<h2><SPAN name="CHAPTER_XL" id="CHAPTER_XL">CHAPTER XL.</SPAN></h2>
<p><SPAN id="question_846"></SPAN>846. <i>Why does a mouse, painted upon one side of a card, and a trap
upon the other, represent to the eye a
<span class="pagenum"><SPAN name="Page_193" id="Page_193">[Pg 193]</SPAN></span> mouse in a trap when the card
is rapidly twirled upon a string?</i></p>
<p>Because the image of the mouse is brought to the retina of the eye
before the image of the trap has passed away. The two impressions,
therefore, <i>unite upon the retina</i>, and produce the image of a mouse
in a trap.</p>
<hr class="bible-verse" />
<p class="center bq">"Honour thy father and thy mother * * That it may
be well with thee, and thou mayest be long on the earth."—<span class="smcap">Ephesians
vi.</span></p>
<hr class="bible-verse" />
<div class="figcenter"> <div class="figsub"> <SPAN name="i-199a.jpg" id="i-199a.jpg"></SPAN> <ANTIMG src="images/i-199a.jpg" width-obs="264" height-obs="229" alt="" />
<div class="caption">Fig. 36.—CARD WITH MOUSE-TRAP.</div>
</div>
<div class="figsub"> <SPAN name="i-199b.jpg" id="i-199b.jpg"></SPAN>
<ANTIMG src="images/i-199b.jpg" width-obs="250" height-obs="229" alt="" />
<div class="caption">Fig. 37.—REVERSE OF CARD WITH MOUSE.</div>
</div></div>
<p><SPAN id="question_847"></SPAN>847. <i>Why will a bow stretched out of its natural position, propel an
arrow through the air?</i></p>
<p>Because its substance, being <i>highly elastic</i>, the particles
thereof seek to restore themselves to their former state, as soon
as the resisting power is withdrawn. The <i>force</i> derived from this
elasticity, is communicated to the arrow by the string against which
it is placed.</p>
<p><SPAN id="question_848"></SPAN>848. <i>Why is the arrow propelled forward?</i></p>
<p>Because the elasticity of the bow, <i>acting equally upon its two
ends</i>, to which the string is fastened, produce a line of force in a
<i>diagonal direction</i>. It thus illustrates the law, that <i>when a body
is acted upon by two forces at the same time, whose directions are
inclined to each other, it will not follow either of them, but will
describe a line between the two</i>.</p>
<p><SPAN id="question_849"></SPAN>849. <i>What forces tend to arrest the flight of the arrow?</i></p>
<p>The <i>friction of the air</i>, and the <i>attraction of gravitation</i>.</p>
<p><span class="pagenum"><SPAN name="Page_194" id="Page_194">[Pg 194]</SPAN></span></p>
<hr class="bible-verse" />
<p class="center bq">"My son, give, I pray thee, glory to the Lord God
of Israel, and make confession unto him."—<span class="smcap">Joshua vii.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_850"></SPAN>850. <i>Why are feathers usually fastened to the ends of arrows?</i></p>
<p>Because the <i>greater friction</i> of air acting upon them, opposes the
progress of that part of the arrow in a greater degree than it does
the other portion. The effect is, <i>to keep the point of the arrow
forward</i>, and in a straight line with its opposite extremity. If the
arrow were shot the reverse way from the bow, it would <i>turn round</i>,
in the course of its flight, in consequence of the friction of the
air, offering greater resistance to the progress of the feathered end.</p>
<div class="figcenter"> <div class="figsub"> <SPAN name="i-200a.jpg" id="i-200a.jpg"></SPAN> <ANTIMG src="images/i-200a.jpg" width-obs="252" height-obs="239" alt="" />
<div class="caption">Fig. 38.—BOW AND ARROW.</div>
</div>
<div class="figsub"> <SPAN name="i-200b.jpg" id="i-200b.jpg"></SPAN>
<ANTIMG src="images/i-200b.jpg" width-obs="250" height-obs="239" alt="" />
<div class="caption">Fig. 39.—JEW'S HARP.</div>
</div></div>
<p><SPAN id="question_851"></SPAN>851. <i>Why does a Jew's harp give musical sounds?</i></p>
<p>Because the <i>vibrations of the metal tongue</i> are communicated to the
ear.</p>
<p><SPAN id="question_852"></SPAN>852. <i>Why will not the Jew's harp produce loud sounds unless it is
applied to the mouth?</i></p>
<p>Because the vibrations are not very intense, but when it is blown
upon by the breath, the air is pressed upon it, and the vibrations
are thereby rendered more powerful.</p>
<p><SPAN id="question_853"></SPAN>853. <i>Why does the alteration of the arrangement of the mouth, affect
the formation of the sounds?</i></p>
<p>Because it sends the air to the tongue of the harp in <i>a greater or
lesser degree of compression</i>.</p>
<p><span class="pagenum"><SPAN name="Page_195" id="Page_195">[Pg 195]</SPAN></span></p>
<hr class="bible-verse" />
<p class="center bq">"Hear, ye children, the instruction of a father,
