<h2>IV</h2>
<br/>
<p><b>Her Habits--A Saunter</b></p>
<p>I told you that I was charmed with her in most
particulars.</p>
<p>There were some that did not please me so well.</p>
<p>She was above the middle height of women. I shall
begin by describing her.</p>
<p>She was slender, and wonderfully graceful. Except
that her movements were languid--very languid--indeed,
there was nothing in her appearance to indicate
an invalid. Her complexion was rich and brilliant; her
features were small and beautifully formed; her eyes
large, dark, and lustrous; her hair was quite wonderful,
I never saw hair so magnificently thick and long when
it was down about her shoulders; I have often placed
my hands under it, and laughed with wonder at its
weight. It was exquisitely fine and soft, and in color a
rich very dark brown, with something of gold. I loved
to let it down, tumbling with its own weight, as, in her
room, she lay back in her chair talking in her sweet
low voice, I used to fold and braid it, and spread it out
and play with it. Heavens! If I had but known all!</p>
<p>I said there were particulars which did not please me.
I have told you that her confidence won me the first
night I saw her; but I found that she exercised with
respect to herself, her mother, her history, everything
in fact connected with her life, plans, and people, an
ever wakeful reserve. I dare say I was unreasonable,
perhaps I was wrong; I dare say I ought to have respected
the solemn injunction laid upon my father by
the stately lady in black velvet. But curiosity is a restless
and unscrupulous passion, and no one girl can endure,
with patience, that hers should be baffled by another.
What harm could it do anyone to tell me what I so
ardently desired to know? Had she no trust in my good
sense or honor? Why would she not believe me when
I assured her, so solemnly, that I would not divulge
one syllable of what she told me to any mortal breathing.</p>
<p>There was a coldness, it seemed to me, beyond her
years, in her smiling melancholy persistent refusal to
afford me the least ray of light.</p>
<p>I cannot say we quarreled upon this point, for she
would not quarrel upon any. It was, of course, very
unfair of me to press her, very ill-bred, but I really could
not help it; and I might just as well have let it alone.</p>
<p>What she did tell me amounted, in my unconscionable
estimation--to nothing.</p>
<p>It was all summed up in three very vague disclosures:</p>
<p>First--Her name was Carmilla.</p>
<p>Second--Her family was very ancient and noble.</p>
<p>Third--Her home lay in the direction of the west.</p>
<p>She would not tell me the name of her family, nor
their armorial bearings, nor the name of their estate,
nor even that of the country they lived in.</p>
<p>You are not to suppose that I worried her incessantly
on these subjects. I watched opportunity, and rather
insinuated than urged my inquiries. Once or twice,
indeed, I did attack her more directly. But no matter
what my tactics, utter failure was invariably the result.
Reproaches and caresses were all lost upon her. But I
must add this, that her evasion was conducted with so
pretty a melancholy and deprecation, with so many,
and even passionate declarations of her liking for me,
and trust in my honor, and with so many promises
that I should at last know all, that I could not find it
in my heart long to be offended with her.</p>
<p>She used to place her pretty arms about my neck,
draw me to her, and laying her cheek to mine, murmur
with her lips near my ear, "Dearest, your little heart is
wounded; think me not cruel because I obey the irresistible
law of my strength and weakness; if your dear
heart is wounded, my wild heart bleeds with yours. In
the rapture of my enormous humiliation I live in your
warm life, and you shall die--die, sweetly die--into
mine. I cannot help it; as I draw near to you, you, in
your turn, will draw near to others, and learn the
rapture of that cruelty, which yet is love; so, for a while,
seek to know no more of me and mine, but trust me
with all your loving spirit."</p>
<p>And when she had spoken such a rhapsody, she
would press me more closely in her trembling embrace,
and her lips in soft kisses gently glow upon my cheek.</p>
<p>Her agitations and her language were unintelligible
to me.</p>
<p>From these foolish embraces, which were not of very
frequent occurrence, I must allow, I used to wish to
extricate myself; but my energies seemed to fail me.
Her murmured words sounded like a lullaby in my ear,
and soothed my resistance into a trance, from which I
only seemed to recover myself when she withdrew her
arms.</p>
<p>In these mysterious moods I did not like her. I
experienced a strange tumultuous excitement that was
pleasurable, ever and anon, mingled with a vague sense
of fear and disgust. I had no distinct thoughts about
her while such scenes lasted, but I was conscious of a
love growing into adoration, and also of abhorrence.
