<h2><SPAN name="little-dramas-of-the-curbstone"></SPAN>Little Dramas of the Curbstone</h2>
<p><br/></p>
<p><span>The first Little Drama had for backing the
red brick wall of the clinic at the Medical
Hospital, and the calcium light was the
feeble glimmer of a new-lighted street lamp,
though it was yet early in the evening and quite
light. There were occasional sudden explosions of
a northeast wind at the street corners, and at long
intervals an empty cable-car trundled heavily past
with a strident whirring of jostled glass windows.
Nobody was in sight—the street was deserted.
There was the pale red wall of the clinic, severe as
that of a prison, the livid grey of the cement
sidewalk, and above the faint greenish blue of a windy
sky. A door in the wall of the hospital opened, and
a woman and a young boy came out. They were
dressed darkly, and at once their two black figures
detached themselves violently against the pale blue
of the background. They made the picture. All
the faint tones of the wall and the sky and the
grey-brown sidewalk focused immediately upon them.
They came across the street to the corner upon
which I stood, and the woman asked a direction.
She was an old woman, and poorly dressed. The
boy, I could see, was her son. Him I took notice
of, for she led him to the steps of the nearest
house and made him sit down upon the lowest one.
She guided all his movements, and he seemed to be
a mere figure of wax in her hands. She stood
over him, looking at him critically, and muttering
to herself. Then she turned to me, and her
muttering rose to a shrill, articulate plaint:</span></p>
<p><span>"Ah, these fool doctors—these dirty beasts of
medical students! They impose upon us because
we're poor and rob us and tell us lies."</span></p>
<p><span>Upon this I asked her what her grievance was,
but she would not answer definitely, putting her
chin the air and nodding with half-shut eyes, as
if she could say a lot about that if she chose.</span></p>
<p><span>"Your son is sick?" said I.</span></p>
<p><span>"Yes—or no—not sick; but he's blind,
and—and—he's blind and he's an idiot—born that
way—blind and idiot."</span></p>
<p><span>Blind and an idiot! Blind and an idiot! Will
you think of that for a moment, you with your full
stomachs, you with your brains, you with your two
sound eyes. Born blind and idiotic! Do you fancy
the horror of that thing? Perhaps you cannot, nor
perhaps could I myself have conceived of what
it meant to be blind and an idiot had I not seen that
woman's son in front of the clinic, in the empty,
windy street, where nothing stirred, and where
there was nothing green. I looked at him as he sat
there, tall, narrow, misshapen. His ready-made
suit, seldom worn, but put on that day because of
the weekly visit to the clinic, hung in stupid
wrinkles and folds upon him. His cheap felt hat,
clapped upon his head by his mother with as little
unconcern as an extinguisher upon a candle, was
wrong end foremost, so that the bow of the band
came upon the right hand side. His hands were
huge and white, and lay open and palm upward at
his side, the fingers inertly lax, like those of a
discarded glove, and his face——</span></p>
<p><span>When I looked at the face of him I know not
what insane desire, born of an unconquerable
disgust, came up in me to rush upon him and club
him down to the pavement with my stick and batter
in that face—that face of a blind idiot—and blot it
out from the sight of the sun for good and all. It
was impossible to feel pity for the wretch. I
hated him because he was blind and an idiot. His
eyes were filmy, like those of a fish, and he never
blinked them. His mouth hung open.</span></p>
<p><span>Blind and an idiot, absolute stagnation, life
as unconscious as that of the jelly-fish, an
excrescence, a parasitic fungus in the form of a man,
a creature far below the brute. The last horror
of the business was that he never moved; he sat
there just as his mother had placed him, his motionless,
filmy eyes fixed, his jaw dropped, his hands
open at his sides, his hat on wrong side foremost.
He would sit like that, I knew, for hours—for
days, perhaps—would, if left to himself, die of
starvation, without raising a finger. What was
going on inside of that misshapen head—behind
those fixed eyes?</span></p>
<p><span>I had remembered the case by now. One of the
students had told me of it. His mother brought
him to the clinic occasionally, so that the lecturer
might experiment upon his brain, stimulating it
with electricity. "Heredity," the student had
commented, "father a degenerate, exhausted race,
drank himself into a sanitarium."</span></p>
<p><span>While I was thinking all this the mother of the
boy had gone on talking, her thin voice vibrant
with complaining and vituperation. But indeed I
could bear with it no longer, and went away. I
left them behind me in the deserted, darkening
street, the querulous, nagging woman and her blind,
idiotic boy, and the last impression I have of the
scene was her shrill voice ringing after me the
oft-repeated words:</span></p>
<p><span>"Ah, the dirty beasts of doctors—they robs us
and impose on us and tell us lies because we're
poor!"</span></p>
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<p class="center pfirst"><span>* * * * *</span></p>
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<p><span>The second Little Drama was wrought out for
me the next day. I was sitting in the bay window
of the club watching the world go by, when my eye
was caught by a little group on the curbstone
directly opposite. An old woman, meanly dressed,
and two little children, both girls, the eldest about
ten, the youngest, say, six or seven. They had been
coming slowly along, and the old woman had been
leading the youngest child by the hand. Just as
they came opposite to where I was sitting the
younger child lurched away from the woman once
or twice, dragging limply at her hand, then its
knees wobbled and bent and the next moment it had
collapsed upon the pavement. Some children will
do this from sheer perversity and with intent to be
carried. But it was not perversity on this child's
part. The poor old woman hauled the little girl
up to her feet, but she collapsed again at once after
a couple of steps and sat helplessly down upon the
sidewalk, staring vaguely about, her thumb in her
mouth. There was something wrong with the
little child—one could see that at half a glance.
