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<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_1" id="Page_1">[1]</SPAN></span></p>
<h1>AUNT CRETE’S EMANCIPATION</h1>
<div class="figcenter"><SPAN name="frontispiece"></SPAN> <ANTIMG src="images/frontis.jpg" width-obs="386" height-obs="500" alt="Aunt Crete and Carrie watch Luella read telegram" /> <div class="caption">“SHE WATCHED LUELLA’S DISMAYED FACE WITH GROWING ALARM”</div>
</div>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_2" id="Page_2">[2]</SPAN><br/><SPAN name="Page_3" id="Page_3">[3]</SPAN><br/><SPAN name="Page_4" id="Page_4">[4]</SPAN><br/><SPAN name="Page_5" id="Page_5">[5]</SPAN></span></p>
<div class='bbox'>
<div class="figcenter"> <ANTIMG src="images/title.jpg" width-obs="400" height-obs="65" alt="Aunt Crete’s Emancipation title" /></div>
<div class='center'>
BY<br/>
<span class='author'><span class="smcap">Grace Livingston Hill-Lutz</span></span><br/>
<span class='authorof'>Author of “The Girl from Montana,”<br/>
“The Story of a Whim,” Etc.</span><br/>
<br/>
<br/><br/><br/>
<small>ILLUSTRATIONS BY</small><br/>
CLARA E. ATWOOD<br/>
<br/>
<br/><br/><br/><br/>
<small>THE GOLDEN RULE COMPANY</small><br/>
<small><span class="smcap">Tremont Temple</span></small><br/>
<small><span class="smcap">Boston, Mass.</span></small><br/></div>
</div>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_6" id="Page_6">[6]</SPAN></span></p>
<div class='copyright'>
<i>Copyright, 1911</i><br/>
<br/>
<span class="smcap">By The Golden Rule Company</span><br/></div>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_7" id="Page_7">[7]</SPAN></span></p>
<h2>CONTENTS</h2>
<div class="center">
<table border="0" cellpadding="1" cellspacing="0" summary="Contents">
<tr>
<td align="left" colspan='2'><small>CHAPTER</small></td>
<td align="right"><small>PAGE</small></td>
</tr>
<tr>
<td align="right">I.</td>
<td align="left"><span class="smcap">A Telegram and a Flight</span></td>
<td align='right'><SPAN href="#Page_11">11</SPAN></td>
</tr>
<tr>
<td align="right">II.</td>
<td align="left"><span class="smcap">The Backwoods Cousin</span></td>
<td align='right'><SPAN href="#Page_25">25</SPAN></td>
</tr>
<tr>
<td align="right">III.</td>
<td align="left"><span class="smcap">A Wonderful Day</span></td>
<td align='right'><SPAN href="#Page_39">39</SPAN></td>
</tr>
<tr>
<td align="right">IV.</td>
<td align="left"><span class="smcap">Aunt Crete Transformed</span></td>
<td align='right'><SPAN href="#Page_61">61</SPAN></td>
</tr>
<tr>
<td align="right">V.</td>
<td align="left"><span class="smcap">Luella and Her Mother are Mystified</span></td>
<td align='right'><SPAN href="#Page_79">79</SPAN></td>
</tr>
<tr>
<td align="right">VI.</td>
<td align="left"><span class="smcap">An Embarrassing Meeting</span></td>
<td align='right'><SPAN href="#Page_96">96</SPAN></td>
</tr>
<tr>
<td align="right">VII.</td>
<td align="left"><span class="smcap">Luella’s Humiliation</span></td>
<td align='right'><SPAN href="#Page_117">117</SPAN></td>
</tr>
<tr>
<td align="right">VIII.</td>
<td align="left"><span class="smcap">Aunt Crete’s Partnership</span></td>