This I know is paradox, but I can make no other
attempt to explain the feeling.</p>
<p>I now write, after an interval of more than ten years,
with a trembling hand, with a confused and horrible
recollection of certain occurrences and situations, in
the ordeal through which I was unconsciously passing;
though with a vivid and very sharp remembrance of
the main current of my story.</p>
<p>But, I suspect, in all lives there are certain emotional
scenes, those in which our passions have been most
wildly and terribly roused, that are of all others the
most vaguely and dimly remembered.</p>
<p>Sometimes after an hour of apathy, my strange and
beautiful companion would take my hand and hold it
with a fond pressure, renewed again and again; blushing
softly, gazing in my face with languid and burning
eyes, and breathing so fast that her dress rose and fell
with the tumultuous respiration. It was like the ardor
of a lover; it embarrassed me; it was hateful and yet
over-powering; and with gloating eyes she drew me to
her, and her hot lips traveled along my cheek in kisses;
and she would whisper, almost in sobs, "You are mine,
you <i>shall</i> be mine, you and I are one for ever." Then
she had thrown herself back in her chair, with her small
hands over her eyes, leaving me trembling.</p>
<p>"Are we related," I used to ask; "what can you mean
by all this? I remind you perhaps of someone whom
you love; but you must not, I hate it; I don't know you--I
don't know myself when you look so and talk so."</p>
<p>She used to sigh at my vehemence, then turn away
and drop my hand.</p>
<p>Respecting these very extraordinary manifestations
I strove in vain to form any satisfactory theory--I
could not refer them to affectation or trick. It was
unmistakably the momentary breaking out of suppressed
instinct and emotion. Was she, notwithstanding
her mother's volunteered denial, subject to brief
visitations of insanity; or was there here a disguise and
a romance? I had read in old storybooks of such things.
What if a boyish lover had found his way into the
house, and sought to prosecute his suit in masquerade,
with the assistance of a clever old adventuress. But
there were many things against this hypothesis, highly
interesting as it was to my vanity.</p>
<p>I could boast of no little attentions such as masculine
gallantry delights to offer. Between these passionate
moments there were long intervals of commonplace,
of gaiety, of brooding melancholy, during
which, except that I detected her eyes so full of melancholy
fire, following me, at times I might have been as
nothing to her. Except in these brief periods of mysterious
excitement her ways were girlish; and there was
always a languor about her, quite incompatible with a
masculine system in a state of health.</p>
<p>In some respects her habits were odd. Perhaps not
so singular in the opinion of a town lady like you, as
they appeared to us rustic people. She used to come
down very late, generally not till one o'clock, she would
then take a cup of chocolate, but eat nothing; we then
went out for a walk, which was a mere saunter, and she
seemed, almost immediately, exhausted, and either
returned to the schloss or sat on one of the benches
that were placed, here and there, among the trees. This
was a bodily languor in which her mind did not
sympathize. She was always an animated talker, and
very intelligent.</p>
<p>She sometimes alluded for a moment to her own
home, or mentioned an adventure or situation, or an
early recollection, which indicated a people of strange
manners, and described customs of which we knew
nothing. I gathered from these chance hints that her
native country was much more remote than I had at
first fancied.</p>
<p>As we sat thus one afternoon under the trees a
funeral passed us by. It was that of a pretty young girl,
whom I had often seen, the daughter of one of the
rangers of the forest. The poor man was walking behind
the coffin of his darling; she was his only child,
and he looked quite heartbroken.</p>
<p>Peasants walking two-and-two came behind, they
were singing a funeral hymn.</p>
<p>I rose to mark my respect as they passed, and joined
in the hymn they were very sweetly singing.</p>
<p>My companion shook me a little roughly, and I
turned surprised.</p>
<p>She said brusquely, "Don't you perceive how discordant
that is?"</p>
<p>"I think it very sweet, on the contrary," I answered,
vexed at the interruption, and very uncomfortable, lest
the people who composed the little procession should
observe and resent what was passing.</p>
<p>I resumed, therefore, instantly, and was again interrupted.
"You pierce my ears," said Carmilla, almost
angrily, and stopping her ears with her tiny fingers.
"Besides, how can you tell that your religion and mine
are the same; your forms wound me, and I hate funerals.
