting finished upon this great occasion
than for us to put in a quantity of fine needlework.
About five o’clock we were called to supper. I
need not tell you all the particulars of this plentiful
meal; but the stewed chicken was tender and
we had coffee again.</p>
<p><span class="pagenum"><SPAN name="Page_154" id="Page_154">[Pg 154]</SPAN></span>
“Polly M’s husband now came over the creek
in the boat, to take her home, and he warned her
against the evening dampness. The rest of us
quilted a while by candles, and got the second
quilt done at about seven. At this quilting there
was little gossip, and less scandal. I displayed my
new alpaca and my dyed merino and the Philadelphia
bonnet which exposes the back of my
head to the wintry blast. Polly, for her part,
preferred a black silk sunbonnet; and so we parted,
with mutual invitations to visit.”</p>
<p>The proverbial neatness of the ancestors of the
Dutch colonists in America was characteristic of
their homes in the new land. This is well illustrated
in the following description of a Pennsylvania
Dutch farmer’s home, similar to the one in
which the quilting above mentioned took place:
“We keep one fire in winter. This is in the kitchen
which, with nice housekeepers, is the abode of
neatness, with its rag carpet and brightly polished
stove. Adjoining the kitchen is a state apartment,
also rag-carpeted, and called ‘the room.’ Will
you go upstairs in a neat Dutch farmhouse? There
are rag carpets again. Gay quilts are on the best
beds, where green and red calico, perhaps in the
<span class="pagenum"><SPAN name="Page_155" id="Page_155">[Pg 155]</SPAN></span>
form of a basket, are displayed on a white ground;
or the beds bear brilliant coverlets of red, white, and
blue, as if to ‘make the rash gazer wipe his eyes.’”</p>
<p>There are many things to induce women to piece
quilts. The desire for a handsome bed furnishing,
or the wish to make a gift of one to a dear friend,
have inspired some women to make quilts. With
others, quilt making is a recreation, a diversion,
a means of occupying restless fingers. However,
the real inducement is love of the work; because
the desire to make a quilt exceeds all other desires.
In such a case it is worked on persistently, laid
aside reluctantly, and taken up each time with
renewed interest and pleasure. It is this intense
interest in the work which produces the most
beautiful quilts. On quilts that are made because
of the genuine interest in the work, the most painstaking
efforts are put forth; the passing of time is
not considered; and the belief of the majority of
such quilt makers, though unconfessed, doubtless,
is the equivalent of the old Arab proverb that
“Slowness comes from God, but hurry from the
devil.”</p>
<p>All women who are lonely do not live in isolated
farmhouses, prairie shacks, or remote villages. In
<span class="pagenum"><SPAN name="Page_156" id="Page_156">[Pg 156]</SPAN></span>
reality, there are more idle, listless hands in the
hearts of crowded bustling cities than in the quiet
country. City women, surrounded by many enticing
distractions, are turning more and more to
patchwork as a fascinating yet nerve-soothing
occupation. Not only is there a sort of companionship
between the maker and the quilt, but there
is also the great benefit derived from having found
a new interest in life, something worth while that
can be built up by one’s own efforts.</p>
<p>An anecdote is told of a woman living in a quiet
little New England village who complained of her
loneliness there, where the quilting bees were the
only saving features of an otherwise colourless existence.
She told the interested listener that in
this out-of-the-way hamlet she did not mind the
monotony much because there were plenty of
“quiltings,” adding that she had helped that winter
at more than twenty-five quilting bees; besides
this, she had made a quilt for herself and also
helped on some of those of her immediate neighbours.</p>
<div class="figcenter"> <SPAN name="WILD_ROSE" id="WILD_ROSE"></SPAN> <ANTIMG src="images/quilts86th.jpg" width-obs="308" height-obs="400" alt="" /> <span class="link"><SPAN href="images/quilts86.jpg">See larger image</SPAN></span></div>
<p class="caption">THE WILD ROSE</p>
<p class="incaption" style="padding-bottom: 3em;">That loves to grow in fragrant, tangled masses by the roadside was made to
march in prim rows on this child’s quilt</p>
<p>American women rarely think of quilts as being
made or used outside of their own country. In
reality quilts are made in almost every land on the
<span class="pagenum"><SPAN name="Page_157" id="Page_157">[Pg 157]</SPAN></span>
face of the earth. Years ago, when the first New
England missionaries were sent to the Hawaiian
Islands, the native women were taught to piece
quilts, which they continue to do down to this day.