Some complaint, some disease of the muscles, some
weakness of the joints, that smote upon her like
this at inopportune moments. Again and again
her old mother, with very painful exertion—she
was old and weak herself—raised her to her feet,
only that she might sink in a heap before she had
moved a yard. The old woman's bonnet fell off—a
wretched, battered black bonnet, and the other
little girl picked it up and held it while she looked
on at her mother's efforts with an indifference that
could only have been born of familiarity. Twice
the old woman tried to carry the little girl, but her
strength was not equal to it; indeed, the effort of
raising the heavy child to its feet was exhausting
her. She looked helplessly at the street cars as
they passed, but you could see she had not enough
money to pay even three fares. Once more she set
her little girl upon her feet, and helped her
forward half a dozen steps. And so, little by little,
with many pauses for rest and breath, the little
group went down the street and passed out of view,
the little child staggering and falling as if from
drunkenness, her sister looking on gravely, holding
the mother's battered bonnet, and the mother herself,
patient, half-exhausted, her grey hair blowing
about her face, labouring on step by step, trying to
appear indifferent to the crowd that passed by on
either side, trying bravely to make light of the
whole matter until she should reach home. As I
watched them I thought of this woman's husband,
the father of this paralytic little girl, and somehow
it was brought to me that none of them would ever
see him again, but that he was alive for all that.</span></p>
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<p class="center pfirst"><span>* * * * *</span></p>
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<p><span>The third Little Drama was lively, and there
was action in it, and speech, and a curious, baffling
mystery. On a corner near a certain bank in this
city there is affixed to the lamp post a call-box that
the police use to ring up for the patrol wagon.
When an arrest is made in the neighbourhood the
offender is brought here, the wagon called for, and
he is conveyed to the City Prison. On the
afternoon of the day of the second Little Drama, as
I came near to this corner, I was aware of a crowd
gathered about the lamp post that held the call-box,
and between the people's heads and over their
shoulders I could see the blue helmets of a couple
of officers. I stopped and pushed up into the inner
circle of the crowd. The two officers had in
custody a young fellow of some eighteen or nineteen
years. And I was surprised to find that he was
as well dressed and as fine looking a lad as one
would wish to see. I did not know what the charge
was, I don't know it now,—but the boy did not seem
capable of any great meanness. As I got into the
midst of the crowd, and while I was noting what
was going forward, it struck me that the people
about me were unusually silent—silent as people
are who are interested and unusually observant.
Then I saw why. The young fellow's mother was
there, and the Little Drama was enacting itself
between her, her son, and the officers who had him
in charge. One of these latter had the key to the
call-box in his hand. He had not yet rung for the
wagon. An altercation was going on between the
mother and the son—she entreating him to come
home, he steadily refusing.</span></p>
<p><span>"It's up to you," said one of the officers, at
length; "if you don't go home with your mother,
I'll call the wagon."</span></p>
<p><span>"No!"</span></p>
<p><span>"Jimmy!" said the woman, and then, coming
close to him, she spoke to him in a low voice and
with an earnestness, an intensity, that it hurt one
to see.</span></p>
<p><span>"No!"</span></p>
<p><span>"For the last time, will you come?"</span></p>
<p><span>"No! No! No!"</span></p>
<p><span>The officer faced about and put the key into the
box, but the woman caught at his wrist and drew
it away. It was a veritable situation. It should
have occurred behind footlights and in the midst
of painted flats and flies, but instead the city
thundered about it, drays and cars went up and down in
the street, and the people on the opposite walk
passed with but an instant's glance. The crowd
was as still as an audience, watching what next
would happen. The crisis of the Little Drama
had arrived.</span></p>
<p><span>"For the last time, will you come with me?"</span></p>
<p><span>"No!"</span></p>
<p><span>She let fall her hand then and turned and went
away, crying into her handkerchief. The officer
unlocked and opened the box, set the indicator and
opened the switch. A few moments later, as I
went on up the street, I met the patrol-wagon
coming up on a gallop.</span></p>
<p><span>What was the trouble here? Why had that
young fellow preferred going to prison rather than
home with his mother? What was behind it all
I shall never know. It was a mystery—a little
eddy in the tide of the city's life, come and gone
in an instant, yet reaching down to the very depths
of those things that are not meant to be seen.</span></p>
<p><span>And as I went along I wondered where was the
father of that young fellow who was to spend his
first night in jail, and the father of the little
paralytic girl, and the father of the blind idiot, and it
seemed to me that the chief actors in these three
Little Dramas of the Curbstone had been
somehow left out of the programme.</span></p>
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