<td align='right'><SPAN href="#Page_132">132</SPAN></td>
</tr>
</table></div>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_8" id="Page_8">[8]</SPAN><br/><SPAN name="Page_9" id="Page_9">[9]</SPAN></span></p>
<h2>LIST OF ILLUSTRATIONS</h2>
<div class="center">
<table border="0" cellpadding="1" cellspacing="0" summary="Illustrations">
<tr>
<td align="left"> </td>
<td align="right"><small>PAGE</small></td>
</tr>
<tr>
<td align="left">“<span class="smcap">She watched Luella’s dismayed face with growing alarm</span>” <i><SPAN href="#frontispiece">Frontispiece</SPAN></i></td>
</tr>
<tr>
<td align="left">“<span class="smcap">He helped with vigor</span>”</td>
<td align='right'><SPAN href="#Page_31">31</SPAN></td>
</tr>
<tr>
<td align="left">“<span class="smcap">Donald watched her with satisfaction</span>”</td>
<td align='right'><SPAN href="#Page_52">52</SPAN></td>
</tr>
<tr>
<td align="left">“<span class="smcap">She beamed upon the whole trainful of people</span>”</td>
<td align='right'><SPAN href="#Page_63">63</SPAN></td>
</tr>
<tr>
<td align="left">“<span class="smcap">‘Somewhere I have seen that woman,’ exclaimed Luella’s mother</span>”</td>
<td align='right'><SPAN href="#Page_81">81</SPAN></td>
</tr>
<tr>
<td align="left">“<span class="smcap">They stood face to face with the wonderful lady in the gray gown</span>”</td>
<td align='right'><SPAN href="#Page_102">102</SPAN></td>
</tr>
<tr>
<td align="left">“‘<span class="smcap">It’s a lie! I say it’s a lie!</span>’”</td>
<td align='right'><SPAN href="#Page_123">123</SPAN></td>
</tr>
<tr>
<td align="left">“<span class="smcap">Aunt Crete was at last emancipated</span>”</td>
<td align='right'><SPAN href="#Page_143">143</SPAN></td>
</tr>
</table></div>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_10" id="Page_10">[10]</SPAN><br/><SPAN name="Page_11" id="Page_11">[11]</SPAN></span></p>
<h2>Aunt Crete’s Emancipation</h2>
<hr class="chap" />
<h2>CHAPTER I<br/> <br/> <small>A TELEGRAM AND A FLIGHT</small></h2>
<div>
<ANTIMG class="drop-capi" src="images/drop-w.jpg" width-obs="90" height-obs="103" alt="W" /></div>
<p class="drop-capi">“WHO’S at the front door?” asked Luella’s
mother, coming in from the kitchen with
a dish-towel in her hand. “I thought I
heard the door-bell.”</p>
<p>“Luella’s gone to the door,” said her sister from
her vantage-point at the crack of the sitting-room
door. “It looks to me like a telegraph boy.”</p>
<p>“It couldn’t be, Crete,” said Luella’s mother
impatiently, coming to see for herself. “Who
would telegraph now that Hannah’s dead?”</p>
<p>Lucretia was short and dumpy, with the comfortable,
patient look of the maiden aunt that
knows she is indispensable because she will meekly
take all the burdens that no one else wants to bear.
Her sister could easily look over her head into the
hall, and her gaze was penetrative and alert.</p>
<p>“I’m sure I don’t know, Carrie,” said Lucretia
apprehensively; “but I’m all of a tremble. Telegrams
are dreadful things.”</p>
<p><span class="pagenum"><SPAN name="Page_12" id="Page_12">[12]</SPAN></span></p>
<p>“Nonsense, Crete, you always act like such a
baby. Hurry up, Luella. Don’t stop to read it.