These Hawaiian women treasure their handiwork
greatly, and some very old and beautiful quilts
are to be found among these islands. In creating
their patchwork they have wandered from the
Puritanical designs of their teachers, and have
intermingled with the conventional figures the
gorgeous flowers that bloom beside their leaf-thatched,
vine-covered huts. To these women,
also, patchwork fills a place. It affords a means of
expression for individuality and originality in the
same way that it does for the lonely New England
women and for the isolated mountaineers of Kentucky.</p>
<p>Harriet Beecher Stowe, immortalized by “Uncle
Tom’s Cabin,” produced other stories, not now so
familiar to us as to our countrymen of the Civil
War period, which showed an intimate knowledge
of the home life of the American people as well
as the vital questions of her day. In her novel
entitled the “Minister’s Wooing,” which ran first
as a serial in the <i>Atlantic Monthly</i> in 1859, she
<span class="pagenum"><SPAN name="Page_158" id="Page_158">[Pg 158]</SPAN></span>
describes a quilting supposed to have been given
about the year 1800. Here we can view at close
range a real old-fashioned quilting, and gain some
insight into its various incidents of sociability and
gossip, typical of an early New England seafaring
village, as set forth in Mrs. Stowe’s inimitable
style:</p>
<p>“By two o’clock a goodly company began to assemble.
Mrs. Deacon Twitchel arrived, soft,
pillowy, and plaintive as ever, accompanied by
Cerinthy Ann, a comely damsel, tall and trim,
with a bright black eye and a most vigorous and
determined style of movement. Good Mrs. Jones,
broad, expansive, and solid, having vegetated
tranquilly on in the cabbage garden of the virtues
since three years ago, when she graced our tea
party, was now as well preserved as ever, and
brought some fresh butter, a tin pail of cream, and a
loaf of cake made after a new Philadelphia receipt.
The tall, spare, angular figure of Mrs. Simeon
Brown alone was wanting; but she patronized Mrs.
Scudder no more, and tossed her head with a becoming
pride when her name was mentioned.</p>
<p>“The quilt pattern was gloriously drawn in oak
leaves, done in indigo; and soon all the company,
<span class="pagenum"><SPAN name="Page_159" id="Page_159">[Pg 159]</SPAN></span>
young and old, were passing busy fingers over it,
and conversation went on briskly.</p>
<p>“Madame de Frontignac, we must not forget to
say, had entered with hearty abandon into the
spirit of the day. She had dressed the tall china
vases on the mantelpiece, and, departing from
the usual rule of an equal mixture of roses and
asparagus bushes, had constructed two quaint and
graceful bouquets where garden flowers were
mingled with drooping grasses and trailing wild
vines, forming a graceful combination which excited
the surprise of all who saw it.</p>
<p>“‘It’s the very first time in my life that I ever
saw grass put into a flower pot,’ said Miss Prissy,
‘but I must say it looks as handsome as a picture.
Mary, I must say,’ she added, in an aside, ‘I think
that Madame de Frontignac is the sweetest dressing
and appearing creature I ever saw; she don’t
dress up nor put on airs, but she seems to see in a
minute how things ought to go; and if it’s only a
bit of grass, or leaf, or wild vine, that she puts in her
hair, why, it seems to come just right. I should
like to make her a dress, for I know she would
understand my fit; do speak to her, Mary, in case
she should want a dress fitted here, to let me try it.’</p>
<p><span class="pagenum"><SPAN name="Page_160" id="Page_160">[Pg 160]</SPAN></span>
“At the quilting Madame de Frontignac would
have her seat, and soon won the respect of the party
by the dexterity with which she used her needle;
though, when it was whispered that she learned
to quilt among the nuns, some of the elderly ladies
exhibited a slight uneasiness, as being rather
doubtful whether they might not be encouraging
papistical opinions by allowing her an equal share
in the work of getting up their minister’s bed quilt;
but the younger part of the company was quite
captivated by her foreign air and the pretty manner
in which she lisped her English; and Cerinthy
Ann even went so far as to horrify her mother by
saying that she wished she’d been educated in a
convent herself, a declaration which arose less
from native depravity than from a certain vigorous
disposition, which often shows itself in young
