<p> <SPAN name="13"></SPAN></p>
<p> </p>
<h3>THE HIGHER PRAGMATISM</h3>
<p> </p>
<h4>I<br/> </h4>
<p>Where to go for wisdom has become a question of serious import. The
ancients are discredited; Plato is boiler-plate; Aristotle is
tottering; Marcus Aurelius is reeling; Æsop has been copyrighted by
Indiana; Solomon is too solemn; you couldn't get anything out of
Epictetus with a pick.</p>
<p>The ant, which for many years served as a model of intelligence and
industry in the school-readers, has been proven to be a doddering
idiot and a waster of time and effort. The owl to-day is hooted at.
Chautauqua conventions have abandoned culture and adopted diabolo.
Graybeards give glowing testimonials to the venders of patent
hair-restorers. There are typographical errors in the almanacs
published by the daily newspapers. College professors have become—</p>
<p>But there shall be no personalities.</p>
<p>To sit in classes, to delve into the encyclopedia or the
past-performances page, will not make us wise. As the
poet says, "Knowledge comes, but wisdom lingers."
Wisdom is dew, which, while we know it not, soaks into us, refreshes
us, and makes us grow. Knowledge is a strong stream of water turned
on us through a hose. It disturbs our roots.</p>
<p>Then, let us rather gather wisdom. But how to do so requires
knowledge. If we know a thing, we know it; but very often we are not
wise to it that we are wise, and—</p>
<p>But let's go on with the story.</p>
<p> </p>
<h4>II<br/> </h4>
<p>Once upon a time I found a ten-cent magazine lying on a bench in a
little city park. Anyhow, that was the amount he asked me for when I
sat on the bench next to him. He was a musty, dingy, and tattered
magazine, with some queer stories bound in him, I was sure. He
turned out to be a scrap-book.</p>
<p>"I am a newspaper reporter," I said to him, to try him. "I have been
detailed to write up some of the experiences of the unfortunate ones
who spend their evenings in this park. May I ask you to what you
attribute your downfall in—"</p>
<p>I was interrupted by a laugh from my purchase—a laugh so rusty and
unpractised that I was sure it had been his first for many a day.</p>
<p>"Oh, no, no," said he. "You ain't a reporter. Reporters don't talk
that way. They pretend to be one of us, and say they've just got in
on the blind baggage from St. Louis. I can tell a reporter on sight.
Us park bums get to be fine judges of human nature. We sit here all
day and watch the people go by. I can size up anybody who walks past
my bench in a way that would surprise you."</p>
<p>"Well," I said, "go on and tell me. How do you size me up?"</p>
<p>"I should say," said the student of human nature with unpardonable
hesitation, "that you was, say, in the contracting business—or
maybe worked in a store—or was a sign-painter. You stopped in the
park to finish your cigar, and thought you'd get a little free
monologue out of me. Still, you might be a plasterer or a
lawyer—it's getting kind of dark, you see. And your wife won't let
you smoke at home."</p>
<p>I frowned gloomily.</p>
<p>"But, judging again," went on the reader of men, "I'd say you ain't
got a wife."</p>
<p>"No," said I, rising restlessly. "No, no, no, I ain't. But I <i>will</i>
have, by the arrows of Cupid! That is, if—"</p>
<p>My voice must have trailed away and muffled itself in uncertainty
and despair.</p>
<p>"I see you have a story yourself," said the dusty
vagrant—impudently, it seemed to me. "Suppose you take your dime
back and spin your yarn for me. I'm interested myself in the ups and
downs of unfortunate ones who spend their evenings in the park."</p>
<p>Somehow, that amused me. I looked at the frowsy derelict with more
interest. I did have a story. Why not tell it to him? I had told
none of my friends. I had always been a reserved and bottled-up man.
