<p> <SPAN name="4"></SPAN></p>
<p> </p>
<h3>SCHOOLS AND SCHOOLS</h3>
<p> </p>
<h4>I<br/> </h4>
<p>Old Jerome Warren lived in a hundred-thousand-dollar house at 35
East Fifty-Soforth Street. He was a downtown broker, so rich that
he could afford to walk—for his health—a few blocks in the
direction of his office every morning, and then call a cab.</p>
<p>He had an adopted son, the son of an old friend named
Gilbert—Cyril Scott could play him nicely—who was becoming a
successful painter as fast as he could squeeze the paint out of
his tubes. Another member of the household was Barbara Ross, a
step-niece. Man is born to trouble; so, as old Jerome had no
family of his own, he took up the burdens of others.</p>
<p>Gilbert and Barbara got along swimmingly. There was a tacit and
tactical understanding all round that the two would stand up under
a floral bell some high noon, and promise the minister to keep old
Jerome's money in a state of high commotion. But at this point
complications must be introduced.</p>
<p>Thirty years before, when old Jerome was young Jerome, there was a
brother of his named Dick. Dick went West to seek his or somebody
else's fortune. Nothing was heard of him until one day old Jerome
had a letter from his brother. It was badly written on ruled paper
that smelled of salt bacon and coffee-grounds. The writing was
asthmatic and the spelling St. Vitusy.</p>
<p>It appeared that instead of Dick having forced Fortune to stand
and deliver, he had been held up himself, and made to give
hostages to the enemy. That is, as his letter disclosed, he was on
the point of pegging out with a complication of disorders that
even whiskey had failed to check. All that his thirty years of
prospecting had netted him was one daughter, nineteen years old,
as per invoice, whom he was shipping East, charges prepaid, for
Jerome to clothe, feed, educate, comfort, and cherish for the rest
of her natural life or until matrimony should them part.</p>
<p>Old Jerome was a board-walk. Everybody knows that the world is
supported by the shoulders of Atlas; and that Atlas stands on a
rail-fence; and that the rail-fence is built on a turtle's back.
Now, the turtle has to stand on something; and that is a
board-walk made of men like old Jerome.</p>
<p>I do not know whether immortality shall accrue to man; but if not
so, I would like to know when men like old Jerome get what is due
them?</p>
<p>They met Nevada Warren at the station. She was a little girl,
deeply sunburned and wholesomely good-looking, with a manner that
was frankly unsophisticated, yet one that not even a cigar-drummer
would intrude upon without thinking twice. Looking at her, somehow
you would expect to see her in a short skirt and leather leggings,
shooting glass balls or taming mustangs. But in her plain white
waist and black skirt she sent you guessing again. With an easy
exhibition of strength she swung along a heavy valise, which the
uniformed porters tried in vain to wrest from her.</p>
<p>"I am sure we shall be the best of friends," said Barbara, pecking
at the firm, sunburned cheek.</p>
<p>"I hope so," said Nevada.</p>
<p>"Dear little niece," said old Jerome, "you are as welcome to my
home as if it were your father's own."</p>
<p>"Thanks," said Nevada.</p>
<p>"And I am going to call you 'cousin,'" said Gilbert, with his
charming smile.</p>
<p>"Take the valise, please," said Nevada. "It weighs a million
pounds. It's got samples from six of dad's old mines in it," she
explained to Barbara. "I calculate they'd assay about nine cents
to the thousand tons, but I promised him to bring them along."</p>
<p> </p>
<h4>II<br/> </h4>
<p>It is a common custom to refer to the usual complication between
one man and two ladies, or one lady and two men, or a lady and a
man and a nobleman, or—well, any of those problems—as the
triangle. But they are never unqualified triangles. They are
always isosceles—never equilateral. So, upon the coming of Nevada
Warren, she and Gilbert and Barbara Ross lined up into such a
figurative triangle; and of that triangle Barbara formed the
hypotenuse.</p>
<p>One morning old Jerome was lingering long after breakfast over the
dullest morning paper in the city before setting forth to his
down-town fly-trap. He had become quite fond of Nevada, finding in
her much of his dead brother's quiet independence and unsuspicious
frankness.</p>
<p>A maid brought in a note for Miss Nevada Warren.</p>
<p>"A messenger-boy delivered it at the door, please," she said.