people, to shock the current opinions of their
elders and betters. Of course, the conversation
took a general turn, somewhat in unison with the
spirit of the occasion; and whenever it flagged,
some allusion to a forthcoming wedding, or some
sly hint at the future young Madame of the parish
was sufficient to awaken the dormant animation
of the company.</p>
<div class="figcenter"> <SPAN name="MORNING_GLORY" id="MORNING_GLORY"></SPAN> <ANTIMG src="images/quilts87th.jpg" width-obs="300" height-obs="400" alt="" /> <span class="link"><SPAN href="images/quilts87.jpg">See larger image</SPAN></span></div>
<p class="caption">MORNING GLORY</p>
<p class="incaption" style="padding-bottom: 3em;">It must be “early to bed and early to rise” for the child who would see the
sweet morning glory in all its loveliness, as it must be
found before all the dew is gone</p>
<p><span class="pagenum"><SPAN name="Page_161" id="Page_161">[Pg 161]</SPAN></span>
“Cerinthy Ann contrived to produce an agreeable
electric shock by declaring that for her part
she never could see into it how any girl could
marry a minister; that she should as soon think of
setting up housekeeping in a meeting-house.</p>
<p>“‘Oh, Cerinthy Ann!’ exclaimed her mother,
‘how can you go on so?’</p>
<p>“‘It’s a fact,’ said the adventurous damsel;
‘now other men let you have some peace, but a
minister’s always round under your feet.’</p>
<p>“‘So you think the less you see of a husband, the
better?’ said one of the ladies.</p>
<p>“‘Just my views!’ said Cerinthy, giving a decided
snip to her thread with her scissors. ‘I like
the Nantucketers, that go off on four years’ voyages,
and leave their wives a clear field. If ever
I get married, I’m going up to have one of those
fellows.’</p>
<p>“It is to be remarked, in passing, that Miss
Cerinthy Ann was at this very time receiving surreptitious
visits from a consumptive-looking, conscientious
young theological candidate, who came
occasionally to preach in the vicinity, and put up
at the house of the deacon, her father. This good
young man, being violently attacked on the
<span class="pagenum"><SPAN name="Page_162" id="Page_162">[Pg 162]</SPAN></span>
doctrine of election by Miss Cerinthy, had been drawn
on to illustrate it in a most practical manner, to
her comprehension; and it was the consciousness
of the weak and tottering state of the internal
garrison that added vigour to the young lady’s
tones. As Mary had been the chosen confidante
of the progress of this affair, she was quietly amused
at the demonstration.</p>
<p>“‘You’d better take care, Cerinthy Ann,’ said her
mother, ‘they say “that those who sing before breakfast
will cry before supper.” Girls talk about getting
married,’ she said, relapsing into a gentle
melancholy, ‘without realizing its awful responsibilities.’</p>
<p>“‘Oh, as to that,’ said Cerinthy, ‘I’ve been practising
on my pudding now these six years, and I
shouldn’t be afraid to throw one up chimney with
any girl.’</p>
<p>“This speech was founded on a tradition, current
in those times, that no young lady was fit to be
married till she could construct a boiled Indian
pudding of such consistency that it could be thrown
up a chimney and come down on the ground outside
without breaking; and the consequence of
Cerinthy Ann’s sally was a general laugh.</p>
<p><span class="pagenum"><SPAN name="Page_163" id="Page_163">[Pg 163]</SPAN></span>
“‘Girls ain’t what they used to be in my day,’
sententiously remarked an elderly lady. ‘I remember
my mother told me when she was thirteen she
could knit a long cotton stocking in a day.’</p>
<p>“‘I haven’t much faith in these stories of old
times, have you, girls?’ said Cerinthy, appealing to
the younger members at the frame.</p>
<p>“‘At any rate,’ said Mrs. Twitchel, ‘our minister’s
wife will be a pattern; I don’t know anybody
that goes beyond her either in spinning or fine
stitching.’</p>
<p>“Mary sat as placid and disengaged as the new
moon, and listened to the chatter of old and young
with the easy quietness of a young heart that has
early outlived life and looks on everything in the
world from some gentle, restful eminence far on
toward a better home. She smiled at everybody’s
word, had a quick eye for everybody’s wants, and
was ready with thimble, scissors, or thread, whenever
any one needed them; but once, when there
was a pause in the conversation, she and Mrs.
Marvyn were both discovered to have stolen away.