It was psychical timidity or sensitiveness—perhaps both. And I
smiled to myself in wonder when I felt an impulse to confide in this
stranger and vagabond.</p>
<p>"Jack," said I.</p>
<p>"Mack," said he.</p>
<p>"Mack," said I, "I'll tell you."</p>
<p>"Do you want the dime back in advance?" said he.</p>
<p>I handed him a dollar.</p>
<p>"The dime," said I, "was the price of listening to <i>your</i>
story."</p>
<p>"Right on the point of the jaw," said he. "Go on."</p>
<p>And then, incredible as it may seem to the lovers in the world who
confide their sorrows only to the night wind and the gibbous moon, I
laid bare my secret to that wreck of all things that you would have
supposed to be in sympathy with love.</p>
<p>I told him of the days and weeks and months that I had spent in
adoring Mildred Telfair. I spoke of my despair, my grievous days and
wakeful nights, my dwindling hopes and distress of mind. I even
pictured to this night-prowler her beauty and dignity, the great
sway she had in society, and the magnificence of her life as the
elder daughter of an ancient race whose pride overbalanced the
dollars of the city's millionaires.</p>
<p>"Why don't you cop the lady out?" asked Mack, bringing me down to
earth and dialect again.</p>
<p>I explained to him that my worth was so small, my income so minute,
and my fears so large that I hadn't the courage to speak to her of
my worship. I told him that in her presence I could only blush and
stammer, and that she looked upon me with a wonderful, maddening
smile of amusement.</p>
<p>"She kind of moves in the professional class, don't she?" asked
Mack.</p>
<p>"The Telfair family—" I began, haughtily.</p>
<p>"I mean professional beauty," said my hearer.</p>
<p>"She is greatly and widely admired," I answered, cautiously.</p>
<p>"Any sisters?"</p>
<p>"One."</p>
<p>"You know any more girls?"</p>
<p>"Why, several," I answered. "And a few others."</p>
<p>"Say," said Mack, "tell me one thing—can you hand out the dope to
other girls? Can you chin 'em and make matinée eyes at 'em
and squeeze 'em? You know what I mean. You're just shy when it comes
to this particular dame—the professional beauty—ain't that right?"</p>
<p>"In a way you have outlined the situation with approximate truth," I
admitted.</p>
<p>"I thought so," said Mack, grimly. "Now, that reminds me of my own
case. I'll tell you about it."</p>
<p>I was indignant, but concealed it. What was this loafer's case or
anybody's case compared with mine? Besides, I had given him a dollar
and ten cents.</p>
<p>"Feel my muscle," said my companion, suddenly, flexing his biceps. I
did so mechanically. The fellows in gyms are always asking you to do
that. His arm was as hard as cast-iron.</p>
<p>"Four years ago," said Mack, "I could lick any man in New York
outside of the professional ring. Your case and mine is just the
same. I come from the West Side—between Thirtieth and Fourteenth—I
won't give the number on the door. I was a scrapper when I was ten,
and when I was twenty no amateur in the city could stand up four
rounds with me. 'S a fact. You know Bill McCarty? No? He managed the
smokers for some of them swell clubs. Well, I knocked out everything
Bill brought up before me. I was a middle-weight, but could train
down to a welter when necessary. I boxed all over the West Side at
bouts and benefits and private entertainments, and was never put out
once.</p>
<p>"But, say, the first time I put my foot in the ring with a
professional I was no more than a canned lobster. I dunno how it
was—I seemed to lose heart. I guess I got too much imagination.
There was a formality and publicness about it that kind of weakened
my nerve. I never won a fight in the ring. Light-weights and all
kinds of scrubs used to sign up with my manager and then walk up and
tap me on the wrist and see me fall. The minute I seen the crowd and
a lot of gents in evening clothes down in front, and seen a
professional come inside the ropes, I got as weak as ginger-ale.</p>
<p>"Of course, it wasn't long till I couldn't get no backers, and I
didn't have any more chances to fight a professional—or many
amateurs, either. But lemme tell you—I was as good as most men
inside the ring or out. It was just that dumb, dead feeling I had
when I was up against a regular that always done me up.</p>
<p>"Well, sir, after I had got out of the business, I got a mighty
grouch on. I used to go round town licking private citizens and all
kinds of unprofessionals just to please myself. I'd lick cops in
dark streets and car-conductors and cab-drivers and draymen whenever
I could start a row with 'em. It didn't make any difference how big
they were, or how much science they had, I got away with 'em. If I'd
only just have had the confidence in the ring that I had beating up
the best men outside of it, I'd be wearing black pearls and
heliotrope silk socks to-day.</p>
<p>"One evening I was walking along near the Bowery, thinking about
things, when along comes a slumming-party. About six or seven they
was, all in swallowtails, and these silk hats that don't shine. One
of the gang kind of shoves me off the sidewalk. I hadn't had a scrap
in three days, and I just says, 'De-light-ed!' and hits him back of
the ear.</p>
<p>"Well, we had it. That Johnnie put up as decent a little fight as
you'd want to see in the moving pictures. It was on a side street,
and no cops around. The other guy had a lot of science, but it only
took me about six minutes to lay him out.</p>
<p>"Some of the swallowtails dragged him up against some steps and
began to fan him. Another one of 'em comes over to me and says:</p>
<p>"'Young man, do you know what you've done?'</p>
<p>"'Oh, beat it,' says I. 'I've done nothing but a little punching-bag
work. Take Freddy back to Yale and tell him to quit studying
sociology on the wrong side of the sidewalk.'</p>
<p>"'My good fellow,' says he, 'I don't know who you are, but I'd like
to. You've knocked out Reddy Burns, the champion middle-weight of
the world! He came to New York yesterday, to try to get a match on
with Jim Jeffries. If you—'</p>
<p>"But when I come out of my faint I was laying on the floor in a
drug-store saturated with aromatic spirits of ammonia. If I'd known
that was Reddy Burns, I'd have got down in the gutter and crawled
past him instead of handing him one like I did. Why, if I'd ever
been in a ring and seen him climbing over the ropes, I'd have been
all to the sal-volatile.</p>
<p>"So that's what imagination does," concluded Mack. "And, as I said,
your case and mine is simultaneous. You'll never win out. You can't
go up against the professionals. I tell you, it's a park bench for
yours in this romance business."</p>
<p>Mack, the pessimist, laughed harshly.</p>
<p>"I'm afraid I don't see the parallel," I said, coldly. "I have only
a very slight acquaintance with the prize-ring."</p>
<p>The derelict touched my sleeve with his forefinger, for emphasis, as
he explained his parable.</p>
<p>"Every man," said he, with some dignity, "has got his lamps on
something that looks good to him. With you, it's this dame that
you're afraid to say your say to. With me, it was to win out in the
ring. Well, you'll lose just like I did."</p>
<p>"Why do you think I shall lose?" I asked warmly.</p>
<p>"'Cause," said he, "you're afraid to go in the ring. You dassen't
stand up before a professional. Your case and mine is just the same.
