<h2><SPAN name="page467"></SPAN><span class="pagenum"></span>THE REVEREND MICAH SOWLS</h2>
<p class="poetry"> <span class="smcap">The
Reverend Micah Sowls</span>,<br/>
He shouts and yells and howls,<br/>
He screams, he mouths, he bumps,<br/>
He foams, he rants, he thumps.</p>
<p class="poetry">His armour he has buckled on, to wage<br/>
The regulation war against the Stage;<br/>
And warns his congregation all to shun<br/>
“The Presence-Chamber of the Evil One,”</p>
<p class="poetry"> The subject’s sad
enough<br/>
To make him rant and puff,<br/>
And fortunately, too,<br/>
His Bishop’s in a pew.</p>
<p class="poetry">So <span class="smcap">Reverend Micah</span>
claps on extra steam,<br/>
His eyes are flashing with superior gleam,<br/>
He is as energetic as can be,<br/>
For there are fatter livings in that see.</p>
<p class="poetry">The Bishop, when it’s o’er,<br/>
Goes through the vestry door,<br/>
Where <span class="smcap">Micah</span>, very red,<br/>
Is mopping of his head.</p>
<p class="poetry">“Pardon, my Lord, your <span class="smcap">Sowls</span>’ excessive zeal,<br/>
It is a theme on which I strongly feel.”<br/>
(The sermon somebody had sent him down<br/>
From London, at a charge of half-a-crown.)</p>
<p class="poetry"> The Bishop bowed his head,<br/>
And, acquiescing, said,<br/>
“I’ve heard your well-meant rage<br/>
Against the Modern Stage.</p>
<p class="poetry">“A modern Theatre, as I heard you say,<br/>
Sows seeds of evil broadcast—well it may;<br/>
But let me ask you, my respected son,<br/>
Pray, have you ever ventured into one?”</p>
<p class="poetry"> “My Lord,” said
<span class="smcap">Micah</span>, “no!<br/>
I never, never go!<br/>
What! Go and see a play?<br/>
My goodness gracious, nay!”</p>
<p class="poetry">The worthy Bishop said, “My friend, no
doubt<br/>
The Stage may be the place you make it out;<br/>
But if, my <span class="smcap">Reverend Sowls</span>, you never
go,<br/>
I don’t quite understand how you’re to
know.”</p>
<p class="poetry"> “Well, really,”
<span class="smcap">Micah</span> said,<br/>
“I’ve often heard and read,<br/>
But never go—do you?”<br/>
The Bishop said, “I do.”</p>
<p class="poetry">“That proves me wrong,” said <span class="smcap">Micah</span>, in a trice:<br/>
“I thought it all frivolity and vice.”<br/>
The Bishop handed him a printed card;<br/>
“Go to a theatre where they play our Bard.”</p>
<p class="poetry"> The Bishop took his leave,<br/>
Rejoicing in his sleeve.<br/>
The next ensuing day<br/>
<span class="smcap">Sowls</span> went and heard a
play.</p>
<p class="poetry">He saw a dreary person on the stage,<br/>
Who mouthed and mugged in simulated rage,<br/>
Who growled and spluttered in a mode absurd,<br/>
And spoke an English <span class="smcap">Sowls</span> had never
heard.</p>
<p class="poetry"> For “gaunt” was
spoken “garnt,”<br/>
And “haunt” transformed to
“harnt,”<br/>
And “wrath” pronounced as
“rath,”<br/>
And “death” was changed to
“dath.”</p>
<p class="poetry">For hours and hours that dismal actor
walked,<br/>
And talked, and talked, and talked, and talked,<br/>
Till lethargy upon the parson crept,<br/>
And sleepy <span class="smcap">Micah Sowls</span> serenely
slept.</p>
<p class="poetry"> He slept away until<br/>
The farce that closed the bill<br/>
Had warned him not to stay,<br/>
And then he went away.</p>
<p class="poetry">“I thought <i>my</i> gait
ridiculous,” said he—<br/>
“<i>My</i> elocution faulty as could be;<br/>
I thought <i>I</i> mumbled on a matchless plan—<br/>
I had not seen our great Tragedian!</p>
<p class="poetry"> “Forgive me, if you
can,<br/>
O great Tragedian!<br/>
I own it with a sigh—<br/>
You’re drearier than I!”</p>
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