Your aunt Crete will have a fit. Wasn’t there
anything to pay? Who is it for?”</p>
<p>Luella, a rather stout young woman in stylish
attire, with her mother’s keen features unsoftened
by sentiment, advanced, irreverently tearing
open her mother’s telegram and reading it
as she came. It was one of the family grievances
that Luella was stout like her aunt instead
of tall and slender like her mother. The aunt
always felt secretly that they somehow blamed her
for being of that type. “It makes one so hard to
fit,” Luella’s mother remarked frequently, and
adding with a disparaging glance at her sister’s
dumpy form, “So impossible!”</p>
<p>At such times the aunt always wrinkled up her
pleasant little forehead into a V upside down, and
trotted off to her kitchen, or her buttonholes, or
whatever was the present task, sighing helplessly.
She tried to be the best that she could always; but
one couldn’t help one’s figure, especially when one
was partly dependent on one’s family for support,
and dressmakers and tailors took so much money.
It was bad enough to have one stout figure to fit
in the family without two; and the aunt always<span class="pagenum"><SPAN name="Page_13" id="Page_13">[13]</SPAN></span>
felt called upon to have as little dressmaking done
as possible, in order that Luella’s figure might be
improved from the slender treasury. “Clothes do
make a big difference,” she reflected. And sometimes
when she was all alone in the twilight, and
there was really nothing that her alert conscience
could possibly put her hand to doing for the
moment, she amused herself by thinking what
kind of dress she would buy, and who should make
it, if she should suddenly attain a fortune. But
this was a harmless amusement, inasmuch as she
never let it make her discontented with her lot,
or ruffle her placid brow for an instant.</p>
<p>But just now she was “all of a tremble,” and
the V in her forehead was rapidly becoming a
double V. She watched Luella’s dismayed face
with growing alarm.</p>
<p>“For goodness’ sake alive!” said Luella, flinging
herself into the most comfortable rocker, and
throwing her mother’s telegram on the table.
“That’s not to be tolerated! Something’ll have to
be done. We’ll have to go to the shore at once,
mother. I should die of mortification to have a
country cousin come around just now. What
would the Grandons think if they saw him? I can’t
afford to ruin all my chances for a cousin I’ve<span class="pagenum"><SPAN name="Page_14" id="Page_14">[14]</SPAN></span>
never seen. Mother, you simply must do something.
I won’t stand it!”</p>
<p>“What in the world are you talking about,
Luella?” said her mother impatiently. “Why
didn’t you read the telegram aloud, or why didn’t
you give it to me at once? Where are my glasses?”</p>
<p>The aunt waited meekly while her sister found
her glasses, and read the telegram.</p>
<p>“Well, I declare! That is provoking to have him
turn up just now of all times. Something must
be done, of course. We can’t have a gawky Westerner
around in the way. And, as you say, we’ve
never seen him. It can’t make much difference
to him whether he sees us or not. We can hurry
off, and be conveniently out of the way. It’s probably
only a ‘duty visit’ he’s paying, anyway.
Hannah’s been dead ten years, and I always heard
the child was more like his father than his mother.
Besides, Hannah married and went away to live
when I was only a little girl. I really don’t think
Donald has much claim on us. What a long telegram!
It must have cost a lot. Was it paid for?
It shows he knows nothing of the world, or he
would have put it in a few words. Well, we’ll have
to get away at once.”</p>
<p>She crumpled the telegram into a ball, and flung<span class="pagenum"><SPAN name="Page_15" id="Page_15">[15]</SPAN></span>
it to the table again; but it fell wide of its mark,
and dropped to the floor instead. The aunt
patiently stooped and picked it up, smoothing out
the crushed yellow paper.</p>
<p>“Hannah’s boy!” she said gently, and she
touched the yellow paper as if it had been something
sacred.</p>
<blockquote>
<p>“Am taking a trip East, and shall make you a little
visit if convenient. Will be with you sometime on
Thursday.</p>
<p class='sig'>
<span class="smcap">Donald Grant.</span>”<br/></p>
</blockquote>
<p>She sat down suddenly in the nearest chair.