"He's waiting for an answer."</p>
<p>Nevada, who was whistling a Spanish waltz between her teeth, and
watching the carriages and autos roll by in the street, took the
envelope. She knew it was from Gilbert, before she opened it, by
the little gold palette in the upper left-hand corner.</p>
<p>After tearing it open she pored over the contents for a while,
absorbedly. Then, with a serious face, she went and stood at her
uncle's elbow.</p>
<p>"Uncle Jerome, Gilbert is a nice boy, isn't he?"</p>
<p>"Why, bless the child!" said old Jerome, crackling his paper
loudly; "of course he is. I raised him myself."</p>
<p>"He wouldn't write anything to anybody that wasn't exactly—I mean
that everybody couldn't know and read, would he?"</p>
<p>"I'd just like to see him try it," said uncle, tearing a handful
from his newspaper. "Why, what—"</p>
<p>"Read this note he just sent me, uncle, and see if you think it's
all right and proper. You see, I don't know much about city people
and their ways."</p>
<p>Old Jerome threw his paper down and set both his feet upon it. He
took Gilbert's note and fiercely perused it twice, and then a
third time.</p>
<p>"Why, child," said he, "you had me almost excited, although I was
sure of that boy. He's a duplicate of his father, and he was a
gilt-edged diamond. He only asks if you and Barbara will be ready
at four o'clock this afternoon for an automobile drive over to
Long Island. I don't see anything to criticise in it except the
stationery. I always did hate that shade of blue."</p>
<p>"Would it be all right to go?" asked Nevada, eagerly.</p>
<p>"Yes, yes, yes, child; of course. Why not? Still, it pleases me to
see you so careful and candid. Go, by all means."</p>
<p>"I didn't know," said Nevada, demurely. "I thought I'd ask you.
Couldn't you go with us, uncle?"</p>
<p>"I? No, no, no, no! I've ridden once in a car that boy was
driving. Never again! But it's entirely proper for you and Barbara
to go. Yes, yes. But I will not. No, no, no, no!"</p>
<p>Nevada flew to the door, and said to the maid:</p>
<p>"You bet we'll go. I'll answer for Miss Barbara. Tell the boy to
say to Mr. Warren, 'You bet we'll go.'"</p>
<p>"Nevada," called old Jerome, "pardon me, my dear, but wouldn't it
be as well to send him a note in reply? Just a line would do."</p>
<p>"No, I won't bother about that," said Nevada, gayly. "Gilbert will
understand—he always does. I never rode in an automobile in my
life; but I've paddled a canoe down Little Devil River through the
Lost Horse Cañon, and if it's any livelier than that I'd like to
know!"</p>
<p> </p>
<h4>III<br/> </h4>
<p>Two months are supposed to have elapsed.</p>
<p>Barbara sat in the study of the hundred-thousand-dollar house. It
was a good place for her. Many places are provided in the world
where men and women may repair for the purpose of extricating
themselves from divers difficulties. There are cloisters,
wailing-places, watering-places, confessionals, hermitages,
lawyer's offices, beauty parlors, air-ships, and studies; and the
greatest of these are studies.</p>
<p>It usually takes a hypotenuse a long time to discover that it is
the longest side of a triangle. But it's a long line that has no
turning.</p>
<p>Barbara was alone. Uncle Jerome and Nevada had gone to the
theatre. Barbara had not cared to go. She wanted to stay at home
and study in the study. If you, miss, were a stunning New York
girl, and saw every day that a brown, ingenuous Western witch was
getting hobbles and a lasso on the young man you wanted for
yourself, you, too, would lose taste for the oxidized-silver
setting of a musical comedy.</p>
<p>Barbara sat by the quartered-oak library table. Her right arm
rested upon the table, and her dextral fingers nervously
manipulated a sealed letter. The letter was addressed to Nevada