You're a amateur; and that means that you'd better keep outside of
the ropes."</p>
<p>"Well, I must be going," I said, rising and looking with elaborate
care at my watch.</p>
<p>When I was twenty feet away the park-bencher called to me.</p>
<p>"Much obliged for the dollar," he said. "And for the dime. But
you'll never get 'er. You're in the amateur class."</p>
<p>"Serves you right," I said to myself, "for hobnobbing with a tramp.
His impudence!"</p>
<p>But, as I walked, his words seemed to repeat themselves over and
over again in my brain. I think I even grew angry at the man.</p>
<p>"I'll show him!" I finally said, aloud. "I'll show him that I can
fight Reddy Burns, too—even knowing who he is."</p>
<p>I hurried to a telephone-booth and rang up the Telfair residence.</p>
<p>A soft, sweet voice answered. Didn't I know that voice? My hand
holding the receiver shook.</p>
<p>"Is that <i>you</i>?" said I, employing the foolish words that form
the vocabulary of every talker through the telephone.</p>
<p>"Yes, this is I," came back the answer in the low, clear-cut tones
that are an inheritance of the Telfairs. "Who is it, please?"</p>
<p>"It's me," said I, less ungrammatically than egotistically. "It's
me, and I've got a few things that I want to say to you right now
and immediately and straight to the point."</p>
<p>"<i>Dear</i> me," said the voice. "Oh, it's you, Mr. Arden!"</p>
<p>I wondered if any accent on the first word was intended; Mildred was
fine at saying things that you had to study out afterward.</p>
<p>"Yes," said I. "I hope so. And now to come down to brass tacks." I
thought that rather a vernacularism, if there is such a word, as
soon as I had said it; but I didn't stop to apologize. "You know, of
course, that I love you, and that I have been in that idiotic state
for a long time. I don't want any more foolishness about it—that
is, I mean I want an answer from you right now. Will you marry me or
not? Hold the wire, please. Keep out, Central. Hello, hello! Will
you, or will you <i>not</i>?"</p>
<p>That was just the uppercut for Reddy Burns' chin. The answer came
back:</p>
<p>"Why, Phil, dear, of course I will! I didn't know that you—that is,
you never said—oh, come up to the house, please—I can't say what I
want to over the 'phone. You are so importunate. But please come up
to the house, won't you?"</p>
<p>Would I?</p>
<p>I rang the bell of the Telfair house violently. Some sort of a human
came to the door and shooed me into the drawing-room.</p>
<p>"Oh, well," said I to myself, looking at the ceiling, "any one can
learn from any one. That was a pretty good philosophy of Mack's,
anyhow. He didn't take advantage of his experience, but I get the
benefit of it. If you want to get into the professional class,
you've got to—"</p>
<p>I stopped thinking then. Some one was coming down the stairs. My
knees began to shake. I knew then how Mack had felt when a
professional began to climb over the ropes.</p>
<p>I looked around foolishly for a door or a window by which I might
escape. If it had been any other girl approaching, I mightn't
have—</p>
<p>But just then the door opened, and Bess, Mildred's younger sister,
came in. I'd never seen her look so much like a glorified angel. She
walked straight tip to me, and—and—</p>
<p>I'd never noticed before what perfectly wonderful eyes and hair
Elizabeth Telfair had.</p>
<p>"Phil," she said, in the Telfair, sweet, thrilling tones, "why
didn't you tell me about it before? I thought it was sister you
wanted all the time, until you telephoned to me a few minutes ago!"</p>
<p>I suppose Mack and I always will be hopeless amateurs. But, as the
thing has turned out in my case, I'm mighty glad of it.</p>
<p> </p>
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