Somehow the relief from anxiety had made her
knees weak. “Hannah’s boy!” she murmured
again, and laid her hand caressingly over the telegram,
smoothing down a torn place in the edge
of the paper.</p>
<p>Luella and her mother were discussing plans.
They had decided that they must leave on the
early train the next morning, before there was
any chance of the Western visitor’s arriving.</p>
<p>“Goodness! Look at Aunt Crete,” said Luella,
laughing. “She looks as if she had seen a ghost.
Her lips are all white.”</p>
<p>“Crete, you oughtn’t to be such a fool. As if a
telegram would hurt you! There’s nobody left to
be worried about like that. Why don’t you use
your reason a little?”</p>
<p><span class="pagenum"><SPAN name="Page_16" id="Page_16">[16]</SPAN></span></p>
<p>“Hannah’s boy is really coming!” beamed Aunt
Crete, ignoring their scorn of herself.</p>
<p>“Upon my word! Aunt Crete, you look as if it
were something to be glad about, instead of a
downright calamity.”</p>
<p>“Glad; of course I’m glad, Luella. Wouldn’t
you be glad to see your oldest sister’s child?
Hannah was always very dear to me. I can see
her now the way she looked when she went away,
so tall and slim and pretty——”</p>
<p>“Not if she’d been dead for a century or so, and
I’d never seen the child, and he was a gawky, embarrassing
creature who would spoil the prospects
of the people I was supposed to love,” retorted
Luella. “Aunt Crete, don’t you care the least bit
for my happiness? Do you want it all spoiled?”</p>
<p>“Why, of course not, dearie,” beamed Aunt
Crete, “but I don’t see how it will spoil your happiness.
I should think you’d want to see him yourself.”</p>
<p>“Aunt Crete! The idea! He’s nothing to me.
You know he’s lived away out in the wild West all
his life. He probably never had much schooling,
and doesn’t know how to dress or behave in polite
society. I heard he went away off up in the Klondike
somewhere, and worked in a mine. You can<span class="pagenum"><SPAN name="Page_17" id="Page_17">[17]</SPAN></span>
imagine just what a wild, ignorant creature he
will be. If Clarence Grandon should see him, he
might imagine my family were all like that; and
then where would I be?”</p>
<p>“Yes, Crete, I’m surprised at you. You’ve been
so anxious all along for Luella to shine in society,
and now you talk just as if you didn’t care in the
least what happened,” put in Luella’s mother.</p>
<p>“But what can you do?” asked Aunt Crete.
“You can’t tell him not to come—your own sister’s
child!”</p>
<p>“O, how silly you are, Crete!” said her sister.
“No, of course we can’t very well tell him not to
come, as he hasn’t given us a chance; for this telegram
is evidently sent on the way. It is dated
‘Chicago,’ and he hasn’t given us a trace of an
address. He doesn’t live in Chicago. He’s very
likely almost here, and may arrive any time to-morrow.
Now you know we’ve simply got to go
to the shore next week, for the rooms are all engaged
at the hotel, and paid for; and we might as
well hurry up and get off to-night or early in the
morning, and escape him. Luella would die of
mortification if she had to cousin that fellow and
give up her trip to the shore. As you weren’t
going anyway, you can receive him. It will keep<span class="pagenum"><SPAN name="Page_18" id="Page_18">[18]</SPAN></span>
him quietly at home, for he won’t expect an old
woman to go out with him, and show him the
sights; so nobody will notice him much, and there
won’t be a lot of talk. If he looks very ridiculous,
and that prying Mrs. Brown next door speaks of
it, you might explain he’s the son of an old school
friend who went out West to live years ago——”</p>
<p>“O Carrie!” exclaimed Aunt Crete, “that
wouldn’t be true; and, besides, he can’t be so very
bad as that. And even if he is, I shall love him—for
he’s Hannah’s boy.”</p>
<p>“Love him all you want to,” sniffed her sister,
“but for pity’s sake don’t let the neighbors know
what relation he is.”</p>
<p>“That’s just like you, Aunt Crete,” said Luella
in a hurt tone. “You’ve known me and pretended
to love me all your life. I’m almost like your own
child, and yet you take up with this unknown
nephew, and say you’ll love him in spite of all the
trouble he’s making me.”</p>
<p>Aunt Crete doubled the V in her forehead, and
wiped away the beads of perspiration. Somehow
it always seemed that she was in the wrong.