Warren; and in the upper left-hand corner of the envelope was
Gilbert's little gold palette. It had been delivered at nine
o'clock, after Nevada had left.</p>
<p>Barbara would have given her pearl necklace to know what the
letter contained; but she could not open and read it by the aid of
steam, or a pen-handle, or a hair-pin, or any of the generally
approved methods, because her position in society forbade such an
act. She had tried to read some of the lines of the letter by
holding the envelope up to a strong light and pressing it hard
against the paper, but Gilbert had too good a taste in stationery
to make that possible.</p>
<p>At eleven-thirty the theatre-goers returned. It was a delicious
winter night. Even so far as from the cab to the door they were
powdered thickly with the big flakes downpouring diagonally from
the east. Old Jerome growled good-naturedly about villainous cab
service and blockaded streets. Nevada, colored like a rose, with
sapphire eyes, babbled of the stormy nights in the mountains
around dad's cabin. During all these wintry apostrophes, Barbara,
cold at heart, sawed wood—the only appropriate thing she could
think of to do.</p>
<p>Old Jerome went immediately up-stairs to hot-water-bottles and
quinine. Nevada fluttered into the study, the only cheerfully
lighted room, subsided into an arm-chair, and, while at the
interminable task of unbuttoning her elbow gloves, gave oral
testimony as to the demerits of the "show."</p>
<p>"Yes, I think Mr. Fields is really amusing—sometimes," said
Barbara. "Here is a letter for you, dear, that came by special
delivery just after you had gone."</p>
<p>"Who is it from?" asked Nevada, tugging at a button.</p>
<p>"Well, really," said Barbara, with a smile, "I can only guess. The
envelope has that queer little thing in one corner that Gilbert
calls a palette, but which looks to me rather like a gilt heart on
a school-girl's valentine."</p>
<p>"I wonder what he's writing to me about" remarked Nevada,
listlessly.</p>
<p>"We're all alike," said Barbara; "all women. We try to find out
what is in a letter by studying the postmark. As a last resort we
use scissors, and read it from the bottom upward. Here it is."</p>
<p>She made a motion as if to toss the letter across the table to
Nevada.</p>
<p>"Great catamounts!" exclaimed Nevada. "These centre-fire buttons
are a nuisance. I'd rather wear buckskins. Oh, Barbara, please
shuck the hide off that letter and read it. It'll be midnight
before I get these gloves off!"</p>
<p>"Why, dear, you don't want me to open Gilbert's letter to you?
It's for you, and you wouldn't wish any one else to read it, of
course!"</p>
<p>Nevada raised her steady, calm, sapphire eyes from her gloves.</p>
<p>"Nobody writes me anything that everybody mightn't read," she
said. "Go on, Barbara. Maybe Gilbert wants us to go out in his car
again to-morrow."</p>
<p>Curiosity can do more things than kill a cat; and if emotions,
well recognized as feminine, are inimical to feline life, then
jealousy would soon leave the whole world catless. Barbara opened
the letter, with an indulgent, slightly bored air.</p>
<p>"Well, dear," said she, "I'll read it if you want me to."</p>
<p>She slit the envelope, and read the missive with swift-travelling
eyes; read it again, and cast a quick, shrewd glance at Nevada,
who, for the time, seemed to consider gloves as the world of her
interest, and letters from rising artists as no more than messages
from Mars.</p>
<p>For a quarter of a minute Barbara looked at Nevada with a strange
steadfastness; and then a smile so small that it widened her mouth
only the sixteenth part of an inch, and narrowed her eyes no more
than a twentieth, flashed like an inspired thought across her
face.</p>
<p>Since the beginning no woman has been a mystery to another woman.