What a fuss! Why you must die--<i>everyone</i> must
die; and all are happier when they do. Come home."</p>
<p>"My father has gone on with the clergyman to the
churchyard. I thought you knew she was to be buried
today."</p>
<p>"She? I don't trouble my head about peasants. I don't
know who she is," answered Carmilla, with a flash from
her fine eyes.</p>
<p>"She is the poor girl who fancied she saw a ghost a
fortnight ago, and has been dying ever since, till yesterday,
when she expired."</p>
<p>"Tell me nothing about ghosts. I shan't sleep tonight
if you do."</p>
<p>"I hope there is no plague or fever coming; all this
looks very like it," I continued. "The swineherd's
young wife died only a week ago, and she thought
something seized her by the throat as she lay in her
bed, and nearly strangled her. Papa says such horrible
fancies do accompany some forms of fever. She was
quite well the day before. She sank afterwards, and died
before a week."</p>
<p>"Well, <i>her</i> funeral is over, I hope, and <i>her</i> hymn sung;
and our ears shan't be tortured with that discord and
jargon. It has made me nervous. Sit down here, beside
me; sit close; hold my hand; press it hard-hard-harder."</p>
<p>We had moved a little back, and had come to another
seat.</p>
<p>She sat down. Her face underwent a change that
alarmed and even terrified me for a moment. It darkened,
and became horribly livid; her teeth and hands
were clenched, and she frowned and compressed her
lips, while she stared down upon the ground at her
feet, and trembled all over with a continued shudder
as irrepressible as ague. All her energies seemed strained
to suppress a fit, with which she was then breathlessly
tugging; and at length a low convulsive cry of suffering
broke from her, and gradually the hysteria subsided.
"There! That comes of strangling people with hymns!"
she said at last. "Hold me, hold me still. It is passing
away."</p>
<p>And so gradually it did; and perhaps to dissipate the
somber impression which the spectacle had left upon
me, she became unusually animated and chatty; and
so we got home.</p>
<p>This was the first time I had seen her exhibit any
definable symptoms of that delicacy of health which
her mother had spoken of. It was the first time, also,
I had seen her exhibit anything like temper.</p>
<p>Both passed away like a summer cloud; and never
but once afterwards did I witness on her part a momentary
sign of anger. I will tell you how it happened.</p>
<p>She and I were looking out of one of the long
drawing room windows, when there entered the courtyard,
over the drawbridge, a figure of a wanderer whom
I knew very well. He used to visit the schloss generally
twice a year.</p>
<p>It was the figure of a hunchback, with the sharp lean
features that generally accompany deformity. He wore
a pointed black beard, and he was smiling from ear to
ear, showing his white fangs. He was dressed in buff,
black, and scarlet, and crossed with more straps and
belts than I could count, from which hung all manner
of things. Behind, he carried a magic lantern, and two
boxes, which I well knew, in one of which was a
salamander, and in the other a mandrake. These monsters
used to make my father laugh. They were compounded
of parts of monkeys, parrots, squirrels, fish,
and hedgehogs, dried and stitched together with great
neatness and startling effect. He had a fiddle, a box of
conjuring apparatus, a pair of foils and masks attached
to his belt, several other mysterious cases dangling
about him, and a black staff with copper ferrules in
his hand. His companion was a rough spare dog, that
followed at his heels, but stopped short, suspiciously
at the drawbridge, and in a little while began to howl
dismally.</p>
<p>In the meantime, the mountebank, standing in the
midst of the courtyard, raised his grotesque hat, and
made us a very ceremonious bow, paying his compliments
very volubly in execrable French, and German
not much better.</p>
<p>Then, disengaging his fiddle, he began to scrape a
lively air to which he sang with a merry discord, dancing
with ludicrous airs and activity, that made me
laugh, in spite of the dog's howling.</p>
<p>Then he advanced to the window with many smiles
and salutations, and his hat in his left hand, his fiddle
under his arm, and with a fluency that never took
breath, he gabbled a long advertisement of all his
accomplishments, and the resources of the various arts
which he placed at our service, and the curiosities and
entertainments which it was in his power, at our bidding,
to display.</p>
<p>"Will your ladyships be pleased to buy an amulet
against the oupire, which is going like the wolf, I hear,
through these woods," he said dropping his hat on the
pavement. "They are dying of it right and left and here
is a charm that never fails; only pinned to the pillow,
and you may laugh in his face."</p>
<p>These charms consisted of oblong slips of vellum,
with cabalistic ciphers and diagrams upon them.</p>
<p>Carmilla instantly purchased one, and so did I.</p>
<p>He was looking up, and we were smiling down upon
him, amused; at least, I can answer for myself. His
piercing black eye, as he looked up in our faces, seemed
to detect something that fixed for a moment his curiosity,</p>
<p>In an instant he unrolled a leather case, full of all
manner of odd little steel instruments.</p>
<p>"See here, my lady," he said, displaying it, and addressing
me, "I profess, among other things less useful,
the art of dentistry. Plague take the dog!" he interpolated.