Would she be understood in heaven? she wondered.</p>
<p><span class="pagenum"><SPAN name="Page_19" id="Page_19">[19]</SPAN></span></p>
<p>Luella and her mother went on planning. They
told off what Aunt Crete was to do after they left.</p>
<p>“There’s the raspberries and blackberries not
done up yet, Crete, but I guess you can manage
alone. You always do the biggest part of the
canning, anyway. I’m awfully sorry about your
sewing, Crete. I meant to fit your two thin dresses
before we went away, but the dressmaker made
Luella’s things so much more elaborate than I expected
that we really haven’t had a minute’s time,
what with all the lace insertion she left for us to
sew on. Perhaps you better run down to Miss
Mason, and see if she has time to fit them, if you
think you can’t wait till we get back. You’ll
hardly be going out much while we’re gone, you
know.”</p>
<p>“O, I’ll be all right,” said Aunt Crete happily.
“I guess I can fix up my gray lawn for while
Donald’s here.”</p>
<p>“Donald! Nonsense! It won’t matter what you
wear while he’s here. He’ll never know a calico
from a silk. Now look here, Crete, you’ve got to
be awfully careful, or you’ll let out when we went
off. There’s no use in his finding out we didn’t
want to see him. You wouldn’t want to hurt his
feelings, you know. Your own sister’s child!”</p>
<p><span class="pagenum"><SPAN name="Page_20" id="Page_20">[20]</SPAN></span></p>
<p>“No, of course not,” agreed Aunt Crete, though
there was a troubled look in her eyes. She never
liked prevarication; and, when she was left with
some polite fabrication to excuse her relatives
out of something they wanted to shirk, she nearly
always got it twisted so that it was either an out-and-out
lie, which horrified her, or else let the
whole thing “out of the bag,” as Luella said.</p>
<p>But there was little time for discussion; for
Luella and her mother had a great deal of packing
to do, and Aunt Crete had the dinner to get and
the house to set in order, surreptitiously, for the
expected guest.</p>
<p>They hurried away the next morning in a whirl
of bags and suitcases and parasols and umbrellas.
They had baggage enough for a year in Europe,
although they expected to stay only two or three
weeks at the shore at most. Aunt Crete helped
them into the station-cab, ran back to the house
for Luella’s new raincoat, back again for the veil
and her sister’s gloves, and still a third time to
bring the new book, which had been set aside for
reading on the journey. Then at last they were
gone, and with one brief sigh of satisfaction Aunt
Crete permitted herself to reflect that she was<span class="pagenum"><SPAN name="Page_21" id="Page_21">[21]</SPAN></span>
actually left alone to receive a dear guest all her
own.</p>
<p>Never in all her maiden existence had she had
this pleasure before. She might use the best
china, and have three kinds of pie at once, yes,
and plum-cake if she chose. Boys like pie and
cake. Donald would be a big, nice boy.</p>
<p>What did it matter to her if he was awkward
and from the West? He was in a large sense her
own. Hannah was gone, and there was no one
else to take a closer place. Who but his mother’s
sister should have the right to mother him for a
while? He would be her own as Luella never had
been, because there was always Luella’s mother
to take the first place. Besides, Luella had been
a disappointing baby. Even in her infancy she
had developed an independence that scorned kissing
and cuddling. Luella always had too many selfish
interests on hand to have time for breathing
out love and baby graces to admiring subjects.
Her frown was always quicker than her smile.