Swift as light travels, each penetrates the heart and mind of
another, sifts her sister's words of their cunningest disguises,
reads her most hidden desires, and plucks the sophistry from her
wiliest talk like hairs from a comb, twiddling them sardonically
between her thumb and fingers before letting them float away on
the breezes of fundamental doubt. Long ago Eve's son rang the
door-bell of the family residence in Paradise Park, bearing a
strange lady on his arm, whom he introduced. Eve took her
daughter-in-law aside and lifted a classic eyebrow.</p>
<p>"The Land of Nod," said the bride, languidly flirting the leaf of
a palm. "I suppose you've been there, of course?"</p>
<p>"Not lately," said Eve, absolutely unstaggered. "Don't you think
the apple-sauce they serve over there is execrable? I rather like
that mulberry-leaf tunic effect, dear; but, of course, the real
fig goods are not to be had over there. Come over behind this
lilac-bush while the gentlemen split a celery tonic. I think the
caterpillar-holes have made your dress open a little in the back."</p>
<p>So, then and there—according to the records—was the alliance
formed by the only two who's-who ladies in the world. Then it was
agreed that woman should forever remain as clear as a pane of
glass—though glass was yet to be discovered—to other women, and
that she should palm herself off on man as a mystery.</p>
<p>Barbara seemed to hesitate.</p>
<p>"Really, Nevada," she said, with a little show of embarrassment,
"you shouldn't have insisted on my opening this. I—I'm sure it
wasn't meant for any one else to know."</p>
<p>Nevada forgot her gloves for a moment.</p>
<p>"Then read it aloud," she said. "Since you've already read it,
what's the difference? If Mr. Warren has written to me something
that any one else oughtn't to know, that is all the more reason
why everybody should know it."</p>
<p>"Well," said Barbara, "this is what it says: 'Dearest Nevada—Come
to my studio at twelve o'clock to-night. Do not fail.'" Barbara
rose and dropped the note in Nevada's lap. "I'm awfully sorry,"
she said, "that I knew. It isn't like Gilbert. There must be some
mistake. Just consider that I am ignorant of it, will you, dear? I
must go up-stairs now, I have such a headache. I'm sure I don't
understand the note. Perhaps Gilbert has been dining too well, and
will explain. Good night!"</p>
<p> </p>
<h4>IV<br/> </h4>
<p>Nevada tiptoed to the hall, and heard Barbara's door close
upstairs. The bronze clock in the study told the hour of twelve
was fifteen minutes away. She ran swiftly to the front door, and
let herself out into the snow-storm. Gilbert Warren's studio was
six squares away.</p>
<p>By aerial ferry the white, silent forces of the storm attacked the
city from beyond the sullen East River. Already the snow lay a
foot deep on the pavements, the drifts heaping themselves like
scaling-ladders against the walls of the besieged town. The Avenue
was as quiet as a street in Pompeii. Cabs now and then skimmed
past like white-winged gulls over a moonlit ocean; and less
frequent motor-cars—sustaining the comparison—hissed through the
foaming waves like submarine boats on their jocund, perilous
journeys.</p>
<p>Nevada plunged like a wind-driven storm-petrel on her way. She
looked up at the ragged sierras of cloud-capped buildings that
rose above the streets, shaded by the night lights and the
congealed vapors to gray, drab, ashen, lavender, dun, and cerulean
tints. They were so like the wintry mountains of her Western home
that she felt a satisfaction such as the hundred-thousand-dollar
house had seldom brought her.</p>
<p>A policeman caused her to waver on a corner, just by his eye and
weight.</p>
<p>"Hello, Mabel!" said he. "Kind of late for you to be out, ain't
it?"</p>
<p>"I—I am just going to the drug store," said Nevada, hurrying past
him.</p>
<p>The excuse serves as a passport for the most sophisticated. Does
it prove that woman never progresses, or that she sprang from
Adam's rib, full-fledged in intellect and wiles?</p>
<p>Turning eastward, the direct blast cut down Nevada's speed
one-half. She made zigzag tracks in the snow; but she was as tough
as a piñon sapling, and bowed to it as gracefully. Suddenly the
studio-building loomed before her, a familiar landmark, like a
cliff above some well-remembered cañon. The haunt of business and
its hostile neighbor, art, was darkened and silent. The elevator
stopped at ten.</p>
<p>Up eight flights of Stygian stairs Nevada climbed, and rapped
firmly at the door numbered "89." She had been there many times
before, with Barbara and Uncle Jerome.</p>
<p>Gilbert opened the door. He had a crayon pencil in one hand, a
green shade over his eyes, and a pipe in his mouth. The pipe
dropped to the floor.</p>
<p>"Am I late?" asked Nevada. "I came as quick as I could. Uncle and
me were at the theatre this evening. Here I am, Gilbert!"</p>
<p>Gilbert did a Pygmalion-and-Galatea act. He changed from a statue
of stupefaction to a young man with a problem to tackle. He
admitted Nevada, got a whisk-broom, and began to brush the snow
from her clothes. A great lamp, with a green shade, hung over an
easel, where the artist had been sketching in crayon.</p>
<p>"You wanted me," said Nevada simply, "and I came. You said so in
your letter. What did you send for me for?"</p>
<p>"You read my letter?" inquired Gilbert, sparring for wind.</p>
<p>"Barbara read it to me. I saw it afterward. It said: 'Come to my
studio at twelve to-night, and do not fail.' I thought you were
sick, of course, but you don't seem to be."</p>
<p>"Aha!" said Gilbert irrelevantly. "I'll tell you why I asked you
to come, Nevada. I want you to marry me immediately—to-night.