"Silence, beast! He howls so that your ladyships
can scarcely hear a word. Your noble friend, the young
lady at your right, has the sharpest tooth,--long, thin,
pointed, like an awl, like a needle; ha, ha! With my
sharp and long sight, as I look up, I have seen it
distinctly; now if it happens to hurt the young lady,
and I think it must, here am I, here are my file, my
punch, my nippers; I will make it round and blunt, if
her ladyship pleases; no longer the tooth of a fish, but
of a beautiful young lady as she is. Hey? Is the young
lady displeased? Have I been too bold? Have I offended
her?"</p>
<p>The young lady, indeed, looked very angry as she
drew back from the window.</p>
<p>"How dares that mountebank insult us so? Where is
your father? I shall demand redress from him. My
father would have had the wretch tied up to the pump,
and flogged with a cart whip, and burnt to the bones
with the cattle brand!"</p>
<p>She retired from the window a step or two, and sat
down, and had hardly lost sight of the offender, when
her wrath subsided as suddenly as it had risen, and she
gradually recovered her usual tone, and seemed to
forget the little hunchback and his follies.</p>
<p>My father was out of spirits that evening. On coming
in he told us that there had been another case very
similar to the two fatal ones which had lately occurred.
The sister of a young peasant on his estate, only a mile
away, was very ill, had been, as she described it, attacked
very nearly in the same way, and was now slowly but
steadily sinking.</p>
<p>"All this," said my father, "is strictly referable to
natural causes. These poor people infect one another
with their superstitions, and so repeat in imagination
the images of terror that have infested their neighbors."</p>
<p>"But that very circumstance frightens one horribly,"
said Carmilla.</p>
<p>"How so?" inquired my father.</p>
<p>"I am so afraid of fancying I see such things; I think
it would be as bad as reality."</p>
<p>"We are in God's hands: nothing can happen without
his permission, and all will end well for those who
love him. He is our faithful creator; He has made us
all, and will take care of us."</p>
<p>"Creator! <i>Nature!</i>" said the young lady in answer to
my gentle father. "And this disease that invades the
country is natural. Nature. All things proceed from
Nature--don't they? All things in the heaven, in the
earth, and under the earth, act and live as Nature
ordains? I think so."</p>
<p>"The doctor said he would come here today," said
my father, after a silence. "I want to know what he
thinks about it, and what he thinks we had better do."</p>
<p>"Doctors never did me any good," said Carmilla.</p>
<p>"Then you have been ill?" I asked.</p>
<p>"More ill than ever you were," she answered.</p>
<p>"Long ago?"</p>
<p>"Yes, a long time. I suffered from this very illness;
but I forget all but my pain and weakness, and they
were not so bad as are suffered in other diseases."</p>
<p>"You were very young then?"</p>
<p>"I dare say, let us talk no more of it. You would not
wound a friend?"</p>
<p>She looked languidly in my eyes, and passed her arm
round my waist lovingly, and led me out of the room.
My father was busy over some papers near the window.</p>
<p>"Why does your papa like to frighten us?" said the
pretty girl with a sigh and a little shudder.</p>
<p>"He doesn't, dear Carmilla, it is the very furthest
thing from his mind."</p>
<p>"Are you afraid, dearest?"</p>
<p>"I should be very much if I fancied there was any
real danger of my being attacked as those poor people
were."</p>
<p>"You are afraid to die?"</p>
<p>"Yes, every one is."</p>
<p>"But to die as lovers may--to die together, so that
they may live together.</p>
<p>Girls are caterpillars while they live in the world, to
be finally butterflies when the summer comes; but in
the meantime there are grubs and larvae, don't you see--each
with their peculiar propensities, necessities and
structure. So says Monsieur Buffon, in his big book,
in the next room."</p>
<p>Later in the day the doctor came, and was closeted
with papa for some time.</p>
<p>He was a skilful man, of sixty and upwards, he wore
powder, and shaved his pale face as smooth as a pumpkin.
He and papa emerged from the room together,
and I heard papa laugh, and say as they came out:</p>
<p>"Well, I do wonder at a wise man like you. What do
you say to hippogriffs and dragons?"</p>
<p>The doctor was smiling, and made answer, shaking
his head--</p>
<p>"Nevertheless life and death are mysterious states,
and we know little of the resources of either."</p>
<p>And so they walked on, and I heard no more. I did
not then know what the doctor had been broaching,
but I think I guess it now.</p>
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