But somehow Aunt Crete felt that it would be different
with this boy, and her heart swelled within
her as she hurried into the house to make ready
for his coming.</p>
<p>The front hall was littered with rose-leaves.<span class="pagenum"><SPAN name="Page_22" id="Page_22">[22]</SPAN></span>
Luella had shaken a bunch of roses to get rid of
the loose leaves, and had found they were all loose
leaves; therefore she flung them down upon the
floor. She had meant to wear them with her new
pongee travelling-suit. It looked well to wear
roses on a journey, for it suggested a possible
admirer. But the roses had not held out, and now
Aunt Crete must sweep them up.</p>
<p>A glance into the parlor showed peanut-shells
scattered over the floor and on the table. A few
of Luella’s friends had come in for a few minutes
the evening before, and they had indulged in peanuts,
finishing up by throwing the shells at one
another amid shouts of hilarious laughter. Aunt
Crete went for the broom and dust-pan. If he
came early, the hall and parlor must be in order
first.</p>
<p>Luella and her mother had little time to waste,
for the tickets were barely bought and the trunks
checked before the train thundered up. It was a
through vestibuled train; and, as Luella struggled
up the steps of one car with her heavy suitcase, a
tall young man with dark, handsome eyes and a
distinguished manner swung himself down the
steps of the next car.</p>
<p>“Hello, Luella!” called a voice from a pony-cart<span class="pagenum"><SPAN name="Page_23" id="Page_23">[23]</SPAN></span>
by the platform. “You’re not going away to-day,
are you? Thought you said you weren’t going till
next week.”</p>
<p>“Circumstances made it necessary,” called Luella
from the top step of the car while the porter held
up the suitcase for her to take. “I’m running
away from a backwoods cousin that’s coming to
visit. I’ll write and tell you all about it. Good-by.
Sorry I can’t be at your house to-morrow
night, but it couldn’t be helped.”</p>
<p>Then Luella turned another gaze upon the handsome
stranger, who was standing on the platform
just below her, looking about interestedly. She
thought he had looked at her more than casually;
and, as she settled herself in the seat, she glanced
down at her pongee travelling-suit consciously,
feeling that he could but have thought she looked
well.</p>
<p>He was still standing on the platform as the
train moved out, and Luella could see the girl in
the pony-cart turn her attention to him. She half
wished she were sitting in the pony-cart too. It
would be interesting to find out who he was.
Luella preened herself, and settled her large hat
in front of the strip of mirror between the windows,
and then looked around the car that she
might see who were her fellow passengers.</p>
<p><span class="pagenum"><SPAN name="Page_24" id="Page_24">[24]</SPAN></span></p>
<p>“Well, I’m glad we’re off,” said her mother nervously.
“I was afraid as could be your cousin
might come in on that early through train before
we got started. It would have been trying if he’d
come just as we were getting away. I don’t know
how we could have explained it.”</p>
<p>“Yes,” said Luella. “I’m glad we’re safely off.
He’ll never suspect now.”</p>
<p>It was just at that moment that the grocery-boy
arrived at the back door with a crate of red raspberries.</p>
<p>“Land alive!” said Miss Crete disappointedly.
“I hoped those wouldn’t come till to-morrow.” She
bustled about, taking the boxes out of the crate so
that the boy might take it back; and before she
was done the door-bell rang.</p>
<p>“Land alive!” said Miss Crete again as she
wiped her hands on the kitchen towel and hurried
to the front door, taking off her apron as she went.
“I do hope he hasn’t come yet. I haven’t cleared
off that breakfast-table; and, if he should happen
to come out, there’s three plates standing.”</p>
<p>But the thought had come too late. The dining-room
door was stretched wide open, and the table
in full view. The front door was guarded only by
the wire screen. The visitor had been able to take
full notes, if he so desired.</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_25" id="Page_25">[25]</SPAN></span></p>
<div style="break-after:column;"></div><br />