What's a little snow-storm? Will you do it?"</p>
<p>"You might have noticed that I would, long ago," said Nevada. "And
I'm rather stuck on the snow-storm idea, myself. I surely would
hate one of these flowery church noon-weddings. Gilbert, I didn't
know you had grit enough to propose it this way. Let's shock
'em—it's our funeral, ain't it?"</p>
<p>"You bet!" said Gilbert. "Where did I hear that expression?" he
added to himself. "Wait a minute, Nevada; I want to do a little
'phoning."</p>
<p>He shut himself in a little dressing-room, and called upon the
lightnings of the heavens—condensed into unromantic numbers and
districts.</p>
<p>"That you, Jack? You confounded sleepyhead! Yes, wake up; this is
me—or I—oh, bother the difference in grammar! I'm going to be
married right away. Yes! Wake up your sister—don't answer me
back; bring her along, too—you <i>must</i>! Remind Agnes of the time I
saved her from drowning in Lake Ronkonkoma—I know it's caddish to
refer to it, but she must come with you. Yes. Nevada is here,
waiting. We've been engaged quite a while. Some opposition among
the relatives, you know, and we have to pull it off this way.
We're waiting here for you. Don't let Agnes out-talk you—bring
her! You will? Good old boy! I'll order a carriage to call for
you, double-quick time. Confound you, Jack, you're all right!"</p>
<p>Gilbert returned to the room where Nevada waited.</p>
<p>"My old friend, Jack Peyton, and his sister were to have been here
at a quarter to twelve," he explained; "but Jack is so
confoundedly slow. I've just 'phoned them to hurry. They'll be
here in a few minutes. I'm the happiest man in the world, Nevada!
What did you do with the letter I sent you to-day?"</p>
<p>"I've got it cinched here," said Nevada, pulling it out from
beneath her opera-cloak.</p>
<p>Gilbert drew the letter from the envelope and looked it over
carefully. Then he looked at Nevada thoughtfully.</p>
<p>"Didn't you think it rather queer that I should ask you to come to
my studio at midnight?" he asked.</p>
<p>"Why, no," said Nevada, rounding her eyes. "Not if you needed me.
Out West, when a pal sends you a hurry call—ain't that what you
say here?—we get there first and talk about it after the row is
over. And it's usually snowing there, too, when things happen. So
I didn't mind."</p>
<p>Gilbert rushed into another room, and came back burdened with
overcoats warranted to turn wind, rain, or snow.</p>
<p>"Put this raincoat on," he said, holding it for her. "We have a
quarter of a mile to go. Old Jack and his sister will be here in a
few minutes." He began to struggle into a heavy coat. "Oh,
Nevada," he said, "just look at the headlines on the front page of
that evening paper on the table, will you? It's about your section
of the West, and I know it will interest you."</p>
<p>He waited a full minute, pretending to find trouble in the getting
on of his overcoat, and then turned. Nevada had not moved. She was
looking at him with strange and pensive directness. Her cheeks had
a flush on them beyond the color that had been contributed by the
wind and snow; but her eyes were steady.</p>
<p>"I was going to tell you," she said, "anyhow, before you—before
we—before—well, before anything. Dad never gave me a day of
schooling. I never learned to read or write a darned word. Now
if—"</p>
<p>Pounding their uncertain way up-stairs, the feet of Jack, the
somnolent, and Agnes, the grateful, were heard.</p>
<p> </p>
<h4>V<br/> </h4>
<p>When Mr. and Mrs. Gilbert Warren were spinning softly homeward in
a closed carriage, after the ceremony, Gilbert said:</p>
<p>"Nevada, would you really like to know what I wrote you in the
letter that you received to-night?"</p>
<p>"Fire away!" said his bride.</p>
<p>"Word for word," said Gilbert, "it was this: 'My dear Miss
Warren—You were right about the flower. It was a hydrangea, and
not a lilac.'"</p>
<p>"All right," said Nevada. "But let's forget it. The joke's on
Barbara, anyway!"</p>
<p> </p>
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