and attend to know understanding."—<span class="smcap">Proverbs iv.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_854"></SPAN>854. <i>Why does the pressure applied to the handle of an air pistol
propel the cork?</i></p>
<p>Because, between the cork A and the air-tight piston C, there is a
<i>closed chamber of air</i> b. When the handle D, which moves the piston
C, is rapidly pushed in, it <i>compresses the air</i> until it is so much
condensed, that it forces out the cork A.</p>
<div class="figcenter"><SPAN name="i-201a.jpg" id="i-201a.jpg"></SPAN> <ANTIMG src="images/i-201a.jpg" width-obs="500" height-obs="184" alt="" /> <div class="caption">Fig. 40.—AIR PISTOL, OR "POP-GUN."</div>
</div>
<p><SPAN id="question_855"></SPAN>855. <i>Why must the handle be drawn out, before the cork is placed in?</i></p>
<p>Because otherwise a partial <i>vacuum</i> would be formed between A and C,
and there would not be sufficient air to force out the cork by the
return of the piston C D.</p>
<p><SPAN id="question_856"></SPAN>856. <i>Why does water rise in a syringe when the handle is drawn out?</i></p>
<p>Because the pressure of the air on the water outside of the syringe,
forces it into the space vacated by the drawing up of the handle, and
where, otherwise, a <i>vacuum</i> would be formed.</p>
<div class="figcenter"><SPAN name="i-201b.jpg" id="i-201b.jpg"></SPAN> <ANTIMG src="images/i-201b.jpg" width-obs="500" height-obs="54" alt="" /> <div class="caption">Fig. 41.—SYRINGE, WITH JET OF WATER.</div>
</div>
<p><SPAN id="question_857"></SPAN>857. <i>Why does not the water run out when the syringe is raised?</i></p>
<p>Because the pressure of the air upon the small orifice resists the
weight of the water.</p>
<p><SPAN id="question_858"></SPAN>858. <i>Why does the water leak out, but not run?</i></p>
<p>Because water has a tendency always to <i>move to the lowest point</i>,
<span class="pagenum"><SPAN name="Page_196" id="Page_196">[Pg 196]</SPAN></span>
but as the air does not enter freely the water cannot escape. It
therefore <i>drops</i>, as small portions of the air enter.</p>
<hr class="bible-verse" />
<p class="center bq">"Remember now thy creator in the days of thy
youth."—<span class="smcap">Ecclesiastes xi.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_859"></SPAN>859. <i>Why cannot the handle be pressed in, if the finger is applied
to the orifice?</i></p>
<p>Because water is not <i>compressible</i>, like air; it must therefore
escape before the handle can be pressed in. Air may be forced into a
much smaller compass than is natural to it; but it is impossible to
<i>compress water</i> in any great degree.</p>
<div class="figcenter"> <div class="figsub"> <SPAN name="i-202a.jpg" id="i-202a.jpg"></SPAN> <ANTIMG src="images/i-202a.jpg" width-obs="191" height-obs="225" alt="" />
<div class="caption">Fig. 42.—"SUCKER."</div>
</div>
<div class="figsub"> <SPAN name="i-202b.jpg" id="i-202b.jpg"></SPAN>
<ANTIMG src="images/i-202b.jpg" width-obs="200" height-obs="225" alt="" />
<div class="caption">Fig. 43.—HOOP.</div>
</div></div>
<p><SPAN id="question_860"></SPAN>860. <i>Why does a "sucker" raise a stone?</i></p>
<p>Because underneath the sucker <i>a vacuum</i> is formed and the external
air, pressing on all sides <i>against the vacuum</i>, lifts the stone. The
term "sucker" is founded upon the mistaken notion that the leather
"sucks," or "draws" the stone. That such is not the case is evident:
if, when the stone is suspended, a pin's point be passed under the
leather, so as to open a small passage for the air, the stone will
<i>drop instantly</i>.</p>
<p><SPAN id="question_861"></SPAN>861. <i>Why does a hoop roll, without falling to the ground?</i></p>
<p>Because the <i>centrifugal force</i> gives it a motion which is called the
<i>tangent to a circle</i>—that is, a tendency in all its parts <i>to fly
off in a straight line</i>. When a piece of clay adhering to the hoop
flies off, it leaves the hoop in a line which is straight with the
part of
<span class="pagenum"><SPAN name="Page_197" id="Page_197">[Pg 197]</SPAN></span> the surface from which it was propelled; this line is <i>the
tangent to the circle of the hoop</i>;
and the tendency of all the parts
of the hoop to fly off in this manner, counteracts the attraction of
the earth, so long as the hoop is kept in motion.</p>
<hr class="bible-verse" />
<p class="center bq">"Children obey your parents in all things: for
this is well-pleasing unto the Lord."—<span class="smcap">Colossians iii.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_862"></SPAN>862. <i>Why does the hoop, in falling, make several side revolutions?</i></p>
<p>Because its onward movement, not being quite expended, influences the
<i>centre of gravity of the hoop</i>, and changes its line of direction.