They were seated on the bed in Mary’s little room,
with their arms around each other, communing in
low and gentle tones.</p>
<p><span class="pagenum"><SPAN name="Page_164" id="Page_164">[Pg 164]</SPAN></span>
“‘Mary, my dear child,’ said her friend, ‘this
event is very pleasant to me, because it places
you permanently near me. I did not know but
eventually this sweet face might lead to my losing
you who are in some respects the dearest friend
I have.’</p>
<p>“‘You might be sure,’ said Mary, ‘I never would
have married, except that my mother’s happiness
and the happiness of so good a friend seemed to depend
on it. When we renounce self in anything we
have reason to hope for God’s blessing; and so I
feel assured of a peaceful life in the course I have
taken. You will always be as a mother to me,’
she added, laying her head on her friend’s shoulder.</p>
<p>“‘Yes,’ said Mrs. Marvyn; ‘and I must not let
myself think a moment how dear it might have been
to have you more my own. If you feel really,
truly happy, if you can enter on this life without
any misgivings——’</p>
<p>“‘I can,’ said Mary firmly.</p>
<p>“At this instant, very strangely, the string which
confined a wreath of seashells around her glass,
having been long undermined by moths, suddenly
broke and fell down, scattering the shells upon the
floor.</p>
<div class="figcenter"> <SPAN name="KEEPSAKE_QUILT" id="KEEPSAKE_QUILT"></SPAN> <ANTIMG src="images/quilts88th.jpg" width-obs="308" height-obs="400" alt="" /> <span class="link"><SPAN href="images/quilts88.jpg">See larger image</SPAN></span></div>
<p class="caption">“KEEPSAKE QUILT”</p>
<p class="incaption" style="padding-bottom: 3em;">The sunbonnet lassies suggest an outing or a call from playmates on the
morrow. These lassies may be dressed in bits of the gowns of the
little maid, and the quilt thus become a “keepsake quilt”</p>
<p><span class="pagenum"><SPAN name="Page_165" id="Page_165">[Pg 165]</SPAN></span>
“Both women started, for the string of shells had
been placed there by James; and though neither
was superstitious, this was one of those odd coincidences
that make hearts throb.</p>
<p>“‘Dear boy!’ said Mary, gathering the shells up
tenderly; ‘wherever he is, I shall never cease to
love him. It makes me feel sad to see this come
down; but it is only an accident; nothing of him
will ever fall out of my heart.’</p>
<p>“Mrs. Marvyn clasped Mary closer to her, with
tears in her eyes.</p>
<p>“‘I’ll tell you what, Mary, it must have been
the moths did that,’ said Miss Prissy, who had been
standing, unobserved, at the door for a moment
back; ‘moths will eat away strings just so. Last
week Miss Vernon’s great family picture fell down
because the moths eat through the cord; people
ought to use twine or cotton string always. But
I came to tell you that supper is all set, and the
doctor out of his study, and all the people are wondering
where you are.’</p>
<p>“Mary and Mrs. Marvyn gave a hasty glance at
themselves in the glass, to be assured of their good
keeping, and went into the great kitchen, where a
long table stood exhibiting all that plentitude of
<span class="pagenum"><SPAN name="Page_166" id="Page_166">[Pg 166]</SPAN></span>
provision which the immortal description of Washington
Irving has saved us the trouble of recapitulating
in detail.</p>
<p>“The husbands, brothers, and lovers had come
in, and the scene was redolent of gayety. When
Mary made her appearance, there was a moment’s
pause, till she was conducted to the side of the
doctor; when, raising his hand, he invoked a grace
upon the loaded board.</p>
<p>“Unrestrained gayeties followed. Groups of
young men and maidens chatted together, and all
the gallantries of the times were enacted. Serious
matrons commented on the cake, and told each
other high and particular secrets in the culinary
art which they drew from remote family archives.
One might have learned in that instructive assembly
how best to keep moths out of blankets, how
to make fritters of Indian corn undistinguishable
from oysters, how to bring up babies by hand,
how to mend a cracked teapot, how to take out
grease from a brocade, how to reconcile absolute
decrees with free will, how to make five yards of
cloth answer the purpose of six, and how to put
down the Democratic party.</p>
<p>“Miss Prissy was in her glory; every bow of her
<span class="pagenum"><SPAN name="Page_167" id="Page_167">[Pg 167]</SPAN></span>
best cap was alive with excitement, and she presented
to the eyes of the astonished Newport gentry
an animated receipt book. Some of the information
she communicated, indeed, was so valuable
and important that she could not trust the
air with it, but whispered the most important portions
in a confidential tone. Among the crowd,
Cerinthy Ann’s theological admirer was observed
in deeply reflective attitude; and that high-spirited
young lady added further to his convictions of the
total depravity of the species by vexing and discomposing
him in those thousand ways in which a
lively, ill-conditioned young woman will put to rout
a serious, well-disposed young man, comforting herself
with the reflection that by and by she would
repent of all her sins in a lump together.</p>
<p>“Vain, transitory splendours! Even this evening,
so glorious, so heart cheering, so fruitful in
instruction and amusement, could not last forever.
Gradually the company broke up; the matrons
mounted soberly on horseback behind their
spouses, and Cerinthy consoled her clerical friend
by giving him an opportunity to read her a lecture
on the way home, if he found the courage to do so.</p>
<p>“Mr. and Mrs. Marvyn and Candace wound their
<span class="pagenum"><SPAN name="Page_168" id="Page_168">[Pg 168]</SPAN></span>
way soberly homeward; the doctor returned to his
study for nightly devotions; and before long sleep
settled down on the brown cottage.</p>
<p>“‘I’ll tell you what, Cato,’ said Candace, before
composing herself to sleep, ‘I can’t feel it in my
bones dat dis yer weddin’s gwine to come off yit.’”</p>
<div style="break-after:column;"></div><br />