The hoop is also elastic, and when its sides strike the earth, they
spring up again, and continue turning until the opposing forces are
overcome by the <i>attraction of gravitation</i>.</p>
<p><SPAN id="question_863"></SPAN>863. <i>Why will a little boy balance a large boy on a see-saw?</i></p>
<p>Because the "see-saw" may be placed so that its ends are at <i>unequal
distances from the centre</i>. This gives the little boy the power of
<i>leverage</i>, by which is meant the increase of power, or weight, by
<i>mechanical means</i>.</p>
<div class="figcenter"><SPAN name="i-203.jpg" id="i-203.jpg"></SPAN> <ANTIMG src="images/i-203.jpg" width-obs="500" height-obs="186" alt="" /> <div class="caption">Fig. 44.—BOYS AND "SEE-SAW."</div>
</div>
<p><SPAN id="question_864"></SPAN>864. <i>Why does the little boy sink to the ground when the larger boy
slightly kicks the earth?</i></p>
<p>Because the larger boy, by kicking against the earth, opposes by
mechanical force the <i>attraction of gravitation</i> acting upon him, and
he becomes <i>temporarily</i> less attracted to the earth than the little
boy.</p>
<hr class="bible-verse" />
<p class="center bq">"Little children, let no man deceive you: he that
doeth righteousness is righteous, even as he is righteous."—<span class="smcap">1 John
iii.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_865"></SPAN>865. <i>Why can the little boy, if he choose, keep the big boy up, when
once he is up?</i></p>
<p><span class="pagenum"><SPAN name="Page_198" id="Page_198">[Pg 198]</SPAN></span></p>
<p>Because, as the big boy is then on <i>an inclined plane</i> with the
<i>fulcrum</i>, or centre upon which the see-saw moves, the arm of <i>the
lever</i>, upon which the big boy sits, is <i>relatively shortened</i>, and
he has then <i>less mechanical power</i>. Also, a portion of the weight of
the larger boy is transmitted along the lever <i>to the arm upon which
the little boy sits</i>.</p>
<div class="figcenter"> <SPAN name="i-204a.jpg" id="i-204a.jpg"></SPAN> <ANTIMG src="images/i-204a.jpg" width-obs="250" height-obs="199" alt="" /> <div class="caption">Fig. 45.—TRAP AND BALL.</div>
</div>
<p><SPAN id="question_866"></SPAN>866. <i>Why is the ball propelled upward, in the game of trap and ball,
when the trigger is struck?</i></p>
<p>Because, when the trigger is struck at A, it is forced downwards,
turning upon the fulcrum B, the opposite end, forming the spoon, is
thereby forced upwards, describing a small <i>arc</i>, or curved line; but
directly the ball is set free from the spoon, it rises in a <i>right
line</i> with the <i>direction it was taking, at the moment it was set
free</i>.</p>
<div class="figcenter"><SPAN name="i-204b.jpg" id="i-204b.jpg"></SPAN> <ANTIMG src="images/i-204b.jpg" width-obs="400" height-obs="205" alt="" /> <div class="caption">Fig. 46.—BAT AND BALL.</div>
</div>
<p><SPAN id="question_867"></SPAN>867. <i>What principles of natural philosophy are illustrated by the
results of bat and ball?</i></p>
<p><i>Percussion</i>, when the bat strikes the ball; <i>rotatory motion</i>,
when the ball is sent whirling away; <i>momentum</i>, which it acquires
by velocity; <i>elasticity</i>, when it rebounds from an object against
which
<span class="pagenum"><SPAN name="Page_199" id="Page_199">[Pg 199]</SPAN></span> it strikes; <i>reflected motion</i>, when it is turned by a body
upon which it impinges; <i>friction</i>, as it rolls along the ground; the
<i>communication of force</i>, when it sets another body in motion against
which it strikes; <i>gravitation</i>, when it falls to the earth; and
<i>inertia</i>, when it lies in a state of rest.</p>
<hr class="bible-verse" />
<p class="center bq">"A wise son makes a glad father: but a foolish
son is the heaviness of his mother."—<span class="smcap">Proverbs x.</span></p>
<hr class="bible-verse" />
<p><SPAN id="question_868"></SPAN>868. <i>Why do pith-tumblers always pitch upon one end?</i></p>
<div class="figleft"><SPAN name="i-205.jpg" id="i-205.jpg"></SPAN> <ANTIMG src="images/i-205.jpg" width-obs="150" height-obs="341" alt="" /> <div class="caption">Fig. 47. PITH-TUMBLER.</div>
</div>
<p>Because the <i>lead</i> B is <i>specifically heavier</i> than the <i>pith</i> to
which it is attached; it therefore always falls undermost; and as the
lead is rounded off, just like the spill of a top, after the head
has oscillated a little, and expended the force of the momentum of
its fall, it will settle upon its <i>centre of gravity</i>, or the point
through which it is <i>attracted to the earth</i>.</p>
<p><SPAN id="question_869"></SPAN>869. <i>Why do the figures upon the "Thaumatrope" appear to dance, when
they are made to revolve before a mirror?</i></p>
<p>Because the eye, in looking through the holes in the card, towards
the reflections in the mirror, receives a <i>rapid succession of
impressions</i>. As the figures upon the card are represented in a
graduated series of positions—the <i>first</i> one standing upright, the
<i>second</i> with his knees a little bent, the <i>third</i> a little more
bent, as in the act of springing, and so on, the <i>figure</i> being in
each case <i>the same</i>, but the position <i>slightly altered</i>, imparts an
impression to the mind, through the eye, that <i>one figure</i> is passing
through a <i>series of motions</i>.</p>
<p class="bq"><i>Thaumatrope.</i>—From two Greek words, meaning <i>wonder</i> and <i>to
turn</i>.</p>
<p class="bq">We have said enough, we hope, to show that even the play-hours of
children may be made instructive to them; and that the simplest
toys may be used to illustrate some of the grandest laws of
nature. Nor may this kind of instruction be confined to children
alone. Grown-up people, whether participators in the sports of
youth, or simple observers of their games, may gain instruction
for themselves, and be the better teachers of their children, by
taking an interest in their enjoyments, and giving to their minds,
through the attractiveness of pastime, a taste for observing and
estimating the varied phenomena which present themselves.</p>
<p class="bq">Moreover, we think that parental government acquires a greater
power when
<span class="pagenum"><SPAN name="Page_200" id="Page_200">[Pg 200]</SPAN></span>
it leans towards the natural desires of childhood, and
wins those desires into a proper direction. Love existing between
parent and child is the best tie to home, and the strongest
incentive to duty. There is also something in the gentleness of
childish nature which may influence for good the sterner mould of
man, too often warped and clouded by the cares of life.</p>
<hr class="bible-verse" />
<p class="bq">Jesus said, Suffer little children, and
forbid them not, to come unto me; for of such is the kingdom of
heaven."—<span class="smcap">Matthew xix.</span></p>
<hr class="bible-verse" />
<div class="figcenter"><SPAN name="i-206.jpg" id="i-206.jpg"></SPAN> <ANTIMG src="images/i-206.jpg" width-obs="400" height-obs="404" alt="" /> <div class="caption">Fig. 48.—THAUMATROPE, OR "WONDER-TURNER."</div>
</div>
<p class="bq">In Kay's "Life of Sir John Malcolm," we find an admirable and apt
passage. Sir John says:—"I have been employed these last few
hours with John Elliot, and other boys, in trying how long we
could keep up two cricket-balls. Lord Minto caught us. He says
he must send me on a commission to some very young monarch, for
that I shall never have the gravity of an ambassador for a prince
turned of twelve. He, however, added the well-known and admirable
story of Henry IV. of France, who, when caught on all fours
carrying one of his children, by the Spanish envoy, looked up and
said, 'Is your excellency married?' 'I am, and have a family,' was
the reply. 'Well, then,' said the monarch, 'I am satisfied, and
shall take another turn round the room,' and off he galloped, with
his son on his back flogging and spurring him. I have sometimes
thought of breaking myself of what are termed boyish habits; but
reflection has satisfied me that it would be very foolish, and
that I should esteem it a blessing that I can find amusement in
everything, from tossing a cricket-ball, to negotiating a treaty
with the Emperor of China. Men who will give themselves entirely
to business, and despise (which is the term) trifles, are very
able, in their general conception of the great outlines of a plan,
but they feel a want of knowledge, which is only to be gained by
mixing with all classes in the world, when they come to those
lesser points upon which its successful execution may depend."</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_201" id="Page_201">[Pg 201]</SPAN></span></p>
<hr class="bible-verse" />
<p class="center bq">"Whether therefore ye eat, or drink, or
whatsoever ye do, do all to the glory of God."—<span class="smcap">Corinth. x.</span></p>
<hr class="bible-verse" />
<div style="break-after:column;"></div><br />